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  • The Pythagorian philosopher Plato hinted

  • enigmatically that there was a golden key

  • that unified all of the mysteries of the universe.

  • It is this golden key that we will return to

  • time and again throughout our exploration.

  • The golden key is the intelligence of the logos,

  • the source of the primordial om.

  • One could say that it is the mind of God.

  • With our limited senses we are observing only the outer

  • manifestation of the hidden mechanics of self similarity.

  • The source of this divine symmetry is the greatest mystery of our existence.

  • Many of history's monumental thinkers such as Pythagoras, Keppler,

  • Leonardo da Vinci, Tesla and Einstein have come to the threshold the mystery.

  • Einstein said, "the most beautiful thing we can experience is the mysterious.

  • It is the source of all true art and science.

  • He to whom this emotion is a stranger,

  • who can no longer pause wondering and stand rapt in awe

  • is as good as dead. His eyes are closed."

  • We are in the position of a little child

  • entering a huge library filled with books in many different languages.

  • The child knows someone must have written those books.

  • It does not know how.

  • It does not understand the languages in which they are written.

  • The child dimly suspects a mysterious order in the arrangement of the books

  • but doesn't know what it is.

  • That, it seems to me, is the attitude of even the most

  • intelligent human being toward God.

  • We see a universe marvelously arranged and obeying certain laws.

  • Our limited minds can not grasp the mysterious force that moves the constellations.

  • Every scientist who looks deeply into the universe

  • and every mystic who looks deeply within the self,

  • eventually comes face to face with the same thing:

  • The Primordial Spiral.

  • A thousand years before the creation of the ancient observatory at Stonehenge,

  • the spiral was a predominant symbol on Earth.

  • Ancient spirals can be found in all parts of the globe.

  • Thousands of ancient spirals such as these can be found all over Europe,

  • North American New Mexico, Utah, Australia, China, Russia.

  • Virtually every indigenous culture on Earth.

  • The ancient spirals symbolize growth, expansion and cosmic energy embodied within the sun

  • and the heavens.

  • The spiral form is mirroring the macrocosm of the unfolding universe itself.

  • In native traditions, the spiral was the energetic source, the Primordial Mother.

  • The Neolithic spirals at Newgrange, Ireland date back five thousand years.

  • They are five hundred years old than the Great Pyramid at Giza

  • and they are just as enigmatic to modern observers.

  • The spiral goes back to a time in history when humans were more

  • connected to the Earth-to the cycles and spirals of nature.

  • A time when humans were less identified with thoughts.

  • The spiral is what we perceive to be the torque of the universe.

  • Prana, or creative force, swirls Akasha into a continuum of solid forms.

  • Found at all levels between the macrocosm and the microcosm,

  • from spiral galaxies

  • to weather systems,

  • to the water in your bathtub,

  • to your DNA,

  • to the direct experience of your own energy.

  • The Primordial Spiral is not an idea,

  • but rather that which makes all conditions and ideas possible.

  • Various types of spirals and helices are found throughout the natural world.

  • Snails.

  • Sea coral.

  • Spider webs.

  • Fossils.

  • Seahorses' tails.

  • And shells.

  • Many spirals appearing in nature are observable as logarithmic spirals

  • or growth spirals.

  • As you move out from the center the spiral sections get exponentially larger.

  • Like Indra's Net of Jewels, logarithmic spirals are self-similar

  • or holographic such that the characteristics of every part are

  • reflected in the whole.

  • 2400 years ago in ancient Greece, Plato considered continuous

  • geometric proportion to be the most profound cosmic bond.

  • The Golden Ratio, or divine proportion was nature's greatest secret.

  • The Golden Ratio can be expressed as

  • the ratio of A + B to A is the same as the ratio of A to B.

  • To Plato, the world's soul binds together into one harmonic resonance.

  • The same pentagonal pattern that exists in a starfish,

  • or in a slice of okra, can be seen in the path of

  • the planet Venus traced in the night sky over an eight year period.

  • The intelligible world of forms above and the visible world of material

  • objects below, through this principle of geometric self similarity.

  • From the self-similar spiral patterns of the Romanesco broccoli

  • to the arms of galaxies, logarithmic spirals are a ubiquitous and

  • archetypal pattern.

