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  • [MUSIC PLAYING]

  • That's right, you cowards.

  • Yo, today we got an Academy Award-winning,

  • iconic filmmaker, and legendary New Yorker.

  • What's his name?

  • - Spike Lee, you cowards. - That's right.

  • Give it up for the ultimate Knicks fan.

  • Whoo!

  • Whoo!

  • Spike, my brother!

  • Oh, hail greatness.

  • My guy.

  • What's up?

  • Spike Lee in the building, y'all.

  • Yes, sir.

  • Spike, let's get down to the brass tacks right away.

  • How you feeling about the 2019 NBA draft?

  • I really wanted Zion.

  • MERO: Yeah, I know.

  • And no disrespect, his teammate, Duke, Barrett.

  • DESUS: RJ.

  • People forget that Michael Jordan was a number three pick.

  • That's right.

  • So we have hope.

  • So we have hope.

  • I have confidence in the New York

  • Knickerbockers' front office.

  • And we gotta get back to--

  • DESUS: Our winning ways?

  • Ooh. MERO: Chop it up, bro.

  • Chop it up. Chop it up.

  • When did we have winning ways, though?

  • Chop it up. I'm ready.

  • [SNORTING] - Well.

  • - I'm ready for the next coke. - Mero, what's up?

  • - Give me that Knicks coke. - Give me some hope, Spike.

  • Give me that Knicks coke. I need it.

  • - Spike, listen. - I need it.

  • When people think of Knicks fans, they think of us.

  • They're like, why do you guys still--

  • or why you guys still Knicks fans?

  • Why are you still a Knicks fan?

  • Because I grew up with what Will Frazier,

  • Dave DeBusschere, Bill Bradley, Coach Red Holzman, Willis Reed,

  • Cazzie Russell.

  • MERO: I talked to him.

  • I mean, that was a game 7.

  • May 8, 1970, the Willis Reed game, I was there

  • Mhm.

  • SPIKE LEE: The first championship.

  • MERO: And by the way, the other day was the 25th anniversary

  • of when Scottie Pippen dunked on Pat Ewing

  • and tried to get in your face.

  • And you was like, I think-- - No, no.

  • MERO: You said something to the effect of like,

  • yo, get the fuck out of here.

  • I'll fuck you up, Scottie.

  • No, no. You're getting--

  • It was something like that.

  • You're getting me mixed up with somebody else.

  • [LAUGHING]

  • Like, I don't--

  • I don't remember that happening.

  • SPIKE LEE: No, what it was is that after--

  • it was a great dunk.

  • But then he stepped over Patrick.

  • And then I was telling the ref that should be a fake.

  • And they called it. - Yeah.

  • Yeah, so they called it.

  • OK.

  • That's right, you know what I'm saying?

  • But I got--

  • a lot of people-- getting a lot of people

  • telling me about that 20th anniversary, so.

  • Yeah.

  • But look, me and Scottie have always been cool.

  • Mhm.

  • So the only thing they got accelerated was the,

  • you know, the thing with Reggie.

  • But for me, it is always--

  • here's the thing though.

  • People-- and again, me a Reggie are cool.

  • But it wasn't this.

  • He had was this and one hand was on his--

  • Nuts.

  • MERO: Whoo!

  • Ooh.

  • Oh, that's different.

  • And so that's that's--

  • That's different.

  • That's like, yeah. SPIKE LEE: That's--

  • DESUS: That's not some three-for-three shit.

  • That's like thirty--

  • That was the jump-off.

  • Yeah, that's-- we scrapping--

  • That was the jump-off.

  • It was not just that.

  • But that's history.

  • Me and Reggie are mad cool, so.

  • MERO: You never wrote something on somebody's belly button

  • tattoo?

  • Never knew about it.

  • You never been like, you, my man.

  • - Never, never. - What is that?

  • He got a sunflower around his belly button.

  • I never did that, never brought up his sister Cheryl.

  • So I mean, I've never gotten personal with him.

  • Yo, like, yo-- shows us the-- [INTERPOSING VOICES]

  • DESUS: You never-- you could have.

