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  • What do we look for in characters?

  • What about the cats we rank as our favorites in the whole of Warriors drew us in and makes

  • our hearts flurry with love or excitement?

  • On the surface, the answer is simple.

  • When asked why a certain character is a favorite of our's, we could easily sayBecause

  • I like themand leave it at that.

  • However, if we are compelled to look closer, the reasons likely come down to five factors.

  • The biggest reasons one might have for enjoying a character are 1.

  • That they're a genuinely, morally good cat, 2.

  • That they are well written and have a consistently good characterization, 3.

  • That they are complex or go through a complex emotional journey, 4.

  • That there is something about them that you connect with personally, or 5.

  • They have some quirk or are in a unique situation that interests you.

  • Those are all very big categories, so let's explore each of them individually, and explain

  • how they could impact your love for a character.

  • First is the morally good standard.

  • Some characters have touching levels of compassion, bravery, loyalty, or other examples of heroic

  • virtue that make us feel awe, inspiration, or even pride.

  • We may be amazed or proud at the feats a character was able to perform or the choices that they

  • made, and be inspired to rise to their level if we are ever in a similar situation.

  • Characters like Gray Wing, Leafstar, Briarlight or Firestar may be cherished for these sorts

  • of reasons.

  • Also in the category are the cats that people may refer to asgood beansor something

  • similar.

  • They're sweeties who you would want to be friends with if you were to meet them, such

  • as Thrushpelt, Fernsong, Lilyheart, or Dovewing.

  • Cats in this category don't need a ton of complexity, growth, or even focus in the story

  • to be loved.

  • They're just good.

  • However, being morally good cats is far from a requirement for people to enjoy a certain

  • character.

  • If it was required, no one would like villains like Ashfur, Darktail, or Hawkfrost.

  • There are still four other factors that characters can have an abundance of.

  • And one of these is consistency.

  • This doesn't have to mean that the character is identical from one moment to the next and

  • never grows, but it does mean that when there is growth, it is explicitly grounded in the

  • narrative and the change doesn't stretch beyond the reasonable limits of their characters.

  • Plenty of cats like Brackenfur, Whitestorm, Turtle Tail, and Squirrelflight can work for

  • this category, but it might be better in this case to provide examples of cats without consistency,

  • as this trait is often more of a repellant when it isn't there rather than an attractor

  • when it is.

  • Mistystar, Hollyleaf, Tigerheartstar, Breezepelt, and others I'm sure you can think of have

  • large inconsistencies in their personalities and goals from one book to the next, and this

  • prevents some people from enjoying their characters.

  • This is also the factor most likely to be termedbadly written,” since it relies

  • on all the editors and authors from one book or arc to the next to keep up with what their

  • characters were meant to do, and to have a clear vision from the beginning for who they

  • were supposed to be.

  • The next factor to discuss is complexity, and it is one of the easiest to understand,

  • but a more difficult one to explain.

  • Complexity has to do with the number of different personality traits and goals that make up

  • a cat, and how easily those goals or traits could be and are pitted against each other,

  • forcing a cat to make difficult decisions that can define them, and in turn create a

  • more interesting story.

  • Cats like Bluestar, Clear Sky, Jayfeather, and Crowfeather have more complicated pasts,

  • personalities, and goals that give them moments as heroes and moments where they do wrong,

  • all while being part of the same character.

  • Many people are drawn to these sorts of characters, as they feel more real and varied than stock

  • hero and villain characters would, and you can push them in both directions in your stories

  • to make them relatable and make them struggle and grow more easily.

  • Complexity doesn't have to be done well to make a character well-loved, either.

  • As I mentioned, Hollyleaf is quite inconsistent in her writing.

  • Whether her goals are to uphold the code, fulfill her ambition, destroy the world or

  • save it and why changes in almost every book.

  • But the numerous goals and large swing in morality she has also make her complex and

  • lead *quite* a large body of people to love her character.

  • People who are drawn to complexity above all will probably enjoy more main and secondary

  • characters than anything else, since they have the space to show off more of their personalities

  • and struggles.

  • However, there are certain background characters that, if they give them attention, may also

  • catch their eyes.

  • My immediate example for this one is Thornclaw, a remarkably complex background character

  • thanks to how many random ideas were thrown on him for convenience.

  • He isn't written well or given much focus, but for people interested in a complex character,

  • he's your guy.

  • If you'd like a more detailed exploration of him, I'll leave a link to my video about

  • him in the icard here and in the description.

  • Of course there are also people who might not care at all how a cat fits into the story

  • or how complex or good they are.

