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  • - [Presenter] This is Aladdin,

  • this is Jasmine,

  • and this is her dad, The Sultan.

  • You know them from Disney's Aladdin.

  • You know this outfit

  • and this one

  • and then, there's this one.

  • But are they accurate?

  • We got this historian--

  • - Hi, my name is Ayse Baltacioglu-Brammer.

  • I'm a Professor of Middle Eastern History

  • at New York University.

  • Today, I will be talking about Disney's

  • classic animated movie Aladdin, released in 1992.

  • - [Presenter] To walk us through what the movie got right

  • and what they got wrong about these looks.

  • First, let's learn about the complex and intriguing

  • origin story of where and when Disney's Aladdin takes place.

  • - It's almost impossible to have an exact answer

  • for where and when the movie takes place.

  • The movie Aladdin conflates many,

  • and oftentimes contradictory, details

  • about the Middle East and Islam

  • by perpetrating negative stereotypes and presenting

  • basic factual mistakes and absurd characterizations.

  • From its opening song to its character formations,

  • the movie has drawn a lot of attention and criticism.

  • Interestingly, but not shockingly, the protagonists,

  • Aladdin, Princess Jasmine, and the Genie,

  • all have perfect American accents

  • with more Western features.

  • However, most of the other characters,

  • especially the more villainous ones,

  • have strong Middle Eastern accents.

  • - Only one may enter.

  • We must find this one, this diamond in the rough.

  • - The most direct inspiration for Disney's Aladdin

  • came from the movie Thief of Bagdad, filmed in 1940,

  • that was Alexander Korda's Oscar-winning British remake

  • of the 1924 silent film of the same name.

  • According to the producers of the movie,

  • just like The Thief of Bagdad,

  • Disney's Aladdin was meant to be set in Baghdad,

  • however this was exactly when the US

  • started bombing Iraq during the first Cold War

  • and therefore, Disney changed the setting

  • to a fictional city to avoid

  • negative connotations with the city of Baghdad

  • or the dictator ruling Iraq, Saddam Hussein.

  • Instead of Baghdad, the name of

  • the city in the movie is Agrabah--

  • - Welcome to Agrabah

  • - Which is not an actual place.

  • The imaginary city of Agrabah, however,

  • includes most of the letters from the city of Baghdad.

  • Regardless of the city, Disney's retelling of the story

  • effectively brings Aladdin to the Middle East

  • with some obvious details from Iran and India as well.

  • The movie Aladdin takes inspiration from

  • the famous collection of tales, One Thousand and One Nights

  • or, as more commonly known in

  • the West as The Arabian Nights.

  • ["Friend Like Me" by Robin Williams]

  • ♪ Well, Ali Baba had them 40 thieves ♪

  • ♪ Scheherazade had a thousand tales ♪

  • - Scheherazade is the main character

  • in The One Thousand and One Nights stories.

  • Although the story of Aladdin is interestingly

  • one of the best known stories in the collection,

  • it was not a part of the original Arabic text.

  • It was, in fact, added to the collection

  • in the 18th century by Galland--

  • [camera shutter clicking]

  • - [Presenter] One second.

  • Who was Galland?

  • - Who allegedly acquired the tale from

  • a Syrian Maronite storyteller he met named Hanna Diyab.

  • The event that sparked Arabian Nights

  • into a modern European phenomenon

  • was its translation by the French author Antoine Galland

  • into French from a 15th century Arabic manuscript.

  • [camera shutter clicking]

  • - [Presenter] So, is Hanna Diyab

  • the creator of the story of Aladdin?

  • - Hanna Diyab was born to a Maronite Christian family

  • in Aleppo in modern-day Syria in the late 17th century,

  • which was under the Ottoman rule,

  • an empire that lasted over 600 years

  • and ruled the Middle East, North Africa,

  • Southeastern Europe, and Asia Minor.

  • The original setting of Diyab's story is ancient China.

  • The Chinese setting of Aladdin

  • may surprise many of you today,

  • but it is actually not that far-fetched.

  • Many of the stories that are told

  • in One Thousand and One Nights are not

  • situated in the Middle East but further East,

  • somewhere in or around China, most likely in Central Asia.

  • Looking back at the Disney film,

  • the Chinese or Central Asian Aladdin

  • is all mostly unrecognizable,

  • aside from Aladdin showing Jasmine the world.

  • - It's all so magical.

  • - This is partly due to a distinct Hollywood practice

  • to Arabize everything about Islam or the Muslims,

  • which is the assumption that all Muslims are Arabs.

  • Side note: vast majority of Muslims today

  • live outside of the Middle East,

  • mostly in Far East and Southeast Asia.

  • The royal palace in Aladdin seems like

  • an exact replica of the Taj Mahal in Agra, India,

  • built by the Muslim ruler of the time in the 17th century.

  • More references to India include

  • elephant sculptures around the palace

  • as well as the name of Jasmine's pet tiger, Rajah.

  • - Rajah was just playing with him, weren't you, Rajah?

  • - However, the background scenes are also said

  • to have been based on Persian miniatures

  • as well as the photos of the Iranian city Isfahan

  • taken by the film's layouts provider, Rasoul Azadani,

  • an Iranian animator at Disney and namesake of

  • Rasoul, Agrabah's Captain of the Guards.

  • - We've all got swords! - Hoo-ya!

  • [camera shutter clicking]

  • - [Presenter] Okay, so how should we analyze

  • the outfits worn in Disney's Aladdin?

  • - For the purposes of analyzation of Disney's Aladdin,

  • I think the most likely option is that the story takes place

  • during the lifetime of its creator, Hanna Diyab,

  • in the late 17th/early 18th century

  • and The Sultan in the story is simply

  • the Ottoman Sultan who was at the time the ruler

  • of the Middle East, including Baghdad, Cairo, and Aleppo.

  • While the time frame and region is very broad,

  • we understand that Disney's Aladdin

  • is a hodgepodge of cultural influences.

  • - [Presenter] Okay, now that we have

  • a time and place to analyze, let's look at the looks.

  • [whooshing]

  • First up, Aladdin.

  • [whooshing]

  • - Aladdin's signature outfit in the movie

  • is a pair of loose, baggy pants,

  • a small vest that he put on his naked upper body,

  • and a small fez on his head.

  • - [Presenter] Let's draw Aladdin's outfit

  • from the undergarments up.

  • Starting with the undergarments.

  • - I assume he will wear underwear but I'm not sure.

  • [bell dinging]

  • - [Presenter] All right, so maybe he did, maybe he didn't.

  • Moving onto the pants.

  • - These loose pants are mostly called salwars,

  • a Persian word for trousers.

  • These are loose pajama-like trousers.

  • The legs are wide at the top and narrow at the ankle.

  • The main purpose is to provide freedom of movement

  • and comfort in hot and/or humid climates.

  • Next up, his vest.

  • - Although Aladdin's religion and region is not specified,

  • it is highly unlikely that a similar character

  • will have worn a vest on the naked upper body.

  • What Aladdin is wearing in the film

  • can be considered a typical attire of mystics,

  • who historically isolated themselves

  • from society and its riches,

  • practicing self-severe self discipline,

  • and abstention from all forms of indulgence,

  • typically, but not always, for religious reasons.

  • Aladdin's vest isn't wholly inaccurate

  • but it is likely he would have worn short or long-sleeved

  • cotton or linen top with or without a vest on top.

  • [whooshing]

  • - [Presenter] Moving up to his headwear.

  • - Now, let's take a look at Aladdin's headpiece.