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  • [MUSIC PLAYING]

  • [APPLAUSE]

  • ANNA KENDRICK: Hi.

  • I'll bet you guys were really surprised.

  • I came all the way through the audience

  • and then hung out over there in the dark, like you

  • didn't know I was coming.

  • [LAUGHTER]

  • MOLLY DECKER: Everyone was like, hi, Anna.

  • [INAUDIBLE] But we're here to talk about Anna's book,

  • "Scrappy Little Nobody."

  • If you haven't read it--

  • ANNA KENDRICK: (WHISPERS) It's Anna.

  • MOLLY DECKER: --it is hilariously funny.

  • It made my miserable New Jersey commute enjoyable.

  • ANNA KENDRICK: Oh.

  • Oh, that's great.

  • MOLLY DECKER: Yes, it did.

  • ANNA KENDRICK: Thank you.

  • MOLLY DECKER: Well, it took one day-- one day to read it,

  • so one day of commuting.

  • ANNA KENDRICK: Yeah, it took me a day to write it.

  • It's no big deal.

  • [LAUGHTER]

  • It's a year of my life.

  • MOLLY DECKER: But to get started, if--

  • ANNA KENDRICK: Sorry, I insisted that we use hand mics.

  • So I'm a jerk, but it's just because I need a prop.

  • MOLLY DECKER: But in the book, you talk about the paparazzi.

  • But other than that and just talking to you

  • backstage, you seem completely unfazed by fame.

  • And obviously, you're really famous.

  • ANNA KENDRICK: Yeah, it's just where I'm really comfortable.

  • [LAUGHTER]

  • MOLLY DECKER: So my questions are A, is that true?

  • And B, what's the creepiest thing a fan has ever done?

  • ANNA KENDRICK: I don't want to put anybody on blast.

  • They might be in the audience.

  • [LAUGHTER]

  • Well, I don't know.

  • People have shown up at my house,

  • and I'm always like, bro, you can't be my house.

  • It's like a nine-year-old girl.

  • And I'm like, dude, come on.

  • Come on.

  • But that's always like, I don't know

  • what I'm supposed to do about that, other than be like,

  • I'm in my bathrobe cleaning.

  • So I guess this picture was worth it for you.

  • But I did once have a-- this wasn't really even about me.

  • But I was shooting one of the later "Twilight" movies

  • in Vancouver.

  • And I was in an American Eagle, and I was looking at underwear,

  • as a lady is wont to do.

  • And a girl came up to me, and she was like, hi,

  • are you going to see Taylor Lautner soon?

  • And I was like, yeah, because we were filming.

  • And she was like, I have something for him.

  • And I was like, I really need to say no to this girl,

  • because I was really worried it was going

  • to be a thumb or something.

  • Why does she have it with her?

  • I was just in a store, and she ran into me.

  • And why did she have a thing?

  • She carried a thing at all moments

  • for Taylor Lautner in case she ran into him

  • or somebody that knows him.

  • And I thought, this can't be good.

  • This is going to be a lock of hair or anthrax.

  • I don't know.

  • I can't be a part of this.

  • MOLLY DECKER: What was it?

  • ANNA KENDRICK: I don't know, because I was like,

  • ma'am I really can't.

  • I called her ma'am.

  • She very young.

  • But I was trying to keep my distance.

  • MOLLY DECKER: That is hilarious.

  • ANNA KENDRICK: Because I didn't want to see a severed hand.

  • MOLLY DECKER: I'm sure you've seen it all.

  • So you're an actress.

  • You're a singer.

  • So everyone knows she sings.

  • And I recently saw your lip sync battle with John Krasinski.

  • And it's like, oh, she can dance.

  • I was like, great.

  • She can do everything.

  • Now she's an author.

  • ANNA KENDRICK: That was just me like sticking out

  • my butt pretending to dance.

  • It was supposed to be funny.

  • MOLLY DECKER: It was.

  • It was awesome.

  • But I was like, oh, and now she can write.

  • She wrote a book.

  • She's an author too.

  • ANNA KENDRICK: I am amazing.

  • Is that your question?

  • MOLLY DECKER: You really are.

  • [LAUGHTER]

  • MOLLY DECKER: Well, she is.

  • How long did it take, and what was

  • the impetus for you writing?

  • What made you want to write a book?

  • ANNA KENDRICK: Well, I wrote a piece

  • for "Vogue," that looking back on it, I had to turn it in.

  • It was supposed to be a diary of an Oscars weekend one

  • of the times I was presenting.

  • And I had to turn it in Monday morning after the Oscars.

  • And you're out pretty late that night.

  • So I wrote it really quickly and on very little sleep,

  • so looking back on it, I'm like mmm eh.

  • But that's when I started getting approached

  • about writing a book.

  • And I think I thought at some point

  • somebody was going to stop me.

  • I was like, yeah I'll do that.

  • And I was expecting somebody to be like--

  • I was expecting to turn in a couple of chapters

  • and mutually go, this probably wasn't a good idea.

  • Let's not do this.

  • And that didn't happen.

  • So I wrote--

  • I think I wrote the bulk of it in this 45 day

  • where I knew that I was never going

  • to become that person that could write on my lunch break

  • and find time and find balance--

  • not really my thing, balance.

  • So I was between movies, and I had this 45-day period.

  • So I wrote 2,000 words a day every day for 45 days.

  • And it didn't have to be good, but I had

  • to write something 2,000 words.

  • And I had to be really strict with myself,

  • because if I give myself an inch, I'll take a mile.

  • I'm a really bad person.

  • So that was where I wrote a lot of it.

  • And a lot of that stuff wasn't good and isn't in the book.

  • But that was kind of where I started.

  • And then the year after that was about expanding on things

  • that were interesting and losing things

  • that weren't interesting.

  • And in a lot of cases, that meant entire sections.

  • The section about being nice didn't

  • come until right toward the very end,

  • because I was in a bad mood and was like, oh,

  • here's this stupid thing I wrote.

  • You're probably not going to use it.

  • And my editor liked it a lot, so.

  • MOLLY DECKER: Liked it?

  • Oh, that's wonderful.

