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  • Good afternoon. As you are all aware, we face difficult economic times.

  • I come to you with a modest proposal for easing the financial burden.

  • This idea came to me while talking to a physicist friend of mine at MIT.

  • He was struggling to explain something to me.

  • A beautiful experiment, that uses lasers to cool down matter.

  • He confused me from the very start,

  • because light does not cool things down.

  • It makes it hotter. It is happening right now.

  • The reason that you can see me standing here

  • is because this room is filled with more than one hundered quintillion photons.

  • And they are moving randomly through the space, near the speed of light.

  • All of them are different colours.

  • They are rippling with different frequencies.

  • And they are bouncing off every surface, including me.

  • Some of those are flying directly into your eyes,

  • and that is why your brain is forming an image of me standing here.

  • Now, laser is different.

  • It also uses photons,

  • but they are all synchronized.

  • If you focus them into a beam

  • what you have is an incredibly useful tool!

  • The control of the laser is so precise,

  • that you can peform surgery inside of an eye.

  • You can use it to store massive amounts of data,

  • and you can use it for this beautiful experiment,

  • that my friend was struggling to explain.

  • First, you trap atoms in a special bottle, that uses electromagnetic fields

  • to isolate the atoms from the noise of the environment.

  • And the atoms themselves are quite violent,

  • but if you fire lasers

  • that are precisely tuned to the right frequency,

  • an atom will briefly absorb those photons and tend to slow down.

  • Little by little it gets colder until eventually it approaches absolute zero.

  • Now, if you use the right kind of atoms and you get them cold enough,

  • something truly bizarre happens.

  • It's no longer a solid, a liquid or a gas,

  • it enters a new state of matter, called a superfluid.

  • The atoms lose their individual identity,

  • and the rules from the quantum world take over.

  • And that's what gives superfluid such spooky properties.

  • For example, if you shine light through a superfluid,

  • it is able to slow photons down to 60 km/h.

  • Another spooky property is that it flows with absolutely no viscosity or friction,

  • so if you were to take the lid of that bottle it won't stay inside.

  • A thin film will creep up the inside wall, flow over the top

  • and right out to the outside.

  • Now, of course, at the moment that it does at the outside environment

  • and its temperature rises by even a fraction of a degree,

  • it immediately turns back into normal matter.

  • Superfluids are one of the most fragile things we've ever discovered.

  • And this is the great pleasure of science,

  • the defeat of our intuition through experimentation.

  • But the experiment is not the end of the story,

  • because you still have to transmit that knowlege to other people.

  • I have a PhD in Molecular Biology.

  • I still barely understand what most scientists are talking about.

  • So, as my friend was trying to explain that experiment,

  • it seemed like, the more he said, the less I understood.

  • Because, if you're trying to give someone the big picture of a complex idea,

  • to really capture its essence, the fewer words you'd use, the better.

  • In fact the ideal may be to use no words at all.

  • I remember thinking

  • "My friend could have explained that entire experiment with a dance."

  • Of course, there never seem to be any dancers around when you need them.

  • Now, the idea is not as crazy as it sounds.

  • I started a contest four years ago called "Dance Your PhD".

  • Instead of explaining the research with words, scientists have to explain it with dance.

  • Suprisingly, it seems to work.

  • Dance really can make science easier to understand.

  • But don't take my word for it.

  • Go on the internet and search for "Dance Your PhD".

  • There are hundreds of dancing scientists waiting for you.

  • The most suprising thing that I 've learnt while running the contest,

  • is that some scientists are now working directly with dancers on their research.

  • For example, at the University of Minnesota there is a biomedical engineer

  • named David Odde, and he works with dancers to study how cells move.

  • They do it by changing their shape.

  • When a chemical signal washes up on one side

  • it triggers the cell to expand its shape on that side,

  • because the cell is constantly touching and tugging at the environment.

  • So, that allows cells to ooze along in the right directions.

  • But what seems so slow and graceful from the outside is really more like chaos inside.

  • Because cells control their shape with a skeleton of rigid protein fibres.

  • And those fibres are constantly falling apart.

  • But just as quickly as they explode, more proteins attach to their ends and grow them longer.

  • So it's constanlty changing, just to remain exactly the same.

  • David builds mathematical models of this, and then he tests those in a lab,

  • but before he does that, he works with dancers to figure out

  • what kinds of models to build in the first place.

  • It is basically efficient brainstorming.

  • And when I visited David to learn about his research,

  • he used dancers to explain it to me rather than the usual method, PowerPoint.

  • And this brings me to my modest proposal.

  • I think that bad PowerPoint presentations are a serious threat to the global economy.

  • (Laughter)

  • (Applause)

  • It does depend on how you measure it, of course,

  • but one estimate has put the drain at 250 million dollars per day.

  • Now that assumes half hour presentation for an average audience of four people

  • with salaries of 35.000 dollars.

  • And it conservatively assumes that about a quarter of the presentations are complete waste of time.

  • And given that, there are some, apparently, 30 million PowerPoint presentations

  • created every day, that would indeed add up to an annual waste of a hundred billion dollars.

  • Of course that's just the time we're losing sitting through presentations.

  • There are other costs.

  • Because PowerPoint is a tool, and like any tool, it can and will be abused.

  • To borrow a concept from my country's CIA,

  • it helps you to soften up your audience,

  • it distracts them with pretty pictures, irrelevant data.

  • It allows you to create the illusion of competence,

  • the illusion of simplicity, and most destructively,

  • the illusion of understanding.

