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  • Hey there, I'm Mike Rugnetta.

  • This is Crash Course Mythology and today, we're going to talk about

  • symbols, dreams and a couple of very busty figurines.

  • It's the great mother goddess.

  • Are you excited Thoth?

  • Yeah, I know, you don't have a mother, you created yourself, but come on!

  • She's the best!

  • Unless, of course, she doesn't exist and if that's the case, what do I do with all of these great goddess mother's day cards?

  • The mother goddess is an archetype.

  • Psychology fans will know about archetypes from the work of Carl Jung, who saw the repeated patterns in myths

  • as emanations of what he dubbed humanity's collective unconscious,

  • meaning the symbols and ideas that all

  • humans share simply as a result of being human.

  • Archetypes can be used to explain why the same

  • patterns emerge in different myths from different places throughout the world.

  • Some of the archetypes that repeat all willy-nilly are the dying God, the destroyer God,

  • the trickster and the primordial pairing of the sky and the earth. Hey Sky Dad, hey Earth Mom.

  • The archetypes we'll be examining in the next few episodes are just those:

  • the Father Creator and the Great Mother.

  • Ugh, cosmic parents. I mean I guess the upside is that if you have to move back in with them after graduation their basement is

  • literally infinite

  • Downside being of course that it is also literally Hades.

  • We're doing an episode on female divinity before archetypal male divinity because there are some theories that Earth mom

  • actually did come first. As I pointed out most human societies are patriarchal and have been for a long

  • long time, but certain historians,

  • sociologists, archaeologists, literary critics and mythologists have argued that in prehistoric times human societies were more

  • matrifocal, less violent and more cooperative. The idea that human societies began as matrifocal and goddess

  • oriented goes back a long long way, with scholars asserting that many if not most primitive societies featured a religion

  • that was based around ideas of fertility and motherhood.

  • According to mythologists Scott Leonard and Michael McClure, "Throughout the 19th and 20th

  • centuries the literature of several disciplines took for granted

  • the existence of primal mother or great goddess and further assumed that her religion and the societies

  • based upon it were part of the primitive past from which man

  • happily escaped through the logocentric power of intellect." Yeah, that's right

  • We reasoned ourselves right out of peace, fertility and harmony. Good going, human mind. A leading proponent of the great goddess

  • theory was Maria Gimbutas who connected

  • archaeology to the women's movement

  • and who probably would have liked it a lot if you put the Venus of Willendorf on your sign at the woman's march.

  • Those involved with the goddess movement of which Gimbutas was a leader saw in this mother-centric religion "an appealing alternative to the brutality,

  • materialism, spiritual bankruptcy and ecological shortsightedness of modern patriarchal social systems."

  • Whoa, tell us what you really think. The goddess movement is a very cool idea

  • but it does have a couple problems. For one: It's based a lot on images like this one. Hey, there

  • she is again, the Venus of Willendorf. Sort of makes you feel more fertile already.

  • But here's the thing. The discovery of female figures like the Venus of Willendorf

  • was taken as evidence of religious practices that focus on the fertility aspects of the female,

  • but there's no real proof that figurines like these were part of any worship or ritual at all

  • Maybe they were just sexy lawn ornaments. There are problems with creating a picture of

  • female-centric social organizations based on figures like this that signified fertility and magical desires for successful births.

  • Also, we've discovered lots of female figurines and not all of them have the...

  • attributes associated with fertility and not all the figurines are female; many of them are male, a lot of them are even

  • androgynous. This lack of gender specificity points to what might be the biggest challenge to the goddess school. It relies on

  • modern gender binaries and

  • stereotyping. "Supporters of the goddess movement reversed the values of male-dominated Victorian

  • era science, which saw women as primitive, natural beings separate from an inferior to, rational men,

  • never questioning

  • whether our prehistoric forebears imposed the same

  • male-female polarities

  • upon their world or held the same assumption about the erotic and to the symbolic as we do." This is a good reminder that we

  • always need to be aware of how we are imposing our own beliefs and values on history and prehistory

  • And if I can impose my own values for a second, yes,

  • Victorian science is the worst. So, maybe you believe in a fertile, peaceful,

  • paleolithic, matriarchal world order that spawned great goddess myths around the world,

  • maybe you don't, but there stories of goddesses from everywhere at all times

  • and they share some

  • similarities. One of the most common literary

  • ideas is that of the triple goddess, which Robert Graves wrote about in his book, The White Goddess. An

  • influential typology, the triple goddess sorts goddesses into one of three types:

  • virgin, mother, and crone. If you find this virgin, mother, crone thing troubling, you are not alone;

  • It's a system that sees women through the eyes of men and basically categorizes them on whether they're sexy, and since that is

  • uncomfortable-making, we're going to look at the basic roles of goddesses in myths in the terms used by Maria Gimbutas: life, death, and

  • regeneration. Goddesses of life are maternal, often associated with the life-giving Earth. The Greek Gaia is a prime example,

  • although there aren't a lot of myths about her specifically.