  • ANNA KENDRICK: [GASPS] Whose phone just went off?

  • [LAUGHTER]

  • Shame.

  • MOLLY DECKER: For those of you who haven't seen "Camp,"--

  • so you talk about "Camp" in your book your, first movie 2003.

  • It's amazing.

  • And I love the show must go on scene.

  • I must of watched on YouTube a million times.

  • Loved it.

  • ANNA KENDRICK: Oh, thanks.

  • MOLLY DECKER: I love it.

  • I just watched it this morning with somebody,

  • because I was like, I love it that much.

  • But you talk a lot about how that experience shaped you.

  • You worked with a lot of younger actors and actresses on set,

  • like a camp, like a real kind of camp.

  • ANNA KENDRICK: Yeah.

  • MOLLY DECKER: And so the question

  • is, what about that experience do you still

  • hold on to in that character specifically, Fritzi,

  • what do you still hold on to from that?

  • ANNA KENDRICK: Well, the character was so--

  • was such an interesting experience for me, because

  • at the time, I was 16 or 17.

  • And I just like wanted to have my makeup done and be like--

  • and be able to be like, guys, like I'm in a movie.

  • And I'm playing someone normal.

  • And that wasn't the case, because Fritzi

  • is the smelly girl.

  • And now, I would love to play a character like that.

  • It was just about getting--

  • realizing that vanity just has no place in performance or art

  • or--

  • it's just going to hold you back, so.

  • MOLLY DECKER: You know the scene where--

  • is it the director-- was like, you're a creepy little girl.

  • I was like, this is a hilarious character.

  • ANNA KENDRICK: I know.

  • I know.

  • MOLLY DECKER: I loved it.

  • ANNA KENDRICK: I know.

  • But there were definitely times when the director had

  • to convince me, because I was like, everybody

  • is going to hate me.

  • Everybody's gonna hate this character.

  • It was definitely a lesson.

  • But when you're 16, you don't want to play the smelly girl.

  • MOLLY DECKER: Right.

  • But it is great.

  • You've got to watch it for anyone who hasn't.

  • In the book, one of my favorite quotes from the book

  • was when you said your dad only cries

  • when describing the storyline of the movie "Rudy."

  • ANNA KENDRICK: That is a true fact.

  • MOLLY DECKER: I was just like--

  • I literally laughed out loud.

  • I thought that was hilarious.

  • ANNA KENDRICK: Then, they come in, and they--

  • they put their shirt down.

  • And they say, this for Rudy.

  • This is for Rudy.

  • I was like, what the fuck is happening right now?

  • [LAUGHTER]

  • We were in an Applebee's.

  • [LAUGHTER]

  • MOLLY DECKER: That's so funny.

  • ANNA KENDRICK: True fact.

  • MOLLY DECKER: But similarly, the title of the book "Scrappy

  • Little Nobody," and you talk about sticking up

  • to the bully in the school.

  • You love that whole underdog, David versus Goliath

  • sort of thing, which is kind of what "Rudy" is all about.

  • So it seems like similar to your dad.

  • ANNA KENDRICK: Whoa.

  • MOLLY DECKER: Did you not make that connection?

  • ANNA KENDRICK: No.

  • MOLLY DECKER: Oh.

  • ANNA KENDRICK: I'm not a very smart person.

  • I don't know why they let me write a book.

  • [LAUGHTER]

  • MOLLY DECKER: So as I was reading it, I was like, wow,

  • she loves the underdog.

  • Her dad loves the underdog.

  • What is it about being the underdog, and what are you--

  • why do you miss being like this scrappy little nobody?

  • ANNA KENDRICK: Well, I think everybody feels that way.

  • No matter where you come from in life,

  • you feel the insecurities that you have.

  • You carry those with you your whole life.

  • And the best thing you can do with them

  • is turn them into something productive.

  • So that's why I sing so loud.

  • And because I have no technique.

  • MOLLY DECKER: You once--

  • [LAUGHS] This cracks me up too.

  • There's so much in this book that is

  • just-- you will laugh out loud.

  • You said once on Twitter that your dream

  • is to live in the Thanksgiving episode of a '90s sitcom.

  • ANNA KENDRICK: So true.

  • MOLLY DECKER: Which I can totally relate to,

  • I totally get.

  • And I was equally as excited in the book

  • when you started describing all the holiday

  • parties that you will no--

  • you'll never throw.

  • But you have a vision of them.

  • ANNA KENDRICK: Yes, that was really fun to write.

  • MOLLY DECKER: And I just want to know,

  • what's up with that whole holiday section?

  • ANNA KENDRICK: I don't know.

  • And I think there was only one of those

  • that I had to come up with.

  • Because it wanted it to have a nice kind of pacing to it.

  • The rest of them, I genuinely have planned parties

  • in my head with great detail and talked about them

  • with one of my best friends.

  • And the Christmas party especially, every single detail

  • I had laid out in my head.

  • MOLLY DECKER: Every room has to be

  • decorated with Christmas decor.

  • ANNA KENDRICK: I think it's because I

  • don't have much of a social life,

  • because I have turned myself into a workaholic.

  • So I'd fantasize about having parties and having friends

  • over.

  • MOLLY DECKER: But you never throw them.

  • ANNA KENDRICK: So yeah, I don't know what that's about,

  • other than like--

  • I don't know.

  • Does anybody else do that?

  • MOLLY DECKER: I can relate, but I don't plan--

  • ANNA KENDRICK: Plans their dream-- no?

  • MOLLY DECKER: I don't plan them out that way.

  • But I can relate.

  • I love the holidays.

  • I love "Home Alone."

  • You talked about "Home Alone," in the book.

  • That There's a holiday theme.

  • ANNA KENDRICK: Yeah.

  • I think it's--

  • I don't love Christmas.

  • It makes me really stressed.

  • Any forced fun, like birthdays and New Year's and stuff,

  • like have the best time of your life right

  • now is-- it seems counterintuitive to having

  • a good time.

  • But the season around it, I really do love.

  • I know I'm supposed to hate Christmas music.

  • Fuck you, you hate Christmas music.

  • Christmas music's great.