  • You just never have.

  • It's disrespectful, you know.

  • I mean, look--

  • MERO: You just got it in your back pocket

  • just in case he doesn't another crotch grab.

  • No, no.

  • [LAUGHING]

  • That stuff was a long, long, long time--

  • I just think that, you know, I'm very fortunate.

  • Because when I was going to the Garden,

  • I was in the blue seats, you know, so.

  • To sit where I sit, you know, I respect the players.

  • And, you know, I want the Knicks to win.

  • But I'm not going to disrespect them.

  • Are you going to one day buy the Knicks?

  • MERO: Please do.

  • You got to have--

  • you got to speak to brotherman, who just donated, who--

  • Dre [INAUDIBLE].

  • DESUS: No.

  • Robert.

  • MERO: Oh, they donated to Morehouse.

  • DESUS: That guy from-- the Morehouse guy.

  • SPIKE LEE: Yeah, 40 mil, yeah, he paid everyone's tuition.

  • DESUS: But I think he's like trying to help--

  • like it would seem like a big waste of money

  • to buy the Knicks.

  • Like, that's not really helping the black community.

  • First of all, the Knicks aren't for sale.

  • Dolan said if you bring the right amount--

  • SPIKE LEE: He is not selling the Knicks nor the Rangers.

  • DESUS: Well, as a Knicks fan, I like to believe lies.

  • So I have to go with this.

  • You know what I'm saying?

  • What lies you believe in?

  • That he will one day sell the Knicks.

  • I have a Kevin Durant Knicks jersey already.

  • SPIKE LEE: You got one?

  • - I already got one. - You wearing it?

  • And I got a Kimble one.

  • And I wear them both at the same time, layered.

  • Don't be jinxing stuff, man.

  • [LAUGHING]

  • I don't like to tell you about nothing before it happens.

  • Listen--

  • But I was really--

  • I thought that, you know, the draft when it got

  • down to the last three, I thought

  • for sure that Zion was gonna--

  • MERO: When the Lakers got over four, we were like, yeah!

  • And then our Xanadu turned into a waterloo.

  • Yep.

  • But here's the thing though--

  • what does Anthony Davis want to do?

  • And that's the thing.

  • That's another question I was going to ask you.

  • Do keep the pick and pick Barrett?

  • Or do you try to trade the pick and get somebody else?

  • Get you an AD, you know what I mean?

  • But do you want AD?

  • Hell yeah.

  • The motherfucker's 7'7'' can dribble and dunk on everybody.

  • I'm just saying, like, OK, yes, he's a guaranteed

  • superstar and everything.

  • But what is his upside?

  • SPIKE LEE: He's a max player.

  • But what's his upside?

  • Like, what do-- are we gonna get as

  • much as we can get from this potential trading

  • these players?

  • I'm sorry, how old-- how young is he?

  • The guy--

  • But doesn't he get hurt pretty often?

  • Man.

  • Yes.

  • He can ball.

  • He can ball if he stays healthy.

  • MERO: He's certified.

  • So let me ask you a question-- if we have two max contracts,

  • who are you going to get?

  • I'm just saying, like, we have to think

  • about this because the Knicks-- SPIKE LEE: All right.

  • I'm asking you a question.

  • The Knicks love to [INAUDIBLE]..

  • We have two--

  • [INTERPOSING VOICES]

  • We've got two max--

  • name me your one.

  • I want KD.

  • I want KD and Kemba.

  • What happened to Kyrie?

  • MERO: Look, look. - Uh, Kyrie.

  • I'm asking a question.

  • I'm gonna answer the question, Spike.

  • MERO: I like Kyrie. - All right.

  • Now you're not Spike Lee, the director.

  • You're Spike Lee in the barbershop, my nigga.

  • All right?

  • MERO: Look, look.

  • Kyrie-- we fuck with Kyrie.

  • Why you call me the N-word, yo?

  • [LAUGHING]

  • Yo.

  • Why you call me the N-word on national television.

  • I'm sorry. I'm passionate.

