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  • - Hi, I'm Victor M. Sweeney, licensed mortician.

  • We're here at Korsmo Funeral Service.

  • Come on in.

  • [classical music]

  • We've been given unprecedented access

  • to the whole funeral home.

  • We're gonna go into the prep room

  • where we embalm and prepare bodies.

  • Normally, if a person from the outside,

  • like yourself wanted to go into the prep room,

  • they wouldn't be allowed.

  • We've been given special access today

  • from the Department of Health.

  • And we're going to look at caskets,

  • urns, that kind of stuff.

  • We're gonna get to see the funeral chapel,

  • and then we'll also get to take a tour of the hearse.

  • See how that works.

  • With us today is Shawn.

  • - Victor.

  • - Thanks for having me here.

  • I really appreciate it. - Thanks for being here.

  • Death can be kind of scary.

  • There's a lot of things about our field that are unknown.

  • I'm excited for you

  • to bring those answers to everyone today.

  • - First, we're gonna go inside the prep room.

  • Why don't you come with me,

  • and I'll show you what we do.

  • [classical music]

  • So here we are in the prep room,

  • the room where we do all the embalming.

  • Embalming is meant to sanitize and preserve bodies,

  • as well as provide some level of restoration.

  • So, for instance, if someone is grievously injured,

  • we can kind of work to reconstruct them

  • in addition to making sure that their body holds up

  • for maybe the week that we have

  • in between the time when they die

  • and the time when we have the funeral.

  • In this funeral home, the prep room is off of the garage.

  • I don't want to be bringing cots

  • with bodies on them up or downstairs

  • or through the whole funeral home to get them here,

  • because then we can go right from the van

  • to the room where the magic happens.

  • [bouncy music]

  • We've taken our dummy Mike from the back of the van

  • and now we are ready for the embalming.

  • Every time you prepare a body, you kind of start from zero.

  • So you're going to do inventory,

  • you're gonna look them over, you're gonna make sure

  • that you know everything about their condition

  • and then adjust your embalming processes accordingly.

  • In a normal situation, I'm covered from head to toe

  • with personal protective equipment,

  • and that's mainly to keep me safe

  • when I'm dealing with blood and pathogens.

  • I'm also dealing with embalming fluids,

  • so these are things

  • that keep bodies preserved and sanitized.

  • And a lot of these contain aldehydes.

  • These are actually toxic chemicals.

  • Every prep room is going to have ventilation,

  • it's going to have formaldehyde level monitoring.

  • All these things are in place to keep me safe

  • and to make sure that we don't infect our public spaces

  • with what we have to do here in private.

  • [gentle music]

  • One of the first steps of embalming is setting the features.

  • So making the face into a natural expression.

  • These are called eye caps.

  • Sometimes when people die, their eyes are open,

  • and we can position the eyelids and have them stay that way.

  • We use this device called a needle injector

  • that actually punches these sharp brads

  • into the upper and lower jaw, kind of keep it in place

  • so they'll stay that way.

  • The next part of embalming after we set those features

  • is we're going to do what's called arterial embalming.

  • So we're gonna gain access to the arteries,

  • and then that's how we're going

  • to use our embalming machine to pump fluids in.

  • [bouncy music]

  • So there are three different kinds of fluids

  • that embalmers use when preparing a body.

  • The first, arterial solutions, are going to be fixatives.

  • So they're going to sanitize the body,

  • they're gonna preserve it,

  • and they're going to fix it into place.

  • Other fluids are what we call co-injection,

  • or accessory fluids.

  • Co-injections might add fluid to tissue,

  • they might draw fluid out, they'll add color.

  • Sometimes maybe a rosiness is helpful.

  • And then we have other fluids that are really good

  • at preventing certain types of decomposition.

  • Probably the most common place for a funeral director

  • to gain access to an artery is right up here in the neck,

  • and that is called the carotid artery.

  • Let's say you choose not to raise the carotid artery,

  • you can actually embalm a whole body

  • right here from the leg.

  • So the femoral artery is one

  • of the largest arteries that we have access to.

  • If you push fluid up, you can open the corresponding vein,

  • and then the blood will drain out.

  • And arteries are interesting

  • because they're very rubbery.

  • Think like a tube rubber band.

  • And so when we put high pressure into them

  • with the embalming machine, they're able to withstand that.

  • The fluid just goes right into the body.

  • [gentle music]

  • So this tank here is the embalming machine,

  • and this tube goes right down the artery,

  • and then is gonna shoot fluid in at a high pressure

  • in order to circulate that fluid through

  • while pushing out the blood

  • that's been pulling in the venous system.

  • So this will actually simulate something of a heartbeat.

  • So if you have large clots

  • that are stuck in a venous system,

  • you can pulse the fluid through at a high pressure

  • and push those clots out of the body,

  • and that'll create better distribution for our fluid

  • and better preservation in that final procedure.

  • [piano music]

  • This one is called a tissue spreader.

  • So let's say you have someone with a little extra weight,

  • and you need to get into, let's say,

  • the meat of their leg to gain access to their artery.

  • This guy, you can put in like this,

  • and it spreads out all that fat.

  • Any number of handy scissors,

  • a curve is nice sometimes, especially as you're cutting

  • through arteries or maybe other tissue.

  • This is called an aneurysm hook

  • because it's used for separating tissue

  • and hooking the arteries and pulling them out

  • where you have access to them.

  • This is called a grooved director.

  • I can hold this, put it into the artery,

  • and then this hard surface in the bottom

  • is gonna open up the artery

  • so I can slide my other tools right in.

  • An angular forceps.

  • This you can actually use to pull out clots.

  • This guy is called a drain tube.

  • Typically, this end here is going to be hooked up

  • to another tube that we run down the table,

  • and then this end is going to go inside the artery.

  • One thing that's great about a drain tube is

  • that we can actually control how much blood leaves the body.

  • If we're having drainage issues, you can stop it.

  • Pressure is building in the body,

  • and then all of a sudden you'll pull the end,

  • and whoop, it'll come pouring out the bottom.

  • So you want to create that pressure

  • because sometimes you need a little extra

  • to get into the extremities,

  • like into the toes or the fingers, something like that.

  • Cavity embalming is the second part

  • of preparing a body in which we want

  • to puncture all the hollow organs

  • and then drain out all the goo and nastiness

  • that wants to live in there.

  • So the tool we're going

  • to use to do that is called the trocar.

  • The trocar is a great, big steel spear.

  • This tip is going to puncture the organ,

  • and then this part is actually hooked up to a vacuum,

  • so it's going to [Victor slurps]

  • suck all that goo right down the drain.