And I don't knowwhy I saidthisin a lecture, I said, theGreektemplesthatyou'reemulatingareanthropomorphic. Whydon't yougoback 300 millionyearsbeforemantofishforyourinspiration? Ifyougottogoback, let's reallygoback."
And I don't knowwhy I saidit, itwasintuitive, something.
Butthen I startedthinkingaboutitand I starteddrawingthefish, andthen I realizedfishshapesexpressmovementItwas a richlanguage, so I startedtoexplorethatidiom, thatidea.
ItwaslikePandora's box, I wasinto a newparadigm, a newplayground.
Sothat's how I gottothisfreedomofexpression.
I studyart a lot, lot ,lot, lot.
A fewarchitects, butmostlyartists.
Howdoyoucreatefeelingwith a building?
I don't know, it's something I'veexploredformanyyears.
I lovesailing, andthisiskindof a regatta I think.
Mostbuildingsareverystatic , but I liketheideaofthemovement, ofthesenseofmovement, thatithas.
There's a transferofthisfeelingthroughthebricksandmortarandsteel.
Ifyouwriteyoursignatureand I writemysignature, theylookdifferent.
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