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  • ANDREW ZIMMERN: The theme of tonight's episode is people

  • that have fired me or wouldn't hire me.

  • I was such a drug addled mess.

  • This was generically what happened.

  • I either was able to ingratiate myself right away

  • because I had a lot of good talent and I could keep up

  • when we were in the shit, which was the biggest mistake,

  • because I always ended up just drinking and drugging myself

  • out of the job.

  • I did a year at Raquel with Thomas, and that was great.

  • But he and a couple other guys found in the liquor room drunk

  • from the night before, passed out on the floor.

  • When he saw me for the first time like 10 years ago--

  • I was helping a friend-- he literally walked across the

  • room, gave me a hug, and whispered in my ear, I thought

  • you were dead.

  • And then I moved to Minnesota.

  • I got well, and things got dramatically better for me.

  • My whole face is numb.

  • Wow, wow, wow.

  • This smell back here at this part of the

  • sheep out in the desert--

  • fantastic.

  • These little curved pieces here are the intestines.

  • And then this is the stomach lining.

  • I'm Andrew Zimmern.

  • I'm the host, co-creator, and co-executive producer of

  • "Bizarre Foods" on the Travel Channel.

  • What fascinates me about the world is food is the ultimate

  • lens through which to view another people.

  • When we go into a city, we can explore that city's history

  • through the food.

  • When we go tribal, we are able to, through the food, discover

  • how they think and how they feel.

  • When you share food with other people, you end up talking

  • about the things you have in common.

  • There's no way to escape it.

  • Even if you haven't spoken a word to me in three day

  • because I'm suspiciously weird and white, if I'm eating their

  • mom's food, they will look at me, and at some point, they

  • are obligated to say, what do you think?

  • It's a little salty.

  • It's a little fishy and putrid, but it

  • is very, very tasty.

  • So I sit there and I go, you know it is.

  • It's like, someone comes into my home, and my wife makes her

  • tater tot hot dish, I look at them at them and I'm like,

  • uh-huh, you know what I'm saying?

  • It's just the way it is.

  • I came to New York for the script to network upfronts.

  • I come into town, I want to have fun for a couple hours

  • and go see some friends and hang out in a couple

  • restaurants and eat a couple of good things.

  • Met a bunch of friends at Osteria Morini.

  • And I come here all the time when I'm in New York, because

  • I just think it's great rustic Italian food.

  • Marisa, this is Niki, Niki, Marisa.

  • Marisa was one of the interns at our production company for

  • the most painful three months--

  • brutal.

  • My friend Niki, who's also my publicist, my friend Jordan,

  • who just moved here from Minnesota, and his girlfriend

  • Taya, also from Minnesota.

  • JORDAN HUSNEY: You know she's not my girlfriend.

  • ANDREW ZIMMERN: You're not his girlfriend?

  • TAYA MUELLER: His girlfriend will kill me.

  • ANDREW ZIMMERN: Does life get any better?

  • We're just eating a snack, have a drink,

  • and then off to Forgiones.

  • This is a grazing night.

  • Couple little snacks always ends up dragging on for at

  • least 45 minutes longer than anyone else's version of

  • eating a couple little snacks, number one because I'm a

  • serial over-orderer.

  • We'll do prosciutto, spec, copa, lardo, fegatini.

  • The [INAUDIBLE] peas, and the lamb prudo.

  • I'm looking for the filled--

  • -The [INAUDIBLE] with the [INAUDIBLE].

  • ANDREW ZIMMERN: Oh, yeah.

  • We'll do two orders of those because we'll need two.

  • Michael White, who owns the place is a friend of mine.

  • The chef who started this restaurant for Michael is a

  • guy named Bill Dorrler, who's a fantastic chef.

  • Asi has been here originally when they opened, and now he

  • runs the place.

  • ANDREW ZIMMERN: That just looks beautiful.

  • The brilliant part of it to me was that they were able to

  • say, well, what would happen if we let it go twice as long

  • in the aging room as is normallly thought appropriate?

  • Now, I should tell you, but I doubt very much whether any of

  • you have ever eaten beef this old.

  • 120 days is a third of a year.

  • If beef is aged 24, 36 days, it's a miracle.

  • If you get it aged 45 days, it starts to get really finessed

  • and antique.

  • If you go 120 days, the flavor of the meat is so different.

  • Even great steakhouses won't go this old.

  • I laughed when the waiter said the beef

  • flavor is very focused.

  • I'm like, you mean dank and almost cheese-like, funky,

  • almost tastes like the forest floor in a damp

  • sort of fetted way.

  • It creates a flavor that is like no other.

  • It just melts in your mouth, tender.

  • It was just crazy good.

  • That's ridiculously good, just beautiful funk to it--

  • really beautiful.

  • What's this?

  • -Lamb brain and veal sweet breads.

  • ANDREW ZIMMERN: People go, oh, brains and sweet breads.

  • But if you didn't tell someone what that was,

  • they'd scarf it down.

  • NIKI TURKINGTON: It's got an interesting texture.

  • It's marshmallowy.

  • ANDREW ZIMMERN: If you saw one of my New York episodes, we

  • have pictures of the 80-year-old women

  • making these pastas.

  • When you taste these, the quality quotient is insane.

  • Michael White made a name for himself cooking pasta.

  • There are many people who feel he's the best pasta cook of

  • his generation.

  • I've not eaten pasta cooked by anyone in America in the last

  • 20 years that's better than his.

  • Think about making all of those tortellini, those little

  • two-sided ravioli, the espelette.

  • It just blew my mind.

  • The precision with these things, you just

  • won't have its equal.

  • NIKI TURKINGTON: That is like, oh, my god.

  • I'm leaving you guys.

  • I'm going to stay here with my new favorite thing, the pasta.

  • ANDREW ZIMMERN: This is the worst part of my life, which

  • is sitting there doing this and getting frantic emails

  • from producers of my show trying to figure out how to

  • make something work that right now isn't working.

  • We were able to get out of Morini with our appetites

  • somewhat intact and make our way over to Marc Forgione's

  • restaurant.

  • NIKI TURKINGTON: What would you have described

  • yourself in the '70s?

  • ANDREW ZIMMERN: I will tell you about the '70s, Niki, you

  • weren't born yet.

  • It was a very exciting time for some of us.

  • Pot got you really high, and it wasn't expensive.

  • It was very simple.

  • Life was so easy.

  • Is Mark still here?

  • MARC FORGIONE: Yes, yes.

  • [INAUDIBLE].

  • ANDREW ZIMMERN: Marc Forgione, iron chef, a lot of people

  • think that guys who cook on TV are TV chefs.

  • Not so this guy.

  • And the thing that I like most about hanging out with him was

  • I always remind him that his dad fired me after half a day

  • at an American Place.

  • 30 years ago, an American Place was a landmark in the

  • history of the food scene in America.

  • I was a mess.

  • I deserved to be fired one hour after I went in the door.

  • It was a miracle I lasted half a shift there.

  • MARC FORGIONE: I didn't even know my dad was a real chef.

  • I just thought he was a guy who went to work every day and

  • had a restaurant.

  • And I didn't think anything of it.

  • American Place is one of those restaurants that really

  • changed the way Americans eat.

  • My old man, people like Alice Waters, Jonathan Waxman, all

  • these guys are really visionaries.

  • When you're a teenager, you find a summer job

  • to make some money.

  • I didn't know it at the time, but my job to make some money

  • over the summer was working in one of the best restaurants in

  • the country.

  • And by the time I was 18 or 19 years <