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  • A typical scene of Japanese salary men relaxing after work served by women.

  • Except, at this bar, the women are the customers turning the tables.

  • Now, take a closer look because the 'male hosts' are also women, masquerading as men.

  • At the New Marilyn bar, a woman can unburden herself on a sympathetic 'male' knowing

  • she'll be perfectly understood.

  • Confused? This is Japanese female sexuality in the 1990s.

  • There is a new boldness about Japanese women these days. Some are calling it a female 'sex

  • boom'. But, just like the New Marilyn bar back there, it's a social trend full of contradictions

  • and surprises and one that does not necessarily conform to Western notions of 'women's lib'.

  • Her name is Ulala Aikawa.

  • Ulala is a sex counsellor and purveyor of ladies pleasure products

  • Recently it's become easier for Japanese women to buy these things. Although they may feel

  • they want to become sexy, I think it's because they've already become more active.

  • This is a slightly erotic 'How To' video I want to introduce

  • In Japanese terms, Ulala is a pioneer of female sexual emancipation.

  • This is a scene of a man and woman having sex.

  • Her 'How To' videos for women are being featured on television

  • talk shows

  • This segment was aired midafternoon in housewives peak viewing time

  • This commercialisation, the flourishment of sexual representation

  • itself stresses the women's pleasure which encourages women it's

  • perfectly OK for women to pursue their pleasure. So, it's in a sense a by product of male-oriented

  • porn.

  • Chizuko Ueno is Japan's leading feminist scholar.

  • She welcomes the fact that Japanese women are becoming more sexually demanding.

  • Even though it may be a limited victory.

  • I would call it liberation from within bed, rather than at work places. And this commercialisation

  • of sexuality is actually both positive and negative. So we have to take advantage of

  • any kind of change in this market economy.

  • Voiceover In the 'open market' of sex, Japanese women are now free to enjoy this

  • In Tokyo's most fashionable neighbourhood, the J-Men's Club serves up 'bump and grind'

  • for petite college students and office ladies.

  • The sort who usually giggle behind their hands in male company.

  • Last week Disneyland this week, well, another kind of fantasy.

  • The all-American strippers average two thousand dollars a week, just in tips.

  • One way to a skimpier trade deficit.

  • That Japan should need to import sex entertainment of any sort is puzzling, given its own cultural

  • heritage.

  • In folk festivals, like this one near Tokyo, the sex organs are worshipped as gods of fertility

  • and paraded through the streets.

  • Japan's native Shinto religion celebrates human sexuality

  • uninhibited by shame or guilt.

  • The same attitude inspired the great wood-block artists of the past.

  • Their 'shunga', or Spring Pictures, explored sexual pleasure in all its variety.

  • The emphasis was on men and women in mutual enjoyment sex as a technique of love.

  • In the modern era, with increasing state control and influence from the West, things have changed.

  • An obscenity law requires publishers and film-makers to obliterate the genitalia.

  • But it's bureaucratic censorship ... that leads to absurd double-standards.

  • In the office of a men's porn magazine, the editor's red felt pen draws the line at pubic

  • hair

  • yet doesn't blush at graphic images of female humiliation.

  • I can't sell these magazines without touching them up. So this something I have to do.

  • Is it a kind of art to put in as little as possible?

  • That's right. The readers prefer it that way.

  • It's even easier to make a nonsense of the law in the fantasy

  • world of comics, or 'manga', as they're called here.

  • These are erotic 'manga' - available at any newsstand with annual sales in the hundreds

  • of millions. The typical ingredients of their stories are rape, paedophilia and sado-masochism.

  • So it may surprise you to learn that erotic manga are now also being produced and read

  • by women.

  • Milk Morizono is one of the first artists to create erotic manga for

  • women.

  • Her comics, 'Feel'', and 'Young Feel', sell over a quarter of a million copies a month.

  • The Heroine's lover has been captured by a famous married couple

  • who like sadomasochism. To get to him she has to join their bondage party for group

  • sex. That's the story so far.