  • I've been this way since since they traded Sprewell.

  • MERO: Yo, we fuck with-- - That was--

  • MERO: We fuck with Kyrie.

  • What about-- we traded Patrick before that, though.

  • Yeah.

  • Why Patrick can't be a coach, Knicks?

  • So where-- my man's gonna be the coach of Michigan.

  • Who?

  • Who was on the--

  • tell me. AUDIENCE: Juwan Howard.

  • Oh, Juwan Howard?

  • Yeah.

  • Juwan Howard, yeah, he deserved it.

  • Shout out to him.

  • I thought he went straight from the League

  • to coaching in college.

  • Because that motherfucker been in the League

  • for like 38 years.

  • I thought he was still playing to be honest.

  • Facts.

  • I thought he was just going to show up and like--

  • Desus come off the bench for the Knicks one day,

  • like, oh, shoot.

  • I'd be like, oh, shoot, we signed him?

  • Oh, shit.

  • But no, so Kemba Walker and--

  • And KD.

  • KD.

  • You think KD's coming?

  • I had strong feelings earlier.

  • But now I'm hearing rumors about he's going to the Nets.

  • And I'm like, oh, god.

  • Yeah, that would be disastrous.

  • - That would hurt. - No, he wouldn't--

  • - That would hurt. - He wouldn't do that.

  • That would hurt.

  • Knicks fans, would that not hurt?

  • AUDIENCE: Yeah. - Yeah.

  • Can you imagine like a Nets fan talking shit to you, bro?

  • That would have been like--

  • In front of the Shake Shack at Barclays?

  • Get the fuck out of here.

  • That would have been like Manny

  • Machado signing with the Mets, B.

  • Like, we would have been sick.

  • Whoever comes to the Knicks and helps

  • us win our first world championships since the '73--

  • Jesus Christ.

  • --'72, '73 season, is going to be like--

  • There's not-- there's nothing you can compare it to.

  • MERO: There's nothing comparable.

  • DESUS: We about to get [INAUDIBLE] the fuck out

  • of here.

  • But who-- someone has to want to do that though.

  • You know, where you are going to be

  • the person that took the orange and blue,

  • the Knickerbockers to the--

  • I don't want to make it spicy.

  • You know, I'm just saying, LeBron didn't

  • have the heart to try it, so.

  • Hey, It worked out for him.

  • Did it?

  • Because he's driving around in a Kia.

  • Yo, don't-- don't believe all the commercials you see.

  • That motherfucker's in a Bentley.

  • [LAUGHING]

  • He got the Kia--

  • He's got all the kids and his wife in a Kia, like, yeah.

  • No, don't believe all the commercials, people.

  • Whoever wants to come to New York,

  • has to understand the history.

  • And your place in history will be

  • enshrined forever to lead the Knicks to the promised land.

  • DESUS: That's true. That's true.

  • [INAUDIBLE].

  • So we've got two max players.

  • Who are they, you know--

  • What two players would you like to see?

  • I want to see KD.

  • Mhm.

  • And I love Kyrie.

  • But what happened in Boston in the playoffs,

  • and the players are talking.

  • You know, it's kind of--

  • MERO: It's a little shaky.

  • That's the thing.

  • If it is, like, do you want that?

  • I mean, if what we read and what we hear that the players,

  • you know, like, then that's something that has to be

  • in the-- but I have faith in the New York Knicks front

  • office to see if, you know.

  • But Kemba's-- where's Kemba?

  • He's from the Bronx, right? DESUS: Yeah.

  • MERO: All day, Soudview we out here

  • BX all day, all right.

  • You already know.

  • So I've always, always loved his game.

  • You know, we playing for the Gauchos.

  • You know what I'm saying?

  • True New Yorker.

  • But you calling us back for the fight?

  • Well.

  • So we also-- again, there's no guarantee

  • that we're going to get--

  • MERO: We're going to end up with Terry Rozier in one

  • of the markets, one of the Collins twins,

  • or one of the Plumlees.

  • Do not--

  • [LAUGHING]

  • The Duke Plumlees?

