It's kind of hard to summarize it.

It is extraordinary.

It's a It's a wonderful illustration of the skill and the talent on the dedication that we now have in the British TV.

Wonderful cast, absolutely fabulous cows.

Yeah, they're all wonderful.

I'm I'm really spilled Luthi.

Ometer says that Lyra has to make a journey.

I'm really looking forward to the scenes in the balloon, and I'm longing to see Lin Manuel fly it for us.

That was one of the scenes I most enjoyed writing about in any adaptation.

The one word itself says that story has we adapted its inevitable.

I wasn't going to be insistent that every single item in the story had to be exactly presented as it was on the page story as a whole concerned something that every one of us goes through in her life.

And that's the change from childhood to adulthood, from innocence to experience, way apprehend things that we think of things where we see the world.

That's the heart of the story.

When I discovered that Laura had a demon, I didn't really know what it was or what it was for.

I realize that because I knew what kind of theme of the whole Wasit was innocence and experience thing.

I could use the demon to signal the difference between being a child, which is malleable, inflexible on your demon can change shape on dhe, gradually becoming an adult where your team and settles in one fix.

For once, I realized that that gave me the kind of clue to the whole thing, the best idea I ever had.

I'm very privileged to from seeing my story made into such a spectacular piece of work.