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When I'm dancing it makes me feel like I'm flying.
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It feels like I'm free and it's the best feeling.
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I started dance when I was seven years old
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and I didn’t know that I wanted to be a dancer,
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but this was inside of me
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and was so easy,
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it was like my body was ready to do that.
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I just realised that I want to keep doing this for life.
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When I was a kid, I was the only black dancer in the studio
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with more than 50 white ballerinas.
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When you think ballet, you think about white people dancing.
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I heard that I was never going to make any classical company
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because I was a black ballerina.
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How you say to someone that you're not going to make your dreams
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and I never stop to fight and I'm here now.
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Freedom came when I moved to London
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and I can see that I could be a black ballerina.
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I can dance with white dancers, black dancers
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and it's just amazing.
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When I'm improvising it's kind of my style of dance.
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It's a mix of what I learned as a classical, as a contemporary dance
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but it’s the way I move my body, it's not really choreographed.
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I do love to dance the big classicals
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and everybody looked the same - same arms.
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This is like, technical.
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But I do love to have this freedom as well - that I can move as me.
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It's the movement, it's the music.
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It's part of freedom -
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that you connect to with your own body.
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It's been a long journey
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and I love how far and how beautiful I've become.
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Inside the studio we have all types of bodies, all types of dancers,
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and colours, we are mixed.
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And we only have one single language and it's dance.
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We are celebrating freedom.
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We're celebrating diversity, equality in one studio
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and I wish it wasn’t just inside this studio,
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it was in the whole world.
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I have a tattoo saying "believe" and it's like a note to...
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I'd wake up or when I'm on the train or somewhere
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and I look and say "you always have to believe
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that you're going to get there."
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To never forget.