  • She's often supplanted by Demeter. Sometimes these life-giving goddesses are associated with primeval

  • creation like Tiamat in the Sumerian creation

  • stories, or Cipactli, the great goddess of Mexico who swam through the primordial waters of chaos in the form of an enormous

  • crocodile, which seems like a pretty sweet way to travel. Life-giving goddesses are occasionally seen as protectors as well as nurturers.

  • An example is the Persian goddess Anahita, who was sometimes depicted in armor,

  • sometimes as a nurturing mother and who was said to have power over the water; in dry-as-heck with two hockey sticks Persia,

  • Water mom brings forth and preserves life and, as moms often do, also probably reminds you to shower.

  • Goddesses of death are often seen as queens of the underworld, like Persephone, whom we've met, and

  • Isis who was able to resurrect her husband Osiris. In these roles great goddesses control the cycles of growth,

  • decay and rebirth:

  • the seasons. One of the goddesses we met in an earlier episode Izanami died and went to the underworld after giving birth to fire.

  • Her husband Izanagi went to look for her, but, finding her as a rotting corpse, was

  • terrified, so he ran away.

  • I mean,

  • can you blame him? Izanami considered this a divorce, which also seems reasonable, and so she returned to the underworld.

  • On occasion, goddesses associated with death are portrayed as witches or seers,

  • often appearing as wise old women, like the Greek witch Hecate, who is sometimes said to have three heads: a snake's, a

  • horse's and a dog's, making her a one-goddess petting zoo. Death goddesses are also often associated with fate,

  • apportioning a person's life, ordaining health, disease,

  • prosperity and suffering. The Greek Moirai and the Norse Norns were goddesses of this type. And finally, goddesses of regeneration

  • often relate to sexuality in myths, appearing as virgins or nymphs.

  • Sometimes they're also responsible for creativity: according to Leonard and McClure, their pulsing

  • Sexual energies impel mortal creation to renew itself, and thus their influence redeems

  • individual mortality through beauty, passion, and offspring." Pulsing sexual energy? Oof, is it getting hot in here or

  • is it just these mother goddesses? One other interesting thing about goddesses of regeneration: they seem to have a tendency to bestow their favors on

  • mortal men and that just does not seem to work out. For example: We're going to go somewhere we haven't visited yet:

  • Ireland. Take us there, Thought Bubble. One Irish

  • regeneration goddess is Nimah of the Golden Hair, whose name means beauty. Nimah was the daughter of the sea and

  • Tir-Nan-Og, the land of the blessed. One day Nimah stole the poet Oisin away from his people and brought him to Tir-Nan-Og,

  • where they lived together as lovers for what turned out to be a very long time.

  • While he was with her, Oisin remained young and virile.

  • Enchanted as he was, Oisin forgot about his people who continued to age and to die as

  • mortals tend to do. He stayed at Tir-Nan-Og for centuries,

  • and really, it's tough to blame him, but Oisin became homesick.

  • Eventually Nimah grew tired of his complaining

  • so she sent him home on a magical horse with a warning not to dismount.

  • But as soon as the magical steed touched human soil,

  • the saddle buckle broke and Oisin fell to the ground. In an instant, all of the centuries that Oisin had spent on the isle of

  • the blessed caught up with him, and he grew old and died. Strangely

  • there's an almost identical story from Japan. In this one the sea goddess Oto-Hime falls in love with a mortal fisherman and

  • takes him to her palace under the sea. After a few days of romance, the fisherman starts to worry about the people he left at home.

  • He begs Oto-Hime

  • to let him return and she agrees, but only if he promises to carry a tiny box to the surface and

  • never open it.

  • So, you see where this is going; hundreds of years had passed, not just a few days, and guess what?

  • He opens the box. All of the years that had passed

  • surround him like a mist, and his body withers into dust. Thanks for that Thought Bubble, that was...

  • uplifting? So great mother goddesses can create the world and grant you

  • fertility and peace and equality and all that other good stuff,

  • or they can steal you away from your home, ravish you for a couple centuries and then turn your body into dust. That's part of what

  • makes great goddesses so powerful. No matter what form they take,

  • they're usually multifaceted. Unlike some gods

  • I could name. *cough* Zeus. Great goddesses are almost always complex and contradictory, which is the way we like it here at Crash Course.

  • I'm definitely sending that mother's day card now. Thanks for watching, we'll see you next time

  • Check out our Crash Course Mythology Thoth tote bag and poster, available now at dftba.com

  • Crash course Mythology is filmed in the Chad and Stacey Emigholz studio in Indianapolis, Indiana,

  • and is produced with the help of all of these very nice people. Our animation team is Thought Cafe. Crash Course exists

  • thanks to the generous support of our patrons at Patreon.

  • Patreon is a voluntary subscription service where you can support the content you love through a monthly donation

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  • Crash Course is made with Adobe Creative Cloud. Check the description for a link to a free trial.

  • Thanks for watching, and if you've learned anything today, it's that those old mythic words ring true:

  • don't look in the box, Chicago!

Hey there, I'm Mike Rugnetta.

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