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  • Pictures for things and even ideas gave us proto-writing. But we can do better!

  • It's time to invent full-fledged writing.

  • You're ready to grab that chisel and get your pictographic and ideographic carving

  • on. Then someoneinventivecomes along. Your system is artistic, but it's not practical

  • enough for her.

  • Gone are the days of Lascaux. The world outside this cave is changing, she says. Crops, cities,

  • rulers, markets, and she needs a way to keep track of it all. She likes your icons. She

  • can use them for goats and pots, fields and even long walks through the desert. But she

  • has an incredible practical streak. She takes those goats and those pots, and starts to

  • tally the items she's recording. One goat, she says. Then two goats, three goats, four

  • goats. Notice what she's done. These aren't simple depictions anymore. They're not just

  • ideas. She's reading one word for each symbol. She's encoding language.

  • Let's slow down here, because it's hard to overstate the importance of thisMajor

  • Moments in the History of Writing”. These goat counts are word-symbols now - logographs.

  • Pictographs can be visualized. Ideographs can be imagined. But logographs can be directly

  • and consistently read.

  • Logographic systems emerge and flourish in the early civilizations of Mesopotamia, Egypt,

  • China, and Mexico. Characters for people, animals, land, crops, hundreds - even thousands

  • - of logographs for everything under the sun and moon, including the sun and the moon.

  • Even after all these millennia, if you squint hard enough you can still pick out the symbols

  • scratched into weathered artifacts bearing the world's early scripts: a Chinese turtle,

  • an Egyptian house, a Sumerian head, a Sumerian head eating bread, a Mayan jaguar. And, in

  • each of these places, in all of these languages, these were read as words. We know what these

  • logographs mean, and we can put that meaning into words.

  • The world is now in a race to fill itself with logographs. But which humans started

  • this craze? Well, the Mesoamericans started writing more

  • than 2900 years ago. Some Chinese characters are at least 3200 years old. Writing popped

  • up in Crete 4000 years ago. But the two clear contenders are Egyptian Hieroglyphs and Sumerian

  • Cuneiform, both a whopping 5000 years old! Minimum. It's common to say that the Egyptians

  • stole the idea of writing from Mesopotamia and just came up with their own glyphs - common,

  • but not demonstrated.

  • For a while, monogenesis made sense. This is idea that one civilization was king of

  • all the writing, that writing started once in Mesopotamia, where people pressed a stylus

  • into wet clay to make these wedge (cuneus) shapes (forms): Cuneiform. So the monogenesis

  • story goes, everyone else steals Cuneiform and reskins it to fit their needs. It's

  • not a popular story these days, given what we know about Chinese and especially Mesoamerican

  • writing, along with some very early Egyptian finds.

  • Whoever's first, in these early days of writing, all the civilizations start manufacturing

  • hordes of logographs, so many in fact that they unwittingly unleash an epic memory burden

  • on budding logographers, from would-be ancient scribes to beginning students of

  • Mandarin Chinese.

  • Do they really need this many characters to write? Surely there's an easier way!

Pictures for things and even ideas gave us proto-writing. But we can do better!

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