  • Our own Milky Way galaxy has several spiral arms which are logarithmic

  • spirals with a pitch of about 12 degrees.

  • The greater the pitch of the spiral, the tighter the turns.

  • When you observe a plant growing in time-lapse video you witness it

  • dancing with the spiral of life.

  • A golden spiral is a logarithmic spiral that grows outward

  • by a factor of the Golden Ratio.

  • The Golden Ratio is a special mathematical relationship that pops up

  • over and over in nature.

  • The pattern that is observable follows what is called the Fibonacci series

  • or Fibonacci sequence.

  • The Fibonacci series unfolds such that each number is the sum of the previous two numbers.

  • The German mathematician and astronomer Keppler discovered that self similar

  • spiral patterns are observable in the way leaves are arranged on stems of plants.

  • Or in the floret and petal arrangements of flowers.

  • Leonardo da Vinci observed that the spacing of leaves

  • was often in spiral patterns.

  • These patterns are called "phyllotaxis" patterns

  • or leaf arrangement patterns.

  • Phyllotaxis arrangements can be seen in self-organizing

  • DNA nucleotides

  • and in everything from the family trees of reproducing rabbits,

  • to pine cones,

  • cacti,

  • to snowflakes

  • and in simple organisms such as diatoms.

  • Diatoms are one of the most common types of phytoplankton;

  • single celled organisms that provide food for countless species

  • throughout the food chain.

  • How much math do you need to know to be a sunflower or a bee?

  • Nature doesn't consult the physics department to grow broccoli.

  • The structuring in nature happens automatically.

  • Scientists in the field of nanotechnology use the term self-assembly

  • to describe the way complexes are formed such as

  • in the initial hexagonal phase of DNA formation.

  • In nanotechnology engineering, carbon nanotubes

  • are comprised of a similar arrangement of materials.

  • Nature does this type of geometry over and over, effortlessly.

  • Automatically. Without a calculator.

  • Nature is precise and extremely efficient.

  • According to the famous architect and author Buckminster Fuller,

  • these patterns are a function of timespace.

  • DNA and honeycomb are the shape they are for the same reason a bubble is round.

  • It is the most efficient shape for requiring the least amount of energy.

  • Space itself has shape and allows only certain configurations for matter,

  • always defaulting to what is most efficient.

  • These patterns are the strongest and most efficient way to build

  • architectural structures such as geodesic domes.

  • Logarithmic spiral patterns allow plants maximum exposure to insects

  • for pollination, maximum exposure to sunlight and rain

  • and allow them to efficiently spiral water towards their roots.

  • Birds of prey use the logarithmic spiral pattern to stalk their next meal.

  • Flying in a spiral is the most efficient way to hunt.

  • One's ability to see the spiral of life dancing Akasha into material form

  • is related to one's ability to see beauty and symmetry in nature.

  • Poet William Blake said, "the vegetative universe opens like a flower

  • from the Earth's center, in which is eternity.

  • It expands from stars to the mundane shell

  • and there it meets eternity again both within and without."

  • The study of patterns in nature is not something that is very

  • familiar in the West, but in ancient China, this science was known as "Li."

  • Li reflects the dynamic order and pattern in nature.

  • But it is not pattern thought of as something static,

  • frozen or unchanging, like a mosaic.

  • It is dynamic pattern as embodied in all living things.

  • The arteries of leaves, the markings of the tortoise

  • and the veined patterns on rocks are all expressions of nature's

  • secret language and art.

  • The labyrinth is one of many Li patterns.

  • It is found in coral structures,

  • mushrooms like the morel,

  • cabbages,

  • and in the human brain.

  • The cellular pattern is another common pattern in nature.

  • There are a myriad of different cellular structures

  • but all have a similar orderliness defined by their purpose and function.

  • It is easy to be mesmerized with the constant play of forms,

  • but what is most interesting is that certain archetypal forms

  • seem to be woven into the fabric of nature at all.

  • The branching pattern is another Li pattern or archetypal pattern

  • that is observable at all levels and in all fractal scales.

  • Take for example, this incredible image of a supercomputer simulation

  • known as the "millennium run"