  • [LAUGHING]

  • The Dukies?

  • I don't know, don't know.

  • You must have been to Bangkok to smoke something.

  • You said, the Plumlees.

  • Look, I just set the bar really

  • low so that I'm pleasantly surprised

  • when we get somebody that's--

  • SPIKE LEE: I have faith in the New York Knicks front office

  • that they're gonna do the job that

  • needs to be done to get us in the playoffs--

  • at least the playoffs. DESUS: That's, listen.

  • MERO: At least-- that's all we want.

  • DESUS: At least.

  • Let us smell the playoffs.

  • And I love coach too.

  • Yeah. Oh, Fizdale.

  • MERO: Shout out to Coach Fiz.

  • You know, and I like our young players.

  • So we got to- we've got to move on.

  • We're trying to get an EGOT.

  • How do we do--

  • give us a hint for the Oscar.

  • Like, what can we do?

  • Like what-- you got any old screenplays you

  • want to give us or something?

  • Like, how--

  • MERO: You know what I'm saying? DESUS: Do the right thing too.

  • Do-- - I'll tell you what--

  • DESUS: Do one of the right things.

  • I'll tell you what I tell my students at NYU.

  • There are no shortcuts.

  • That's not what we want to hear, Spike.

  • [LAUGHING]

  • We want to hear [INAUDIBLE].

  • You sound like my students.

  • [LAUGHING]

  • - I don't want to hear this. - Nah.

  • Tell me the formula.

  • Nah.

  • I've kind of got the formula.

  • The formula is hard work.

  • DESUS: No.

  • I kind of got the formula.

  • No half-stepping.

  • DESUS: Rosie Perez--

  • SPIKE LEE: No backsliding.

  • nipples-- the ice.

  • That was my third film.

  • And it worked.

  • We've seen it the other day.

  • We're still talking about it.

  • She was like, I don't want to talk about it no more.

  • Who, Rosie? DESUS: Yeah, Rosie.

  • She did a FYC thing.

  • What?

  • - For your consideration. - Well, yeah, yeah.

  • MERO: We doing every panel now, Spike.

  • You know what I'm saying?

  • Nah, no.

  • You know, props to Rosie.

  • That was her first film, still lives in Fort Greene.

  • You know, Rosie's, you know, we've been great friends.

  • In fact, this June 30, I'm going to want you guys to come.

  • June 30 will be the 30th anniversary

  • of "Do the Right Thing."

  • Nice.

  • And so we'll invite you to the block party.

  • - Word? - Yeah.

  • Everybody, the whole gang gonna be there?

  • Yeah.

  • - Turturro, everybody? - Hopefully.

  • Yeah.

  • And it's open to the public.

  • That's right.

  • "Do the Right Thing" was shot on one block.

  • Mhm.

  • And several years ago, New York City renamed that block

  • Do the Right Thing Way.

  • DESUS: OK.

  • The first time it's ever been done in the history

  • of the city for a film.

  • And it's in Bed-Stuy, do or die, so.

  • DESUS: Come through.

  • Check out my Instagram.

  • June 30 is going to be one of the big culture events

  • in New York City this summer-- June 30.

  • That's right.

  • I'm gonna throw a garbage can through that window.

  • Whoo, boy!

  • What?

  • Sal's burnt down.

  • You're late.

  • Oh, I didn't say a pizzeria.

  • I'm just gonna throw a garbage hand through a window.

  • That shit might be an artisanal coffee shop, be like, ah!

  • Ah!

  • Fuck that Gregory's coffee.

  • It's called Bed-Stuy, do or die.

  • Do or die.

  • So don't be throwing no--

  • Well, not everyone in Bed-Stuy at this--

  • it was called Bed-Stuy, do or die,

  • at a certain period in time.

  • Now it's called Bed-Stuy, hi, please,

  • my child has peanut allergies, so.

  • [LAUGHING]

  • MERO: That's not--

  • Sadly true.

  • OK.

  • I'm leaving a post-it on your door.

  • Sadly true.

  • Oh, man.