  • So I love just decorating everything

  • with tacky tinsiley garbage.

  • MOLLY DECKER: Who doesn't?

  • It's great.

  • So you describe a lot of hustle.

  • So as a young girl, you would take the bus

  • from Maine, where you lived with your brothers, sometimes

  • your dad, into New York City.

  • You were on theater, performed a lot, worked

  • a lot as a young kid, really.

  • ANNA KENDRICK: Yeah.

  • MOLLY DECKER: How old were you?

  • ANNA KENDRICK: I started coming to New York

  • to audition when I was 10, I think.

  • And I got--

  • I did the-- my first Broadway show at 12.

  • And yeah, I don't know.

  • I didn't think a lot about it.

  • It just felt like it was my only option.

  • It's just what I wanted to do.

  • I remember particularly when I moved--

  • I think at 12, it seemed more like--

  • people just assumed that it was my parents being--

  • MOLLY DECKER: Pushing you to do it.

  • ANNA KENDRICK: --creepy.

  • But particularly when I moved to LA when I was 17,

  • there was a lot of like, whoa, I could never do that.

  • And it was like, I had to.

  • I didn't have a choice.

  • It was the only thing I could think to do.

  • It just was necessary.

  • MOLLY DECKER: What advice would you

  • give-- there's people old, young,

  • all types here in the audience.

  • But what advice would you give younger, up-and-coming,

  • working on your career in New York City?

  • What would you give the younger 12-year-old you advice?

  • ANNA KENDRICK: The shitty thing about this

  • is I only have a piece of truly terrible advice.

  • I say this in the book.

  • And I do feel that it's terrible advice.

  • But I was told very, very young, like when I was 11 years old,

  • don't have a backup plan.

  • That's terrible advice.

  • But I think if I had one, I would have caved.

  • I absolutely-- there was not--

  • even though I felt like I have to do this,

  • this is completely necessary, and this was my only choice,

  • I never felt like so that means it's going to work out.

  • MOLLY DECKER: Right.

  • ANNA KENDRICK: So there were definitely

  • times where I felt like I wish I hadn't listened to that advice

  • and I did have my backup plan.

  • Because I wanted to opt out.

  • MOLLY DECKER: Yeah, and you moved to LA--

  • still young.

  • You didn't go to college, moved to LA.

  • ANNA KENDRICK: Yeah, did not go to college.

  • MOLLY DECKER: Bought your Ikea furniture

  • and just worked and went on auditions.

  • It's like actually--

  • ANNA KENDRICK: Yeah, so my advice

  • is don't have a backup plan.

  • MOLLY DECKER: It's OK, don't have a backup plan.

  • [LAUGHTER]

  • ANNA KENDRICK: And do drugs, I guess.

  • [LAUGHTER]

  • MOLLY DECKER: Hilarious.

  • All right.

  • We'll take our first audience question.

  • ANNA KENDRICK: Hi.

  • AUDIENCE: Hi.

  • So first of all, thank you so much for taking the time

  • to be here.

  • You're hilarious.

  • ANNA KENDRICK: It's my pleasure.

  • AUDIENCE: I want to know a fun question.

  • What has been your favorite set to work on,

  • your favorite movie set, and your least favorite?

  • And why?

  • ANNA KENDRICK: Ugh.

  • That is a really hard question.

  • AUDIENCE: Thanks.

  • [LAUGHTER]

  • ANNA KENDRICK: I like that.

  • I did like "Up In The Air" a lot, because it

  • felt like we were making a really small movie,

  • especially because I mostly interact with George.

  • And I interact with Vera Farmiga a little bit in that movie.

  • It felt like it was just the three of us making that movie.

  • And it was kind of a big production and a big budget.

  • But at the same time, doing something like "Into the Woods"

  • was so dream come true.

  • I remember standing with Tracey Ullman, who's like a goddess,

  • and being on that set in Pinewood Studios in London,

  • where a lot of the-- some of the scenes in the woods

  • we did outside in the woods.

  • But some of it was on a stage, and the stage was so enormous

  • that you couldn't-- we couldn't tell where it ended.

  • And Chris Pine was riding in on a horse,

  • and Tracey and I were just like, can you

  • fucking believe that we're here?

  • And I was like, I can't fucking believe

  • I'm having this conversation with Tracey Ullman.

  • And it's how you think every film set will be,

  • that it'll be this production where

  • you get to wear this corset and this period costumes.

  • And that's really the only experience

  • that I've had like that.

  • And to make it interesting, I'll say that was also

  • my least favorite set.

  • Because it was cold all the time,

  • because they built a real forest in a studio.

  • And it was so huge that we couldn't keep it warm,

  • and there were dirt everywhere.

  • And they had to pump so much smoke into the studio

  • to get the atmosphere right that I would-- this is gross,

  • but I'll just share.

  • I would go home and blow my nose, and it'd be black.

  • AUDIENCE: Ew.

  • ANNA KENDRICK: Eww.

  • Ugh.

  • So it was one of those things where

  • I was so happy to be there.

  • And then, my ribs and feet hurt at the end of the night,

  • because the costumes were very unforgiving.

  • So it was one of those sets where

  • I had to be like so grateful to be here and remind yourself,

  • this is a dream job.

  • So happy.

  • AUDIENCE: Thank you.

  • ANNA KENDRICK: Thank you.

  • MOLLY DECKER: That's awesome.

  • In the book, you talk about wanting

  • to be a doctor when you were little.

  • That's the story that your mom loves.

  • ANNA KENDRICK: That's when I thought I was smart.

  • MOLLY DECKER: You were going to be a doctor,

  • but you're an actor/singer.

  • You didn't have a backup plan.

  • But if you weren't doing this, because you clearly love it,

  • what do you think you'd be doing?

  • ANNA KENDRICK: I'm hoping I'd have

  • one of those bullshit racket jobs, where

  • I was a life coach or a personal organizer or something,

  • one of those made up.

  • I mean, I'm sure there are people who do it well and are

  • effective, but I'd just be really bad at it

  • but convince people.

  • I'd have a nice aesthetic on my Instagram,

  • so people would be like, she seems

  • like she's onto something.

