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  • well, it took me seven years and 1200 pages to tell the story.

  • It's kind of hard to summarize it.

  • It is extraordinary.

  • It's a It's a wonderful illustration of the skill and the talent on the dedication that we now have in the British TV.

  • Wonderful cast, absolutely fabulous cows.

  • Yeah, they're all wonderful.

  • I'm I'm really spilled Luthi.

  • Ometer says that Lyra has to make a journey.

  • I'm really looking forward to the scenes in the balloon, and I'm longing to see Lin Manuel fly it for us.

  • That was one of the scenes I most enjoyed writing about in any adaptation.

  • The one word itself says that story has we adapted its inevitable.

  • I wasn't going to be insistent that every single item in the story had to be exactly presented as it was on the page story as a whole concerned something that every one of us goes through in her life.

  • And that's the change from childhood to adulthood, from innocence to experience, way apprehend things that we think of things where we see the world.

  • That's the heart of the story.

  • When I discovered that Laura had a demon, I didn't really know what it was or what it was for.

  • I realize that because I knew what kind of theme of the whole Wasit was innocence and experience thing.

  • I could use the demon to signal the difference between being a child, which is malleable, inflexible on your demon can change shape on dhe, gradually becoming an adult where your team and settles in one fix.

  • For once, I realized that that gave me the kind of clue to the whole thing, the best idea I ever had.

  • I'm very privileged to from seeing my story made into such a spectacular piece of work.

well, it took me seven years and 1200 pages to tell the story.

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