  • But also, you know, we were talking about gentrification.

  • I wrote that script in 1988.

  • You remember that scene with John

  • Savage wearing that Larry Bird.

  • MERO: Larry Bird jersey, yeah.

  • That's about gentrification.

  • The film came out in '89.

  • DESUS: You was warning them.

  • 30 years ago!

  • We were talking about polar caps melting,

  • global warming, all that stuff.

  • So yeah, I mean, you look at, very sadly,

  • Radio Raheem and Eric Garner.

  • Yeah.

  • I was right there.

  • I mean, man, we had the crystal ball, a lot

  • of that stuff in that film.

  • DESUS: What's it like putting those messages

  • in films and mass parts of the audience just not getting it?

  • Because I think the majority, we saw it, and we got it.

  • Well, I think that several of my films,

  • you know, people did not get it right away.

  • One of my most--

  • I think, the film that people loved more than anything

  • I've done is "Crooklyn."

  • DESUS: Mhm.

  • MERO: Mhm.

  • And when the film came out, and there's

  • a scene when it's like, when the scene

  • where Troy goes down south.

  • And we shot it with anamorphic lenses.

  • People did not understand that.

  • They were like going up to the projector and banging on it.

  • And now people love it.

  • So sometimes, you know, people just gotta catch up with stuff.

  • I mean, but I've been saying the phrase "wake

  • up" started in the second film.

  • That was '88.

  • DESUS: Damn.

  • '88, so you know, we've been doing this for a minute.

  • MERO: I'm very broke.

  • So I can't send none of my kids-- well,

  • I'm not broke-broke.

  • But I don't got send all four of my kids to NYU money.

  • What is something I can tell them, Spike Lee said this?

  • How old are they?

  • MERO: 8, 5, 3, and 2.

  • Because my oldest son--

  • my oldest son, he's already-- he's eight.

  • And he's already like, yo, I'm writing scripts.

  • I'm writing screenplays.

  • SPIKE LEE: Encourage him. - Yeah.

  • But here's the thing though.

  • I don't think it's-- for me, it should not be--

  • if I may say this-- that not because--

  • do this because you want it, because you love it,

  • not because you think it's gonna make money for you.

  • MERO: Right.

  • I mean, because that's the--

  • for me, that's the gravy.

  • I never-- I'm doing this because I love doing it.

  • All the other stuff is just, you know, a benefit.

  • But I never decided I'm gonna be a filmmaker, like, I wanted to

  • because I want to make money.

  • That never, ever entered my thought process.

  • So you're saying we shouldn't make "Color

  • Purple 2" with Amy Schumer?

  • With who?

  • [LAUGHING]

  • First of all, you make that film,

  • you better speak to Mrs. Steven Spielberg first.

  • Ah, we'll clear it up afterwards.

  • MERO: I've got Oprah on the phone right now.

  • DESUS: Yo, O, we back in business.

  • You have to speak to Mrs. Spielberg first.

  • He'll be like, Desus who?

  • I'll be like, Spike said it was a good idea.

  • [LAUGHING]

  • And Spielberg knows that--

  • That you should know the thing?

  • That you cannot pin it on me.

  • He'll be like, who, Spike Jones?

  • But it's refreshing to hear that after all these years

  • that you just doing it for the love, man.

  • But them Nike checks be hitting though.

  • But here's the thing though.

  • I always knew that I wanted to.

  • As a famous line from one of my favorite films,

  • "The Godfather," if I'm an artist and making work,

  • I want to wet my beak and make money from my art.

  • But that was not--

  • I must say, I want to be a filmmaker so I

  • can be famous or make money.

  • That was never, ever--

  • You just had a vision you wanted to share with the world?

  • It happened at Morehouse, where

  • I decided at the summer between my sophomore and junior years

  • that I always had the--

  • and not chosen a major.

  • And my advisor told me, don't come back to school in the fall

  • for you junior without thinking about the major.

  • And I decided mass communications,

  • took those classes at Clark College

  • and a great teacher, professor.

  • Herbert Eichelberger was still teaching there, encouraged

  • me to be a filmmaker.