  • MOLLY DECKER: Are you good at advice in general,

  • outside of the career advice?

  • ANNA KENDRICK: No.

  • Very bad.

  • MOLLY DECKER: So that's just what you would like to do?

  • ANNA KENDRICK: Mm-hmm.

  • MOLLY DECKER: That's hilarious.

  • ANNA KENDRICK: Just ruin people's lives willfully.

  • MOLLY DECKER: Oh my God.

  • OK, question over here.

  • ANNA KENDRICK: Hi.

  • AUDIENCE: Thanks for coming, by the way.

  • ANNA KENDRICK: Thanks.

  • Thank you for speaking into the microphone,

  • even though it's clearly not on.

  • [LAUGHTER]

  • I like that about you.

  • You're a rule follower.

  • I like it.

  • AUDIENCE: [INAUDIBLE]

  • ANNA KENDRICK: OK.

  • AUDIENCE: Often, I think at Google,

  • we get asked what our five-year plan is,

  • and you're very successful.

  • ANNA KENDRICK: I know.

  • [LAUGHTER]

  • AUDIENCE: Where do you [INAUDIBLE]

  • in the next five years?

  • What are your goals?

  • ANNA KENDRICK: Do you know?

  • I don't fucking know.

  • Do you guys know?

  • Do you have answers when people ask you that?

  • Can I have a show of hands?

  • Do you have a teed up answer?

  • Nobody?

  • You're Google.

  • What the fuck is going on?

  • [LAUGHTER]

  • No, I think that's one of those insane questions.

  • I feel like a sociopath would have a great answer

  • for that question.

  • But I don't have a plan.

  • Honestly, sometimes I feel like my plan

  • is to work as hard as I can until I

  • have a nervous breakdown and have to say

  • that I have lupus or something.

  • I don't know.

  • I'm excited all the time and terrified all the time.

  • How do you feel?

  • AUDIENCE: I feel-- that's great.

  • ANNA KENDRICK: How do you feel about my life?

  • AUDIENCE: I feel like you've got it all figured out.

  • ANNA KENDRICK: OK, great.

  • I need a lot of validation.

  • I appreciate that.

  • MOLLY DECKER: OK, we'll go over here.

  • ANNA KENDRICK: Hi.

  • AUDIENCE: Hey.

  • So I was in acapella group in college and recently went--

  • I'm not going to sing with you, don't worry.

  • [LAUGHTER]

  • ANNA KENDRICK: No, I wasn't gonna do that either.

  • AUDIENCE: Recently went to ICCA Championships

  • in New York, which were definitely not as fun

  • as the movie, "Pitch Perfect."

  • And I'm just wondering if you can

  • talk about how just making that movie in general,

  • how fun it was, the musical rehearsal that went into it?

  • ANNA KENDRICK: Well first of all,

  • I can tell you the reason that real acapella competitions,

  • while very impressive, are not as fun as the movie,

  • "Pitch Perfect," because they actually

  • have to sing live and dance.

  • So the dance moves are more like walking.

  • And we are trying to get down to the best

  • of our non-dancer abilities.

  • So we fall on the floor after the dance numbers.

  • So obviously, we can't actually sing during them.

  • If you could do an ICCA--

  • this is a real competition.

  • If the ICCAs could prerecord their vocals

  • and then dance to them, they'd really be on to something.

  • But then, they'd just be like pop stars in the '90s.

  • Ooh.

  • Burn on pop stars in the '90s.

  • Is that-- I don't know.

  • Did that answer your question?

  • AUDIENCE: Not really.

  • But I--

  • [LAUGHTER]

  • ANNA KENDRICK: OK.

  • Sorry.

  • What else did you need to know?

  • AUDIENCE: Just curious if you could

  • talk about just how much fun it was

  • to make the movie in general?

  • ANNA KENDRICK: It was really fun.

  • AUDIENCE: OK, good talk.

  • MOLLY DECKER: All right.

  • All right.

  • We're going over here.

  • [LAUGHTER]

  • AUDIENCE: [INAUDIBLE] Hi, Anna.

  • I was just wondering, since you mentioned earlier that you

  • wanted to play more roles like that 16-year-old smelly girl--

  • ANNA KENDRICK: Yeah.

  • Oh my god, you think I could pass for 16?

  • Thank you.

  • [LAUGHTER]

  • AUDIENCE: Well, I'm 19.

  • [LAUGHTER]

  • ANNA KENDRICK: I don't understand

  • what's happening, but great.

  • AUDIENCE: It just kind of made me

  • think about what kind of advice you would give to someone who

  • isn't really comfortable in the position they're in, like how

  • you would find an environment where

  • you are safe to be yourself.

  • ANNA KENDRICK: My friend, Ben Platt--

  • AUDIENCE: Whoo.

  • ANNA KENDRICK: Oh, that was the biggest name drop of the night.

  • I think he said it best in his Tony speech.

  • He said, what makes you different

  • is what makes you powerful.

  • And I was like that thing, yes, what he said.

  • So yeah, it's--

  • I think finding your tribe is important, whatever that means.

  • And I always hate that--

  • I hate that thing of like when adults

  • are like, oh, none of this will matter in the real world.

  • Because if you're in it, it sucks for you now.

  • If somebody asked me to suffer through four years of feeling

  • targeted and ostracized, I would be like,

  • I really don't want to do that.

  • And you telling me that it will be over in four years

  • doesn't make it better.

  • So I think just trying to like find strength

  • in yourself if you feel misunderstood

  • and knowing that you are powerful,

  • and the things that make you odd and the things

  • that people don't understand are the things that give you

  • value in the world, I think.

  • I'm just paraphrasing what he said.

  • He said it better.

  • [LAUGHTER]

  • MOLLY DECKER: That's great.

  • AUDIENCE: Yeah, thank you.

  • ANNA KENDRICK: Thanks.

  • Hey.

  • AUDIENCE: Hello.

  • You seem like a pretty grounded person.

  • So I'm wondering, what do you focus on

  • outside that industry that makes you grounded

  • or makes you happy?

  • ANNA KENDRICK: I don't know.

  • I should probably have a more profound answer for this,

  • but I grew up in like a black Irish humor kind of family.

