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  • G'day Chris here, and welcome back to Clickspring.

  • For some time now I've been using this temporary arrangement to blue screws,

  • but I've got quite a few parts to blue over the next few months,

  • so in this video, I make a more permanent version.

  • The idea behind a tray full of brass chips is that it helps to spread the heat evenly over the whole part,

  • so it's a great way to get a uniform color.

  • But I'd like to have something a bit more convenient than a visegrip holding it all together.

  • Before we get onto making it though, I'd like to show you the very first bluing pan I made

  • before I really understood what was required.

  • There's a few things that I did wrong when making it, that are worth pointing out.

  • For one thing, the brass is too thin, so the heat change on the plate is much too fast.

  • But the big mistake I made was to put too many large holes in it; I can't really recall

  • what I had in mind when I did that, but it was a bad idea.

  • All it did was remove even more mass from the plate,

  • and the holes permit the flame to lick around the sides of the part, and ruin the color.

  • It does have a few redeeming features though, the legs holding it off the bench were a good idea,

  • although they've oxidised quite a bit from the heat, so I might try brass this time and see if that makes any difference.

  • The handle is fine too, so I'll cut that off, and re-use it.

  • I'm also going to make 2 versions of the tray, that can screw onto the end of the handle as required.

  • One will be the more permanent version of the brass shavings tray I just spoke of,

  • and the other will be a plate version, with holes in it for for screws. This time with small holes!

  • I can also make more variations on the idea in the future, and reuse that handle.

  • I'm going to make the trays using this ring of brass left over from making the barrel,

  • and these 2 discs left over from other projects.

  • The feet will be turned from this brass rod.

  • So let's get started

  • The handle is just a hardwood dowel from the hardware store, mounted on a length of steel rod.

  • And as I recall when I made it, I formed a short tang on the end of the steel rod,

  • that was a good fit inside the dowel. I then formed a thread on the end of the handle.

  • I then formed a thread on the end of the rod.

  • The feet for the bluing pan are a reasonably straight forward part, with a taper on one end, and a thread on the other.

  • And I quite like holding small parts like this with an ER collet,

  • The opposing features will be closer to being concentric,

  • and it gives a much better grip on the part than the three jaw chuck.

  • I started out by forming the tapered profile, setting up the lathe to cut a 10 degree included angle.

  • Once I'd formed that tapered section, I extended the stock to mark out the other dimensions,

  • and then parted off.

  • The part was then remounted the other way around to form the threads.

  • Ok, now on to the trays.

  • The tray that will hold the shavings is fabricated from 2 parts that are silver soldered together,

  • so I spent a bit of time getting the surfaces clean and well fluxed, before making the join.

  • All of the outside surfaces now need a good trim, and to do that I need the part running

  • reasonably true before making the cut - another great job for the bump centering tool.

  • So with the shavings tray mostly omplete, I moved on to the flat tray. Which is really just a simpler version of the same thing.

  • All it needed was to have the surfaces cleaned up while it was being held on a super glue arbor.

  • Both parts were then marked out, and the positions of the holes lightly punched.

  • I'm extending those marking lines beyond the hole positions. I'm going to use them to help me align the part on the mill vise later

  • Each of the holes were then drilled and tapped on the mill.

  • Now I'm going to lightly rivet the ends of the feet once they've been screwed in place,

  • so I'm forming a decent countersink on the top side, to give the metal somewhere to flow as its displaced.

  • And thats all the bits and pieces complete, so lets give it a try.

  • In good quality clock and watchmaking, heat bluing is traditionally used as a final surface finish on some steel parts

  • As the part is heated an oxide forms on the surface.

  • The thickness of the oxide is directly related to the temperature of the part. The hotter it gets, the thicker the layer.

  • The color comes from a light effect called Thin Film Interference.

  • To get a uniform color, its essential that the thin film of oxide is uniform in thickness across the whole part,

  • which in turn means that the temperature must be uniform, hence all the effort in making this bluing tray.

  • The colors move through a range starting at a light straw,

  • and then passing through brown, purple and blue, to a light grey,

  • after which the thin film effect is no longer visible.

  • The composition of the steel, cleanliness and surface finish all play a role in the way the oxide forms,

  • and so can directly influence the quality of the final color.

  • Thanks for watching, I'll see you later.

  • If this is your first Clickspring video, thanks for checking it out.

  • Be sure to subscribe for more home machine shop videos like this one.

  • If you're looking for some new projects for your lathe or mill, then take a moment to visit clickspringprojects.com

  • where you'll find the plans for this and several other projects available for download,

  • And finally if you'd like to help with the creation of these videos, then have a look at the Clickspring Patreon page.

  • Thanks again for watching, I'll catch you on the next video.

G'day Chris here, and welcome back to Clickspring.

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