  • If something about a character just catches you and gets you personally attached to them,

  • you may hold onto them forever regardless of other circumstances.

  • Personal attachment as a factor isn't something I can provide example cats for, since it depends

  • so wholly on the person reading, and could apply to almost any cat.

  • Maybe you share an experience with the cat and feel a strong kinship with them for that

  • reason.

  • Maybe they learn a lesson that is or was incredibly important for you to learn, and they ended

  • up representing an important time of your life.

  • Maybe they have a personality trait or several that you relate to, and you often feel like

  • they do what you would do if you were in their paws.

  • Maybe they are from a story that you read a lot as a child, and now the mention of their

  • name can fill you with nostalgia.

  • Or maybe on a whim you had to defend them from other fans or found you liked their name

  • or design and you've protected them so long that they've come to feel like your's.

  • There's a wide variety of experiences here, but the end result is about the same: with

  • no logical reason required, you like this character.

  • They mean a lot to you, and no argument against them will keep you from loving them.

  • This is one of the more dangerous factors, and I'm sure many of you can already see

  • why.

  • There's nothing at all wrong with becoming personally attached to a character, but if

  • you take them too personally, you may get upset with people who don't like that character

  • for any number of reasons, and even if you don't take it too far and hurt the person

  • criticizing a favorite character, you may get hurt yourself, as if they are criticizing

  • you.

  • If you do feel like this resonates with you, it's always better to step back from the

  • conversation, or from the platform as a whole if need be.

  • It's a tired sentiment now but remember that these are fictional characters, and someone

  • else disliking a character will never take away your right to enjoy them.

  • Finally, we arrive at the fifth and final factor.

  • Perhaps you aren't personally invested or alike to a character, but just the idea of

  • them still excites you and makes you want to read or write or draw about them, without

  • much rhyme or reason.

  • If so, this love falls under the factor I will generally terminterest.”

  • This describes characters who's potential or place in the world is just unique and interesting

  • to you.

  • It could be Mothwing and Cloudtail's lack of belief in Starclan, Daisy and Stormcloud's

  • places as a former outsiders turned members of the clan, or Minty and Princess's statuses

  • as kittypets who will never join the clans but are cute and interesting anyways.

  • You might like the Sisters', Tribe's, or Warriorclan's unique societies, or the

  • evil backstory potentials of Bone, Fury, or Snowtuft.

  • Alternatively, you might have seen Bristlefrost, Jagged Peak, or Longtail and immediately been

  • struck with what amazing arcs they could have, only to be jipped by an unfortunate turn in

  • their narratives.

  • Still though, you have the ideas for their potential in your mind: the stories they could

  • play out, the cats they could become, the good they could do for the world, and none

  • of that is leaving just because it wasn't and will never be part of canon.

  • The possibilities for what created the interest are nearly endless.

  • The key part of this factor is just that the canon material never fleshes the character

  • out or dives into the ideas that you see for them, and that only makes you want to engage

  • with the character on your own even more: writing AU's, making MAP's, talking about

  • them whenever you can.

  • You want to do them justice in the way canon never could.

  • It should be said that you don't need to be impacted by all of these factors to think

  • highly of a character, even your very favorite one.

  • It is the sum strength from each of the factors that usually determines your overall love,

  • not the sheer number of factors a character touches for you.

  • Some factors are more important to some people than others, as well.

  • There are people who won't be able to like a character at all if they aren't consistent

  • in canon.

  • Others barely care about the quality of their writing but can't enjoy characters if they

  • don't have some element of moral righteousness.

  • Still others care most about the personal attachments they can form to characters or

  • the interesting possibilities and complexities they display, and give little thought to their

  • existence in a narrative.

  • It is entirely up to the individuals' tastes to see what their favorite characters are,

  • and where that love is drawn from.

  • This video is not meant to say some reasons are more valid than others.

  • It is just here to provide you with a language with which to sift through your own impressions

  • of characters, so you can understand why you might enjoy them, where you might look to

  • find other characters you'll enjoy, and communicate with other people who have different

  • tastes than you.

  • It is also entirely possible that there are factors I have missed.

  • Perhaps there is something else you can think of that impacts the way you determine your

  • favorite characters, and if that's the case I welcome you to leave your thoughts about

  • it in the comments.

  • I always intend these videos to be dialogues, the beginning of a discussion into a particular

  • topic.

  • My word is not law, unlike the clan leaders.

  • I just want to bring my own thoughts to the table and invite you to think about the subject

  • as well.

  • Thank you for watching, and always remember that you are allowed to like or dislike any

  • character you want.

  • Your character preferences do not determine your own worth.

What do we look for in characters?

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