  • And finding humor was always the thing that--

  • how we got through everything.

  • And I'm a big fan of gallows humor

  • and just undercutting everything.

  • So I idolize comedians.

  • I just did a movie with Chris Morris.

  • I don't know if you guys know the British comedian, Chris

  • Morris.

  • He's just the darkest motherfucker around.

  • So that kind of thing just reminds me.

  • It's basically like I can't hang out with my older brother

  • all the time anymore, because we live across the country.

  • But he would be the guy to be like, you're being

  • a pretentious piece of shit.

  • Like, chill.

  • And since I can't have that, it's

  • like I just try to look at Morgan Murphy's

  • Twitter accounts and stuff like that.

  • AUDIENCE: Nice.

  • Thanks.

  • MOLLY DECKER: I have a related question, sort of

  • like outside the industry.

  • If you were on "Jeopardy" and could preselect the category,

  • what would it be?

  • ANNA KENDRICK: Oh, my.

  • What do I know a lot about?

  • The script of "Clueless"?

  • Yeah.

  • Oh, that's a good question.

  • And it really makes you realize the things you know really well

  • are mostly embarrassing.

  • [LAUGHTER]

  • I guess like 30 screwball films, I guess.

  • I like those a lot.

  • MOLLY DECKER: You know those-- the lines by heart,

  • know all the characters' names and scenes?

  • ANNA KENDRICK: Yeah.

  • MOLLY DECKER: That's awesome.

  • OK, we're going to take you over here, Richard.

  • AUDIENCE: Hi.

  • So I became familiar with you from

  • your early theatrical career.

  • I saw "High Society" when I was trying out in San Francisco.

  • ANNA KENDRICK: What the--?

  • AUDIENCE: I know.

  • I went to Latin Club.

  • I was very popular.

  • But then I saw "Camp" when it was in theaters.

  • And I was curious, what motivated

  • you to go from theater to film and if you would ever

  • consider a return?

  • ANNA KENDRICK: Well, when I did "High Society" in New York

  • Randy Graff was in it, and she--

  • I became very close to her.

  • And I loved her very much.

  • And her cousin, Todd Graff, directed the movie, "Camp."

  • So she told me that I should audition for this movie.

  • And especially because that movie

  • was about musical theater kids, that

  • seemed like the right thing to do.

  • And then, I had such an amazing experience

  • with Todd and with those kids and kind of realized

  • that while there are--

  • you're more likely to run into assholes,

  • I guess, in terms of movie actors.

  • But I think actors are out of their minds

  • but wonderful presences to be around.

  • And I had such a great experience on that,

  • that I wanted to keep doing that.

  • And I also started to actually understand

  • the mechanics of making a movie, and that was exciting.

  • Because the first movie was mostly

  • me being totally terrified and going like, wait,

  • I have to look over here, even though she's

  • standing over there and not understanding

  • what was happening.

  • Learning about the filmmaking process

  • was really exciting to me.

  • I don't know if that was interesting.

  • AUDIENCE: [INAUDIBLE] And are you considering going back

  • to theater at some point?

  • ANNA KENDRICK: Yeah I would love to.

  • I look at Bette Midler in "Hello, Dolly!",

  • and she can do that because she's Bette Midler.

  • So I think I would want to do a new piece so that it

  • wasn't-- just selfishly, to take the pressure off myself.

  • Just I wouldn't want to follow up

  • on anybody else's performance to do a revival,

  • but I would love to do a new piece.

  • MOLLY DECKER: When were you the most nervous?

  • Because you did an opening number for the Oscars, right?

  • That must been a little nerve-wracking.

  • ANNA KENDRICK: Yeah, I think the--

  • I can tell you that the times in my life I've-- the three times

  • I've been most nervous was doing [INAUDIBLE] stage at Carnegie

  • Hall.

  • I did this weird performance when I was like 13 years old,

  • and Julie Andrews was there.

  • So that was terrifying.

  • And then the first time I did David Letterman,

  • like fully thought I was going to pass out.

  • And then the performing at the Oscars.

  • MOLLY DECKER: The Oscars, yeah.

  • The Oscars is a big one.

  • All right, let's take a question over here.

  • AUDIENCE: Hi.

  • ANNA KENDRICK: Hi.

  • AUDIENCE: So before you mentioned

  • that vanity will hold you back.

  • And I was wondering-- obviously there was a point in your life

  • when you transitioned between auditioning for roles

  • and not having a name and having the celebrity status

  • and people knowing you.

  • What did that transition look like,

  • and how did it impact you as a person or your career?

  • I'm assuming you don't audition anymore?

  • ANNA KENDRICK: I don't know if this is exactly what you're

  • talking about.

  • But the point where I suddenly started

  • going on red carpets and stuff and promoting the movie

  • and getting dressed, and people were doing my hair and makeup

  • stuff, I've never felt more hideous.

  • Because people, like teams of people

  • are putting hours of effort into how you look.

  • And that's never happened before.

  • And then, you go on a red carpet,

  • and Joan Rivers is like, C-minus.

  • And you're like, what the fuck?

  • This is the best I've ever looked in my life.

  • [LAUGHTER]

  • So that is a rude awakening.

  • I had also never been in a position

  • to be compared to Natalie Portman.

  • That shouldn't happen to any woman ever.

  • So I always thought like, I do OK.

  • I get mine.

  • And then I was like, no, no, no no.

  • I'm not supposed to be compared to Blake Lively, which is

  • the movie I'm doing right now.

  • So that's good for my self-esteem.

  • But yeah, it just took me kind of saying like,

  • the best thing I can do with what is happening in my brain

  • right now is know that I have never had to lie awake at night

  • and go, do I offer anything?

  • Am I only getting the work that I'm getting because I'm so hot?

  • And that I have to just go, well,

  • that's a blessing, because at least I know I have value.

  • [LAUGHTER]

  • So really, let's say a prayer for the really, really pretty

  • girls.

  • They're the ones who have it rough.

  • Am I right?

  • Those poor things.

  • AUDIENCE: Real quick follow-up.

  • Oh, never mind.

