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  • The President: Thank you.

  • Everybody, please have a seat.

  • We've got some work to do here.

  • (laughter)

  • This is not all fun and games.

  • Welcome to the White House, everybody.

  • Today, we celebrate extraordinary Americans who

  • have lifted our spirits, strengthened our union,

  • pushed us toward progress.

  • I always love doing this event, but this is a

  • particularly impressive class.

  • We've got innovators and artists.

  • Public servants, rabble rousers, athletes, renowned

  • character actors -- like the guy from Space Jam.

  • (laughter)

  • We pay tribute to those distinguished individuals

  • with our nation's highest civilian honor -- the

  • Presidential Medal of Freedom.

  • Now, let me tell you a little bit about each of them.

  • First, we came close to missing out on Bill and

  • Melinda Gates' incredible partnership.

  • Because apparently Bill's opening line was, "Do you

  • want to go out two weeks from this coming Saturday?"

  • (laughter)

  • He's good with computers, but --

  • (laughter)

  • Fortunately, Melinda believes in second chances.

  • And the world is better for it.

  • For two decades, the Gates Foundation has worked to

  • provide lifesaving medical care to millions -- boosting

  • clean water supplies, improving education for our

  • children, rallying aggressive international

  • action on climate change, cutting childhood mortality

  • in half.

  • The list could go on.

  • These two have donated more money to charitable causes

  • than anyone, ever.

  • Many years ago, Melinda's mom told her an old saying:

  • "To know that even one life has breathed easier because

  • you lived -- that is success." By this and just

  • about any other measure, few in human history have been

  • more successful than these two impatient optimists.

  • Frank Gehry has never let popular acclaim reverse his

  • impulse to defy convention.

  • "I was an outsider from the beginning," he says, "so for

  • better or worse, I thrived on it." The child of poor

  • Jewish immigrants, Frank grew up in Los Angeles, and

  • throughout his life he embraced the spirit of a

  • city defined by an open horizon.

  • He's spent his life rethinking shapes and

  • mediums, seemingly the force of gravity itself; the idea

  • of what architecture could be he decided to upend --

  • constantly repurposing every material available, from

  • titanium to a paper towel tube.

  • He's inspiring our next generation through his

  • advocacy for arts education in our schools.

  • From the Guggenheim, to Bilbao, to Chicago's

  • Millennium Park -- our hometown -- to his home in

  • Santa Monica, which I understand caused some

  • consternation among his neighbors --

  • (laughter)

  • - Frank's work teaches us that while buildings may be

  • sturdy and fixed to the ground, like all great art,

  • they can lift our spirits.

  • They can soar and broaden our horizons.

  • When an undergraduate from rural Appalachia first set

  • foot on the National Mall many years ago, she was

  • trying to figure out a way to show that "war is not

  • just a victory or a loss," but "about individual

  • lives." She considered how the landscape might shape

  • that message, rather than the other way around.

  • The project that Maya Lin designed for her college

  • class earned her a B+ --

  • (laughter)

  • -- and a permanent place in American history.

  • (laughter)

  • So all of you B+ students out there.

  • (laughter)

  • The Vietnam Veterans Memorial has changed the way

  • we think about monuments, but also about how we think

  • about sacrifice, and patriotism, and ourselves.

  • Maya has given us more than just places for remembering

  • -- she has created places for us to make new memories.

  • Her sculptures, chapels, and homes are "physical act[s]

  • of poetry," each reminding us that the most important

  • element in art or architecture is human emotion.

  • Three minutes before Armstrong and Aldrin touched

  • down on the moon, Apollo 11's lunar lander alarms

  • triggered -- red and yellow lights across the board.

  • Our astronauts didn't have much time.

  • But thankfully, they had Margaret Hamilton.

  • A young MIT scientist -- and a working mom in the '60s --

  • Margaret led the team that created the onboard flight

  • software that allowed the Eagle to land safely.

  • And keep in mind that, at this time, software

  • engineering wasn't even a field yet.

  • There were no textbooks to follow, so, as Margaret

  • says, "There was no choice but to be pioneers."

  • Luckily for us, Margaret never stopped pioneering.

  • And she symbolizes the generation of unsung women

  • who helped send humankind into space.

  • Her software architecture echoes in countless

  • technologies today.

  • And her example speaks of the American spirit of

  • discovery that exists in every little girl and little

  • boy who know that somehow, to look beyond the heavens

  • is to look deep within ourselves -- and to figure

  • out just what is possible.

  • If Wright is flight and Edison is light, then Hopper

  • is code.

  • Born in 1906, Rear Admiral Grace Murray Hopper followed

  • her mother into mathematics, earned her PhD from Yale,

  • and set out on a long and storied career.

  • At age 37, and a full 15 pounds below military

  • guidelines, the gutsy and colorful Grace joined the

  • Navy and was sent to work on one of the first computers,

  • Harvard's "Mark One." She saw beyond the boundaries of

  • the possible, and invented the first compiler, which

  • allowed programs to be written in regular language

  • and then translated for computers to understand.

  • While the women who pioneered software were

  • often overlooked, the most prestigious award for young

  • computer scientists now bear her name.

  • From cell phones to cyber command, we can thank Grace

  • Hopper for opening programming to millions more

  • people, helping to usher in the information age and

  • profoundly shaping our digital world.

  • Speaking of really smart people --

  • (laughter)

  • -- in the summer of 1950, a young University of Chicago

  • physicist found himself

  • at Los Alamos National Laboratory.

  • Dick Garwin was there, he said, because Chicago paid

  • its faculty for nine months but his family ate for 12.

  • So by the next summer, Dick had helped create the

  • hydrogen bomb.

  • And for the rest of his life, he dedicated himself

  • to reducing the threat of nuclear war.

  • Dick's not only an architect of the atomic age.

  • Ever since he was a Cleveland kid tinkering with

  • his father's movie projectors, he's never met a

  • problem he didn't want to solve.

  • Reconnaissance satellites, the MRI, GPS technology, the

  • touchscreen all bear his fingerprints.

  • He even patented a "mussel washer" for shellfish --

  • which I haven't used.

  • The other stuff I have.

  • (laughter)

  • Where is he?

  • Dick has advised nearly every President since

  • Eisenhower -- often rather bluntly.

  • Enrico Fermi -- also a pretty smart guy himself --

  • is said to have called Dick "the only true genius" he

  • ever met.

  • I do want to see this mussel washer.

  • (laughter)

  • Along with these scientists, artists, and thinkers, we

  • also honor those who have shaped our culture from the

  • stage and the screen.

  • In her long and extraordinary career, Cicely

  • Tyson has not only succeeded as an actor, she has shaped

  • the whole course history.

  • Cicely was never the likeliest of Hollywood stars.

  • The daughter of immigrants from the West Indies, she

  • was raised by a hardworking and religious mother who

  • cleaned houses and forbade her children to attend

  • the movies.

  • But once she got her education and broke into the

  • business, Cicely made a conscious decision not just

  • to say lines, but to speak out.

  • "I would not accept roles," she said, "unless they

  • projected us, particularly women, in a realistic light,

  • [and] dealt with us as human beings." And from "Sounder,"

  • to "The Trip to Bountiful," to "The Autobiography of

  • Miss Jane Pittman," Cicely's convictions and grace have