  • All the usual ingredients of manga for men.

  • Except, in these stories, the women use their sexuality to get their own way.

  • In erotic manga for men, the women are men's dolls or slaves. That's the way men would

  • like to manipulate women. In my case it's different, the opposite. In this story, the

  • woman is not obedient to the man. She's independent and pursues her own career in the fashion

  • industry.

  • Once a target of feminist criticism, women's manga are being seen

  • in a new light

  • In men's comics women are always victims. But in female comics, women, well, in the

  • guise of victim, she takes control of the offenders.

  • A similar kind of control game is going on here.

  • The discos call it 'body consciousness' ... female patrons who pay to become the stage show.

  • Men are spectators, not partners, in this game ... kept at a distance, while the dancers

  • urge each other on.

  • It's a private-public show of independence by women whose lives away from the disco

  • are a very different story.

  • They are actually just ordinary girls working as OLs.

  • Office Ladies?

  • Yes, office ladies. They usually have a quite boring frustrated job. So, as a compensation

  • they want to attract male attention, as an inaccessible object.

  • The disco display would have been unthinkable a few years ago

  • - but, then, much has changed for Japanese women.

  • They now make up forty per cent of the workforce.

  • More women than men are taking degrees.

  • And many are seeking a more equal partnership in marriage.

  • Seijitsu. You want your husband to be faithful. In this class if your

  • husband had an affair would you divorce him?

  • American academic, Anne Sokalsky, is surveying how Japanese women feel about their lives.

  • Would you divorce him?

  • Absolutely

  • OK. Why?

  • Because it's not fair to me. Also to him. So absolutely.

  • Personally I don't respect me. Because until now men would

  • call themselves 'Great', 'Great'. It is, it's what they say. But actually they were propped

  • up by the women all the time.

  • These college students are typical of a more outspoken Japanese womanhood.

  • I think it's a reflection of women becoming more vocal. The increasing women's consciousness

  • here. The fact that their real power - it's no longer being as secretive as it used to

  • be. Women are starting to stand up for their rights. They're starting to claim more through

  • the law.

  • After the titles a one minute bath scene, centre position.

  • Unlike foreigners Japanese women don't show all of themselves, and don't

  • try to be sexy. Japanese are more reserved. But, I don't think it has to be that way.

  • A most public face, and someone who gives a final twist to this tale, is Ai Iijima.

  • Her office is a television studio ... hosting a show which tops the late-night ratings.

  • Everybody, are you feeling run down? To relieve stress, a bath is the best thing ...

  • It's not a cable channel - but a free-to-air broadcast.

  • The 'Wueen of the G-String' is a respectable star in Japan ... she even gets fan mail from

  • primary school children.

  • It's a bath-house special tonight. And now ...

  • Yet this is someone who began her careen as a porn video actress.

  • In this season, the best combination is a pretty girl and a draught beer in a bath ...

  • The image of adult videos is not good. So we try to erase it and she

  • herself has stopped. With a good image she's now able to appear in quiz shows. Through

  • this program, I'd like to create more stars like her.

  • Is this pitch by the producer merely an excuse for crass commercial

  • exploitation?

  • Or does the show represent a mutually advantageous pact between commercial enterprise and Japanese

  • women?

  • The fact is Iijima-san has more female admirers than men women who see her as a role-model.

  • Although the star herself qualifies that admiration.

  • I'm glad to hear that. But only the outside, not the inside. I didn't go to school so much,

  • I didn't study and I've had a hard time, which I regret. I don't want them to follow me in

  • that way.

  • Here is a new motto for a restless society: 'Girls, enjoy your bodies, but study hard.'

  • In this sexual awakening, old distinctions have become blurred.

  • Anyone is now a potential object of desire anyone a potential consumer of the desirable.

  • Whether pleasing men or just pleasing themselves.

  • Changing the plot or being caught in one.

  • That is the paradox, the living dilemma, of Japanese women in the 1990s.

A typical scene of Japanese salary men relaxing after work served by women.

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