  • So now my country is 15 trillion dollars in debt.

  • Our leaders are working tirelessly to try and find ways to save money.

  • One idea is to drastically reduce public support for the Arts.

  • For example, our National Endowment for the Arts, with its 150 million dollar budget.

  • Slashing that programme would immediately reduce the national debt by about 0.011%.

  • One certainly cannot argue with those numbers.

  • However, once we eliminate public funding for the Arts, there will be some drawbacks.

  • The artists on the street will swell the ranks of the unemployed.

  • Many will turn to drug abuse and prostitution,

  • and that will inevitably lower propery values in urban neighbourhoods.

  • All of this could wipe out the savings we are hoping to make in the first place.

  • I shall now therefore humbly propose my own thoughts,

  • which I hope will not be liable to the least objection.

  • Once we eliminate public funding for the artists, let's put them back to work,

  • by using them instead of PowerPoint.

  • As a test case, I propose we start with American dancers.

  • After all, they are the most perishable of their kind,

  • prone to injury and very slow to heal due to our health care system.

  • (Laughter)

  • Rather than dancing our PhDs,

  • we should use dance to explain all of our complex problems.

  • Imagine our politicians using dance to explain why we must invade a foreign country,

  • or bail out an investment bank.

  • It'd sure help.

  • Of course some day, in the deep future, a technology of persuasion,

  • even more powerful than PowerPoint may be invented,

  • rendering dancers unnecessary as tools of rhetoric.

  • However, I trust that by that day,

  • we shall have passed this present financial calamity.

  • Perhaps by then, we will be able to afford the luxury of just sitting in an audience,

  • with no other purpose than to witness the human form in motion.

  • (Music)

  • (Applause)

Good afternoon. As you are all aware, we face difficult economic times.

Subtitles and vocabulary

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B1 US powerpoint explain experiment illusion slow tool

John Bohannon & Black Label Movement - Dance Your PhD

  • 38 0
    李應振 posted on 2013/02/11
Video vocabulary

Keywords

dance

US /dæns/

UK /dɑ:ns/

  • noun
  • A series of steps and movements in time to music
  • A social event with dancing while music is playing
  • verb
  • To move your body rhythmically to music
slow

US /sloʊ/

UK /sləʊ/

  • adjective
  • Lacking activity, busyness or excitement
  • (Clock) showing time earlier than the actual time
  • Having difficulty understanding simple things
  • Moving or happening without speed; not fast
  • verb
  • To move, with less speed than before
  • To move or go without much speed
friend

US /frɛnd/

UK /frend/

  • noun
  • A state or country that is on good terms with another
  • Person who you like and enjoy being with
  • other
  • To add someone to a list of contacts on a social networking site
dancing

US /ˈdænsɪŋ/

UK /ˈdɑ:nsɪŋ/

  • noun
  • Moving in a series of steps in time to music
  • verb
  • To move your body rhythmically to music
country

US /ˈkʌntri/

UK /ˈkʌntri/

  • adjective
  • Relating to or characteristic of the countryside.
  • Representing one's nation in sports or other competitions.
  • noun
  • An area of land that is controlled by a government
  • Open land that is away from towns and cities
  • A genre of popular music originating in the rural southern United States.
  • A nation with its own government, occupying a particular territory.
  • The people of a nation or region.
  • The land and buildings outside of towns and cities.
  • The rural part of a region, as distinguished from towns or cities.
  • An area of land; a region.
  • other
  • A genre of popular music originating in the rural southern US.
  • A genre of popular music originating in the rural Southern US.
light

US /laɪt/

UK /laɪt/

  • other
  • The natural agent that stimulates sight and makes things visible.
  • adjective
  • Not burdensome or demanding; easy.
  • Pale in color; not dark.
  • Being bright making it easy to see; not dark
  • Being pale and lacking darkness of color
  • Not heavy; weighing only a little
  • noun
  • An expression in the eyes indicating a particular emotion.
  • A source of energy that makes a room or area bright
  • A person who is a source of inspiration or guidance.
  • A lamp, bulb, or similar device used to provide illumination.
  • A traffic signal.
  • Knowledge or understanding.
  • Way in which something or someone is understood
  • other
  • To ignite or set fire to something.
  • To provide with light; illuminate.
  • verb
  • To cause something to burn; put a burning match to
  • To provide a way to see ahead
  • adverb
  • Carrying few bags when traveling
change

US /tʃendʒ/

UK /tʃeɪndʒ/

  • noun
  • Exchange of one set of clothes for another
  • Money in the form of coins instead of paper
  • Money returned after giving too much
  • Act of making or becoming something else
  • verb
  • To exchange one set of clothes for another
  • To exchange one kind of money for another
  • To replace something with another thing
  • To make or become something else
  • To go from one train, bus, etc. and go to another
day

US /de/

UK /deɪ/

  • noun
  • A period of 24 hours beginning at midnight
  • The period of time when it is light outside
  • Person's name
sit

US /sɪt/

UK /sɪt/

  • verb
  • To take an exam
  • To be in a resting position on a chair
  • To provide seating for people
  • To remain in a still position while being painted
long

US /lɔŋ, lɑŋ/

UK /lɒŋ/

  • noun
  • Person's name
  • other
  • To have a strong desire or yearning.
  • adjective
  • Large distance from one end to the other
  • Having many parts, e.g. a book with many chapters
  • verb
  • To have a strong desire for something or someone
  • adverb
  • For a large amount of time