  • And that's-- finished Morehouse.

  • Came back to school going to NYU.

  • My class-- my classmates, Ernest Dickerson and Ang Lee,

  • all in the same class.

  • And so you know, getting it done since then.

  • Facts.

  • And what about the acting?

  • Because you've acted in a lot of your films.

  • So it's like-- - Yeah, yeah.

  • But that was--

  • Was it just a circumstance?

  • That was a humble--

  • I cannot-- "She's Gotta Have It,"

  • the Mars Blackmon character, we couldn't afford to pay anybody.

  • So I just--

  • DESUS: Yeah, you was like, I'll do it myself.

  • I'll do it.

  • And then Bill Davenport and Jim Riswold, who worked at Nike,

  • saw the film.

  • And they started a deal.

  • They called me up.

  • It was their idea to pair MJ and myself.

  • And you know, the rest is history.

  • You still cool with MJ?

  • Yeah, mad cool.

  • You text him like, yo, that earring looks stupid?

  • That what?

  • That earring?

  • We don't have that type of relationship.

  • Oh, I was just gonna ask.

  • I gotta ask.

  • You guys can make jokes on air because you

  • don't know the brother.

  • Ah! Yeah, we know.

  • We'll see if he's gonna choke us out.

  • And then also, MJ was born in Fort Greene too.

  • DESUS: Mhm. MERO: Facts, yeah.

  • DESUS: I mean, listen--

  • Whoa, whoa, Cumberland Hospital--

  • him, Bernard King, Albert King, and Mike Tyson.

  • Ooh.

  • All born in Cumberland Hospital,

  • Fort Greene, the People's Republic of Brooklyn, New York.

  • That's cool.

  • But I was born in Lincoln Hospital with Hell Rell.

  • What's up?

  • Uh-uh, BX, you know what it is.

  • Uh-uh.

  • [LAUGHING]

  • Oh, well, the days of Brooklyn and the Bronx beefing

  • are long gone.

  • MERO: Oh, yeah, for sure, long gone.

  • DESUS: But the the Bronx won.

  • Love-- what?

  • The Bronx won.

  • What'd you win?

  • We won!

  • [LAUGHING]

  • We won.

  • The Bronx won.

  • Name a rapper--

  • Hell Rell, Cardi B.

  • But what about Biggie and Jay-Z?

  • What two you got?

  • All right.

  • No, what two do you have?

  • Biggie and Jay-Z.

  • - You know what? - What?

  • I'mma tell you. SPIKE LEE: What?

  • I'mma tell you.

  • I'mma tell you.

  • But I'mma tell you in an acronym.

  • I'mma tell you the acronym.

  • [LAUGHING]

  • I'mma tell, yo--

  • Brooklyn in the house!

  • MERO: Spike, I'mma tell you the acronym.

  • Brooklyn in the house.

  • MERO: You got-- that's true.

  • You got Biggie.

  • You got J.

  • SPIKE LEE: Right.

  • But knowledge reigns supreme over nearly everybody.

  • Can I just say this though.

  • [LAUGHING]

  • Because we don't have that much time.

  • But I have to give respect to the Boogie Down--

  • You know what I'm saying, BDB.

  • --the birthplace of hip hop.

  • People don't realize this.

  • It was Puerto Ricans and African-Americans

  • that created this art form.

  • DESUS: Yes.

  • [APPLAUSE]

  • In the Boogie Down Bronx, young brothers

  • and sisters, black and Puerto Rican boricuas

  • created this art form.

  • which has changed the world.

  • DESUS: Mhm.

  • And you know, people forget like where shit started.

  • DESUS: Yeah.

  • Who created this?

  • Where'd it start?

  • And so I never had a problem with the Bronx, ever.

  • And we never had, like, fam, we're in the Bronx.

  • It's too far to go to Brooklyn, so.

  • Well, it's too much.

  • It's like, I know I've got an hour and 1/2 on the train.

  • Whoa, whoa, tell the truth.

  • Tell the truth.

  • Growing up, you live in the Bronx too?