  • ANNA KENDRICK: I have no idea if that was the question.

  • I honestly was thinking about how weirdly soft

  • this microphone is.

  • [LAUGHTER]

  • AUDIENCE: Yeah, thank you.

  • MOLLY DECKER: Over here.

  • AUDIENCE: Hello really big fan.

  • So I guess I was wondering--

  • you've written this book.

  • You're working on a lot of movies.

  • How do you manage your time?

  • How do you manage doing all these things

  • that you want to do that you do for your career?

  • ANNA KENDRICK: That is such a great question,

  • and I will tell you when I figure it out.

  • Honestly, I've tried to do a couple of things

  • recently to correct the fact that I felt like I was--

  • I'm going to get really real--

  • I was letting everybody in my life down.

  • Because I just didn't--

  • I had spread myself too thin and said yes to too many things.

  • And therefore, I was constantly--

  • I felt like everybody was mad at me.

  • I wasn't maintaining friendships and family relationships

  • and have recently tried to make sure that that is happening.

  • So I guess just having to say to people,

  • no, I absolutely can't do that.

  • I think I forget that when somebody

  • wants you to do something, you can't really

  • gauge how important it is, because it's

  • just what they want.

  • So actually saying, this is how much I really

  • don't want to do this, so let's talk

  • about how important these things are and make some decisions.

  • And that's a really uncomfortable place to be.

  • Because normally, I feel more like I'm going,

  • is there any way that we could?

  • And the second that I get that, ooh, we kind of planned,

  • and this has been worked on.

  • And it's been decided.

  • I was like, oh, then, totally.

  • Then, totally.

  • And having to assert that no, I'm

  • going to have to like compartmentalize here and make

  • some time for my momma.

  • AUDIENCE: Thank you.

  • ANNA KENDRICK: She gets really mad at me.

  • MOLLY DECKER: Back to the book for one second.

  • Just in writing it, what's your hope or one thing

  • you want people to take away?

  • Is it more laughter or story of you?

  • ANNA KENDRICK: That was what I wanted people

  • to take away from it.

  • I was like, I just want it to be really funny.

  • That was my goal.

  • And since I'm not a writer by trade

  • or a comedian or something, that was like the best thing

  • that I could hope is that people would laugh.

  • And my editor was like, maybe put

  • some serious stuff in there.

  • And I was like, ugh, ew.

  • But actually, I think the thing that I get comments on the most

  • is the section about being nice and how it's just not something

  • that I'm prioritizing anymore.

  • So fuck all of you.

  • And that was something that I thought

  • for sure I would send it to my editor, and she would be like,

  • you're coming off a little bitter in this section.

  • But she was like, no, this is right on.

  • MOLLY DECKER: It's authentic.

  • And to the question you just had--

  • it's you.

  • It's you.

  • ANNA KENDRICK: Yeah.

  • MOLLY DECKER: That's great.

  • Question over here.

  • AUDIENCE: Howdy.

  • ANNA KENDRICK: Hi.

  • AUDIENCE: So you mentioned that going into "Camp,"

  • it felt pretty natural since it was

  • more musical theater oriented.

  • And I was curious how it felt to go

  • into the role in "Rocket Science," where

  • it was heavily debate-based.

  • And it's a weird culture to begin with.

  • So I was just wondering your opinion on that.

  • ANNA KENDRICK: Well it was really fun.

  • And the writer and director came from policy debate,

  • and he did have an intense stutter.

  • And he didn't join because of a manipulative psychotic girl,

  • so I was made up.

  • But I had a great time with that because I knew that he was

  • getting all the details right.

  • They had this really specific thing about what boxes we--

  • yeah, look at your face--

  • we used.

  • And knowing that like certain subcultures

  • can be explored in each--

  • in different movies was exciting and knowing that you

  • would get that recognition of--

  • and when I watch movies about theater or making movies,

  • I love it when they get everything right.

  • And it's really frustrating when they don't.

  • So I think it's always fun to be able to honor that and know

  • that somebody is going to go, those fucking boxes.

  • Yeah.

  • AUDIENCE: Well, thanks.

  • ANNA KENDRICK: Thanks.

  • MOLLY DECKER: Question [INAUDIBLE]

  • AUDIENCE: Hi, thank you for coming.

  • And I love you.

  • Don't worry, I won't show up at your house, though.

  • But my question is, why did you want to include Google

  • as part of your book tour?

  • We need affirmations too.

  • [LAUGHTER]

  • ANNA KENDRICK: You guys seem smart.

  • I don't know.

  • Like I always think it's crazy that you guys would want--

  • professional people would want to talk to me.

  • And I always feel like I get something out of it too.

  • And you guys have asked really great questions,

  • and you're all young and attractive, so just

  • looking to get laid, really.

  • How's that for-- is that a good affirmation?

  • AUDIENCE: That was perfect.

  • ANNA KENDRICK: Very attractive group here at Google.

  • [LAUGHTER]

  • AUDIENCE: Thank you.

  • MOLLY DECKER: Over here.

  • AUDIENCE: Hi I know we talked a little--

  • or mentioned your Twitter account.

  • And I just wanted to ask you about that.

  • I actually don't have Twitter.

  • I don't really do Twitter.

  • But when I see funny tweets being posted elsewhere,

  • they're often yours, and they're often very funny.

  • ANNA KENDRICK: [GASP]

  • AUDIENCE: So I was just wondering,

  • how does that-- that's always a question.

  • How do you-- do just wake up and think of funny things

  • and then post them?

  • Or how do you go about creating your Twitter?

  • ANNA KENDRICK: It's just when I think of something funny.

  • I follow Andy Richter from Conan.

  • And when I go on Conan, he was like, you should tweet more.

  • You're funny.

  • You should tweet more.

  • And I was like, I am not holding back.

  • It's not a quality control thing.

  • It's a supply and demand brilliant thing on my part.

  • It's just like when I think of things.

  • And sometimes as an exercise, I'll try to think of a joke,

  • and it'll always go down OK.

  • I'll sit in an airport and try to come up

  • with a joke and tweet something, and it's always

  • like that was all right.

  • So it's more just like weird things will pop into my head.

