- Outlast.

Oh, 2. - I see the 2 hiding up there.

- All right, yeah. - Okay.

- Did you play Outlast 1? - I've not played any Outlast.

- I played a little of Outlast 1.

- (nervously) I'm so scared right now. - I'm so ready.

This either might be a prequel.

Or it could be like another one of your reporter buddies

coming out after all the footage got leaked.

- I just played this last night!! - Are you seri--

No, I'm SO excited. I know you're scared.

I'm so excited!

The first episode we filmed for it, I was scared shitless.

But as I got into it, I was like, "This game is so fun."

And I've been waiting for the second one.

- (FBE) We're gonna have you play

the first couple hours of the game over the span of two episodes.

You ready? - I'm kind of shaking a little bit.

I'm not gonna lie.

- Let's go. - Let's try and outlast the game.

- Okay. "Outlast 2 contains intense violence, gore,

graphic sexual content, strong..."

Yeah, that's all what I expect from Outlast.

- Then it says "Please enjoy." Please enjoy.

- I'm actually shaking (giggling) right now.

- "Lynn Langermann is an investigative journalist

seeking the answers behind a pregnant woman

murdered under impossible circumstances in rural Arizona."

- Oh, so we're somewhere else now.

- Okay. So it's still going the whole journalism route.

- Yeah. - "You are Blake Langermann, her husband,

assistant, and cameraman. Record everything.

Neither of you are fighters.

To navigate the horrors waiting for you in the desert,

your only choices (amused) are to run, hide, or die."

- There's no fight or flight here. You just run or die.

- It's just-- it's only flight.

- (female voice, hushed) Please, Blake. - Boy.

- (voice) Where are you? - So wait. She's our wife?

- (voice) Where are you? - "Where are you?"

I don't know. Where are we?

- (voice) I'm scared. - Chillin'.

- She's scared.

- (voice) He's coming. - Oh god.

(Lynn shrieks) Oh.

- (Lynn) HE'S HERE!

(shrieks) - (laughs)

NO! GET AWAY!

FAST! AAHHH!

Jesus, Blake. Are you really sleeping?

- (Blake) I'm awake.

- (Lynn) You should've slept last night.

- Is that his wife?

- Is he not gonna tell his wife that he just heard her screaming?

- (Blake) I had to get that hospital footage organized.

- (Lynn) You were calling out some other woman's name.

- Oh.

- (Lynn) Jessica, I think.

You know a Jessica? - (Blake) Oh. Uh, no. No. I mean--

- Blake been cheatin'. - (Blake) I was dreaming about

Jessica Gray... - Oh.

- (Blake) ...from when we were kids. - Nice save.

- (Lynn) I haven't thought about her in ages.

- (pilot) Hey, we're crossing into reservation land now.

You said I'm looking for some... - I mean,

what could go wrong in rural Arizona?

- (pilot) You said I'm looking for some sort of factory?

- (Blake) Yeah.

- (pilot) We can look, but there's nothing out here.

- (Blake) It does look pretty empty.

- (Lynn) All the mercury in that woman's blood.

- Oh. Are we-- no. - You know what? This is dangerous.

They're flying in clouds.

- (Lynn) She had to have spent at least a decade downstream

from some pretty heavy industry.

- Oh. - (pilot) If you say so, ma'am.

You bought the time.

- (Lynn) We should record an intro while we're up here.

- Okay. - (Lynn) Production value?

- Okay. - (Blake) Sure.

- Oh. Are we YouTubers?

- Does he at least have batteries this time?

- (Lynn) Can't work my diaphragm with this thing on.

- So we're gonna crash, right?

- 100% this chopper's going down.

- (Blake) Audio's gonna be crap.

- Oh, that's probably gonna be a thing again.

Oh shoot. - You idiot.

- (Blake) [Bleep]! - Oh, we wear glasses.

Those are gonna come off at one point.

- (pilot) Sorry about that.

Left panel's a little soft. But, uh, we're good.

- Come on, pilot. - Trying to make a movie here.

- (Lynn) Get as much of the landscape behind me as you can.

- Oh. Okay. - What is this?

- We're YouTubers. We're vlogging.

- Landscape behind her. - Nice.

Rae the camera girl. I like it.

- Looks like clouds mostly. - Oh, I'm filming right now.

I need to get my director mode going.

- (Lynn) I'm Lynn Langermann, here for newstomorrow.net.

We're flying past the Havasupai Indian Reservation

in central Arizona. - Oh great, Indian reservation,

'cause that's so-- - Okay.

- (Lynn) In search of the origins

of murder victim Jane Doe. - (Blake) Hey, Lynn.

I don't think you should say "murdered."

We don't know that.

- (Lynn) Oh, I'll say she strangled herself to death.

- (Blake) It's what the police report says.

- (Lynn) We may play this before the doctor interviews.

If this falls in the first 30,

we need to get the word "murder" in there.

We should probably mention the fetus too. I mean, how it just--

- The fetus. - How it just what?

- (Lynn) Here. Let me try a version...

- How it just what? What'd the fetus do?

- The fetus? - (Lynn) Here. Let me try a version

that conserves an intro for the whole piece.

Tell me when we're good.

- (Blake) Okay. - We're good.

- (Lynn) Two weeks ago, a young woman was found wandering,

barefoot, pregnant, and alone on a barren stretch of highway

100 miles from the nearest-- - Whoa.

- (Lynn) Oh!

- (pilot) We lost the engine! - Oh shoot.

- (Lynn) ...100 miles from the nearest--

- Oh! - Oh, what the heck?!

- (pilot) We lost the engine!

- How do you lose the engine?!

- Loud noises. - Oh no.

- (pilot) ...the engine! [Bleep]! - Yeah, you called it.

We're gonna crash. - Yep. We always crash.

- Oh. - No!

- Oh shoot.

Oh, good catch.

- (gasps) Oh, she gone!

Oh shoot. (relieved chuckle)

Aah!

- Oh my god. (shouting in game)

"1,000 feet." Wow, they're going down fast.

(frantic shouting, bloodcurdling shriek)

- Bye. - Ooh, I got chills. I got goosies.

- See why that sign.

- Oh, that's an upside-down cross too.

- (dramatically) "Outlast." - Oh GOD.

Okay, this is gonna be like some--

The last Outlast was a ghost thing.

I feel like this one's gonna be like a demon thing.

- Oh man. - Oh no.

Now we're the creepy church. - All right. We're in.

- Oh. Oh. - You remember, there's a preacher

who lit himself on fire in the last one too.

So it all has biblical references all throughout it.

- Are we in a hospital?

- It looks like a school.

A bible school, 'cause there's lockers. - Oh, yeah.

These are lock-- good catch.

- Something's gonna pop out of the lockers.

(eerie creak)

- (laughs) - Fool!

(eerie creak)

- [Bleep] that. Turn around. - Oh.

- What is this?

- "To Jessica." - Wait, Jessica.

Isn't that who we were talking about?

Jessica being from their childhood or something.

- Yeah. - Maybe this is like a flashback.

(faint clatter) - Oh.

What was that?

- Did you hear that?

- That's him walking.

- I heard something.

- That's him-- - (gasps)

- Boy.