  • MERO: Yeah.

  • If a fine sister lived in Brooklyn, what would happen?

  • I guess I'm on that train to pick houses.

  • No, no, no, no.

  • It's GI-- graphically inconvenient.

  • Ah, no, no, no, different times.

  • Whoa, whoa, whoa, tell the truth.

  • Tell the truth.

  • I ain't gonna lie to you, brother.

  • I went to-- DESUS: Have you trooped?

  • You ever trooped? - I troop.

  • I troop. I troop.

  • I took the 2 train.

  • I thought this train only ran in the Bronx.

  • [LAUGHING]

  • Until I got off at Franklin Ave--

  • Franklin Avenue?

  • And I was like, this ain't the Bronx.

  • [LAUGHING]

  • DESUS: I remember I took the 4 to Utica.

  • And shorty said, get off, take a dollar van,

  • and then take another dollar van.

  • MERO: Ah!

  • DESUS: And I was like, I'll see you in 20 minutes.

  • [LAUGHING]

  • - So you went anyway? - I went.

  • There was mad niggas in front of the building.

  • You know what I mean?

  • I had to play it off and shit.

  • SPIKE LEE: They didn't say, where you from?

  • I was ah, I did the--

  • I was like, sup, man?

  • [LAUGHING]

  • Yo, you here to see Tanesha?

  • Nah, nah, nah.

  • That's my cousin.

  • I went out with her in fourth grade.

  • You violated her.

  • You know what I'm saying?

  • She still fucks with me, yo.

  • That's my boo. That's my wiz.

  • Nah, nah, not me.

  • That was a--

  • DESUS: That was a moment.

  • GI.

  • GI.

  • You never GI'd to the Bronx?

  • Go to Yankee Stadium.

  • [LAUGHING]

  • That was it.

  • I mean--

  • Nothing buns-related?

  • To go to Bronx--

  • For some-- for some cheeks?

  • I lived in Brooklyn.

  • Why I gotta go to Bronx?

  • DESUS: You didn't want to go to like, Act

  • III or Skate Key or something?

  • The what?

  • Skate Key?

  • What's that?

  • - Oh, we got some issues. - What, rollers?

  • The Skate Key.

  • It's a roller rink in the Bronx.

  • It was kind of a roller rink.

  • But it was also a gang arena.

  • So it's like, depending on what type you went.

  • MERO: It's like Medieval Times for the hood.

  • And why should I have been?

  • I'm glad I ain't go.

  • Because that shit was popping.

  • We was in there without the fucking--

  • what was the-- what was the hats?

  • MERO: The little derbies.

  • - The derbies. - With the coogies?

  • - Come on, man. - Ooh.

  • - Come on, yo. - That's all right.

  • I'm glad I missed nothing.

  • [LAUGHING]

  • Ah, man.

  • Spike, we could sit here and talk to you forever.

  • We know you got places to go.

  • You're a busy man.

  • So at the end of every interview,

  • we ask people with their neon sign

  • to say-- you're a New Yorker.

  • You know what it is.

  • Every bodega has a neon sign, hot foods.

  • You know, don't let this guy get credit.

  • He's not going to pay us back.

  • What would your neon sign say?

  • "Do the Right Thing."

  • Good one.

  • Man, Spike Lee, y'all.

  • Yo, thank you, Spike.

  • Yo, "She's Gotta Have It" is streaming on Netflix right now.

  • Watch that shit.

  • Spike Lee in the building-- give it up for the legend,

  • y'all. - Thank you.

  • Yeah.

  • [APPLAUSE]

  • Thank you.

  • Thank you.

  • Yo, my man.

  • You guys got to do a movie, you know.

  • What movie should we do?

  • Should write it.

  • Ah, now we got to write it.

  • See?

  • Eh.

  • Let's do "Belly 2--

  • More Belly."

  • Nah, something original.

  • "Malcolm X 2."

  • Something original.

  • "Outside Man."

  • [LAUGHING]

  • Something original!

  • [MUSIC PLAYING]

[MUSIC PLAYING]

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