  • And recently, I texted some of the girls

  • from "Pitch Perfect," because I was like,

  • I need a female opinion on whether I can post

  • about that thing where you put in a new tampon

  • and then you're like, did I take out my old tampon?

  • Like five minutes later.

  • MOLLY DECKER: I saw that.

  • I saw that meme.

  • ANNA KENDRICK: And they said, yes.

  • So I was like, OK.

  • So I'm not the only one.

  • I've never done it, but I always think it.

  • [LAUGHTER]

  • MOLLY DECKER: OK, over here.

  • AUDIENCE: Hey, thanks for being with us.

  • I thought you were great in the "Trolls" movie,

  • and I wanted to know if you could give something

  • to Justin Timberlake for me.

  • ANNA KENDRICK: Is it a thumb?

  • [LAUGHTER]

  • AUDIENCE: No, but seriously.

  • Voice acting versus live acting, is there anything about it

  • that you like more or less?

  • ANNA KENDRICK: The big joke is like you

  • get to go to work in your pajamas,

  • and I would do that anyway.

  • So yeah, voice acting is preferable in the sense

  • that you get to be comfortable.

  • But it's like the best acting class I've ever been in,

  • because you get--

  • on the films that you get a direction, and you're like, OK.

  • And I have that kind of physical--

  • emotional response to, I see what you're saying.

  • And I want to execute on that right now.

  • And then like 10 minutes later, you get to do it,

  • and you're filtering it through.

  • But I have to hit this mark, and I have

  • to have the cup in this hand.

  • So I switch it there and make sure I'm

  • in my light or whatever.

  • And it's being able to just follow through

  • on those intentions like the second

  • that you have them is so fantastic.

  • And it's the most freeing experience,

  • because you don't have to like fight

  • through these layers of the filmmaking process, which

  • is important.

  • And I honestly can't stand it when

  • I'm working with somebody who's like all over the map

  • and is like completely--

  • the camera can follow you.

  • But there's equipment in the background.

  • So the shot's unusable.

  • So congratulations on the great performance you just gave.

  • It's not going in the movie.

  • So I really want to like respect the process

  • and make sure that I'm doing my job to the best of my ability

  • while not making anybody else's job harder.

  • But to not have any of those obstacles

  • is so freeing and so amazing, I would do it forever.

  • It's so much fun, especially that character.

  • She's out of her mind.

  • AUDIENCE: Thanks.

  • ANNA KENDRICK: In the pink way.

  • MOLLY DECKER: Well, today, the question

  • I wanted to make sure to ask you.

  • You were in "Twilight The Eclipse,"

  • or "Twilight Eclipse," which is literally the only link today's

  • eclipse that I could find.

  • Actually, someone sent it to me.

  • But we were talking a little earlier, and a lot of people

  • are saying that today's eclipse is going

  • to cause life transformation.

  • So I wanted to know--

  • ANNA KENDRICK: Are people really saying that?

  • MOLLY DECKER: They really are.

  • So what are your thoughts on that?

  • [LAUGHTER]

  • ANNA KENDRICK: For real true fact, people--

  • MOLLY DECKER: For true fact.

  • I read about it.

  • [LAUGHTER]

  • ANNA KENDRICK: Wait.

  • I have so many follow-up questions.

  • What is going to be life transforming about it?

  • Is this-- genuinely they think it

  • will have an effect like on wow, we're all under the same sun

  • and we're all one?

  • Or like in the way, your horoscope will--

  • MOLLY DECKER: They say whatever was

  • starting to shift in March 2016 is going

  • to come to fruition today.

  • So I don't know.

  • You'd have to think back to March 2016.

  • There's also some bad spirits.

  • ANNA KENDRICK: Oh, OK.

  • So it's nonsense.

  • MOLLY DECKER: That was supposed to come out--

  • ANNA KENDRICK: OK.

  • No, no, no, no.

  • I just wanted to make sure it's nonsense.

  • It's not like somebody had some kind of a fact-based--

  • we're at Google.

  • Come on.

  • They don't have time for nonsense.

  • MOLLY DECKER: All right.

  • Question over here.

  • AUDIENCE: Hi.

  • So how do you go about picking a project?

  • And somewhat related, is there anything--

  • because you've had a nice kind of run of different genres--

  • is there any project or film you have not

  • done that you're really excited about possibly

  • pursuing in the future?

  • ANNA KENDRICK: Well, I did--

  • like silly bucket list, I had always

  • wanted to do a Christmas movie.

  • And I'm doing one later in the year, so uh.

  • As far as picking projects, this is one of those answers like

  • the five-year plan where I feel like I should have an answer,

  • and I don't.

  • Honestly, you read a lot of bad scripts.

  • There are a lot of bad scripts in the world.

  • There are a lot of bad ideas.

  • And when there are good ones, people fight over them.

  • And sometimes it lines up that there is a great script,

  • and I fight harder.

  • And that's great.

  • So it always seems pretty obvious to me

  • like what I'm going to choose.

  • And every now and then, there'll be something that's good,

  • but I'm like, I've played this character three times in a row.

  • And you don't want to then have that thing of like, ooh, you're

  • kind of a one-trick pony.

  • And I'm sure that applies to a lot of areas of life.

  • Maybe it doesn't, and I'm just trying

  • to make you some seem relevant for you guys.

  • But I think it's not like there's

  • some kind of like a master stroke to any of it.

  • And knowing that, nobody's had a perfect career ever.

  • That's another question that people ask you a lot is like,

  • whose career do you want to emulate?

  • And nobody's perfect career.

  • Everybody's made crappy movies.

  • And knowing that's kind of freeing, knowing

  • that you're going to screw up and make mistakes

  • is kind of freeing.

  • Because it just means that I should choose things

  • based on what I think is going to be personally satisfying.

  • And then a number of them will work, and a number of them

  • will be really terrible.

  • And that's OK.

  • MOLLY DECKER: But do you ever feel a strong intuition

  • that this is going to be a great movie or this

  • is going to be a great experience going into it

  • before you take it?

  • ANNA KENDRICK: Yes.

  • And the last movie that I had that with did not work at all.

  • Nobody liked it.

  • So you just don't know.

  • And nobody goes into any movie, any project,

  • any work-related thing trying to make it bad.

  • And sometimes, it happens.

  • And I don't know why.

  • But again, I think that's weirdly

  • freeing, knowing you can't control it,

  • and you can make all the right decisions.

  • You just have to try to experience joy however you can.

  • Often for me is watching the "Sorry" music

  • video, because those dancers are great.

  • MOLLY DECKER: Question over here.

  • AUDIENCE: Hey, there.

  • I loved hearing it earlier about your affinity for '90s sitcoms

  • and wanting to be in one of the holiday scenes.

  • ANNA KENDRICK: Yeah.

  • AUDIENCE: And as Molly will attest,

  • I'm kind of a '90s sitcom aficionado.

  • So I'm curious, what is your favorite one,

  • or what character would you wish you have played in one of them?

  • ANNA KENDRICK: My favorite one is the one with Chandler

  • in a box, where he's in the-- and he's--

  • you know what I'm talking about.

  • AUDIENCE: "Friends," yeah.

  • ANNA KENDRICK: Yeah, where he--

  • Chandler kisses Joey's girlfriend,

  • and Joey makes him spend Thanksgiving in a box.

  • But they're all like dressed really cute,

  • and they have banter.

  • And we're all pretending it's not insane

  • that you put your friend in a box.

  • So that's my dream.

  • And also, Thanksgiving episodes of like--

  • these aren't '90s, but "Community" and "Brooklyn

  • Nine-Nine," I love that we're just suspending disbelief

  • that you spend your Thanksgiving with your work

  • colleagues and your community college and a group of friends,

  • and none of you are going home to see your families.

  • We're all just fine with that.

  • AUDIENCE: The magic of the movies, of course.

  • ANNA KENDRICK: Exactly.

  • Exactly.

  • I'm trying to get friends like that.

  • You guys wanna have Thanksgiving together?

  • Hi.

  • AUDIENCE: Hi.

  • I was a big fan of "The Last Five Years."

  • ANNA KENDRICK: Thank you.

  • AUDIENCE: And I was wondering if you could talk a little bit

  • about making that movie and your inspiration

  • for the role of Cathy.

  • ANNA KENDRICK: That was a close runner-up for my favorite film

  • set.

  • I was going to maybe say it earlier, but I thought,

  • there'll be like one person--

  • and two.

  • And I loved-- that was so much fun.

  • We had no time and no money, and we sang a lot--

  • we sang as much live as we could.

  • Yeah, that was such a dream, because my favorite musical

  • is "Parade," by Jason Robert Brown.

  • And I had somehow--

  • like cosmically, I had never heard "The Last Five Years"

  • So they sent me this script, and I read the script

  • without knowing the music.

  • And they had the lyrics, and they just

  • had like stage direction and the lyrics.

  • And I was weeping reading it.

  • And then the next morning, I woke up

  • and listened to the soundtrack as I read along,

  • and I was just beside myself.

  • So I think it was meant to happen that way.

  • Otherwise, A, I'm one of those people where

  • I would have-- it would have been impossible for me

  • to not sing it in the exact intonation

  • as the original cast album, like "Rent."

  • Is like-- nobody?

  • I am grateful that I didn't have to overcome getting

  • that voice out of my head.

  • And I don't know.

  • I think I had some personal experience

  • that I was drawing on for that role

  • and just being able to work with Jason Robert

  • Brown and his amazing wife, who was our music director, who

  • likes to make the joke that the only person in the world who

  • thinks that "The Last Five Years" has a happy ending

  • is his new wife.

  • OK, wrong crowd.

  • That's fine.

  • I thought it was funny.

  • And yeah, I just couldn't have had a better experience

  • than that.

  • And I think if we'd had a little more time,

  • we could have gotten a little more coverage.

  • Some of those angles I'm like, why

  • are we holding this so long?

  • Oh, right, it's because we didn't shoot anything else.

  • But sometimes, movies are held together

  • with love and duct tape, and that's

  • what makes them really special.

  • So I'm glad you liked it.

  • Thank you so much.

  • AUDIENCE: Thank you.

  • ANNA KENDRICK: That means a lot.

  • MOLLY DECKER: I think we have time for one more.

  • AUDIENCE: I'm actually going to apologize,

  • because if I had known I was the last person asking a question,

  • I would have come up with something more serious.

  • ANNA KENDRICK: This is exciting.

  • AUDIENCE: So a number of years ago on Twitter,

  • you had a back and forth between yourself and Dwayne

  • "The Rock" Johnson about making a movie called

  • "Rock And Pebble."

  • ANNA KENDRICK: Yeah, "The Rock and the Pebble."

  • I'm the pebble.

  • Get it?

  • [LAUGHTER]

  • Because I'm small.

  • AUDIENCE: So now, if you were to make this movie,

  • what would the movie--

  • what would be the movie's theme and what would it be about?

  • ANNA KENDRICK: You guys are smart people,

  • so we could come up with this.

  • We could storyboard this right now and pitch it to The Rock.

  • I don't know.

  • I feel like he really excels in like a buddy cop comedy

  • kind of thing.

  • So I think just a kind of classic buddy comedy,

  • like on a mission.

  • And I'm kind of useless the entire time,

  • and he has to save the day.

  • But then like right at the end, I

  • do something [INTENTIONALLY MUMBLES]..

  • Something like, oh, no, this tiny crawl space.

  • And I'm like, this is my moment.

  • So I think, yeah, it'd be the first buddy cop

  • comedy to end with a high-stakes crawl space sequence.

  • AUDIENCE: So when's it coming out?

  • I'd like to get tickets now.

  • ANNA KENDRICK: Whenever "Game of Thrones"

  • is finished, so like 2020, I guess.

  • Because we're not trying to compete with that.

  • AUDIENCE: Thank you.

  • ANNA KENDRICK: Thank you.

  • MOLLY DECKER: It's amazing.

  • All right, guys.

  • Let's thank Anna for coming to Google today.

  • ANNA KENDRICK: Anna.

  • [CHEERING]

[MUSIC PLAYING]

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