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  • - You're hiding

  • freakin' van Goghs in a coal mine?

  • That's disrespectful.

  • And Rose would be like, "I'm gonna memorize this.

  • I'm memorinizing all of it."

  • (bold dramatic music)

  • Hi!

  • Hello.

  • (giggles)

  • I'm Tiffany Haddish,

  • and today, we're gonna talk about Rose Valland.

  • (Tiffany slurping)

  • She ready.

  • (soft accordion music) So, it's France.

  • October 1940

  • Rose Valland's Assistant Curator

  • at the Jeu de Paume Museum.

  • So she's like, "You know what I know? Art!"

  • Then, all of a sudden, there are boom!

  • Nazis everywhere!

  • They took over the museum like, "This our spot!

  • This where we gonna be at! Ah!"

  • (chuckling) Right?

  • She like, "Oh shoot, it's Germans everywhere."

  • And what they doing is robbing the French Jews.

  • And now they storing all this stolen art up in there.

  • And you know why? You know why?

  • Do you know why?

  • Let me tell you why.

  • Because Hitler was, like, a proclaimed artist,

  • and he tried to get into this school.

  • He was denied because he couldn't stay in the lines.

  • - [Derek] Uh-uh.

  • - He told his boys, "Y'all go out there,

  • and y'all get all the artwork.

  • Now, if it's German art, it's good.

  • But if it ain't German art, burn that shit up!"

  • 'Cause Hitler was mad

  • 'cause he didn't get to get into the university.

  • 'Cause you mad you didn't get to get into school,

  • my (beep) wet, don't worry about it.

  • (laughing)

  • But, Rose is like the dopest spy.

  • They up there talking (imitates speaking German).

  • They didn't know she spoke German.

  • She like this.

  • Taking notes, taking notes, taking notes. Okay?

  • So, different people that worked

  • under Hitler would show up to the museum often.

  • Like his main man, his name was Hermann Goring, right?

  • Now, Hermie, you know, he's so ratchet.

  • He like, "Give me! That's the best!

  • Run me that. Run me that right there.

  • Ooh, that's nice!

  • Hey, hey, give me something to drink.

  • Bring me some champagne up in here

  • while I'm in here picking the best art."

  • And Rose would be like,

  • "I don't know why these (beep) are here. He's so lazy.

  • Why you even want to tell me where you stole it from?

  • Do you know who I am?

  • I'm gonna tell everybody."

  • She'd go get the wine, and Hermann be like,

  • (drink slurping) "Ah, magnifique! This is,"

  • oh no, wait, no, he was German, he'd be like,

  • (imitates speaking German) (ice rattles)

  • "That was delicious!"

  • (Derek laughing)

  • Wait, hold up, I'm toasted.

  • I'm sorry.

  • - How you feel?

  • - I feel fantastic.

  • (Derek chuckling)

  • Anyways.

  • They would load these pieces of art up on the train.

  • The Nazis was putting a lot of stuff

  • down in these deep, dark caves.

  • You're hiding stuff in caves?

  • You're hiding

  • freaking van Goghs in a coal mine?

  • That's disrespectful.

  • And Rose would be like, "I'm gonna memorize this.

  • I'm memorinizing all of it!"

  • Sounding ghetto was hell.

  • (both laughing)

  • Did you know I was Jewish?

  • - I didn't until tonight.

  • - 'Cause my father is Jewish,

  • but my mom was a Jehovah Witness, so I'm a Jujo.

  • (both laughing)

  • So,

  • it's December 1944.

  • James Rorimer shows up trying to holler at Rose.

  • "Rose, I know you know everything.

  • I need you to give me all the information that you have.

  • Where are all the treasures?"

  • She's like, "I don't know you like that.

  • Who is you?"

  • He's like, "I'm James Rorimer.

  • I'm with The Monuments Men."

  • Now, these was a collection of men and womens

  • who went out to save the existence of their culture.

  • Rose, she was dope.

  • She was like, "Boom! I got these addresses right here.

  • Check this out."

  • They would stop trains.

  • They would go to salt mines.

  • They was knocking, knocking people out.

  • Some people died, some people lived, but the art was saved.

  • She saved, like, over 60,000 pieces of culture.

  • She's a heroine! (soft patriotic music)

  • And then, finally, Rose is like,

  • "Go to Hermann Goring's house."

  • Sent them over there. Boom!

  • $200 million worth of treasures!

  • Culture!

  • Art!

  • She hooked that up.

  • And Hermann Goring was pissed as hell at her.

  • Like, "I can't believe she snitched on me.

  • And when she was bringing me

  • all these glasses of champagne."

  • And then Rose does the Nae Nae.

  • Hey! (laughing) (deep hip hop music)

  • But he couldn't do nothing about it

  • 'cause now he a prisoner of war.

  • And Hitler killed himself.

  • They say.

  • I think he hanging out with Tupac.

  • (hip hop music deepens) (both laughing)

  • - Hello.

  • Today, we're gonna talk about Waties Waring.

  • Waties Waring was an eighth-generation Charleston guy.

  • He was a judge.

  • This was this guy's life.

  • "I'm in Charleston. I love it.

  • I make money. I have my beautiful wife.

  • We're rich people. Look at all our rich friends."

  • But he lived in this place

  • where segregation was the way that it was.

  • "I mean, we're fine with each other,

  • but black people go over there.

  • Right? That makes sense."

  • He and his wife started playing bridge

  • with this couple, the Hoffmans.

  • Elizabeth Hoffman, she was from Detroit.

  • She was incredibly smart,

  • and she was the life of the party.

  • He's never known a woman like this before

  • in his entire life,

  • and he's like, "What are you about?"

  • There's this thing that starts happening

  • where they're just flirting between bridge hands.

  • Like, "Elizabeth, it's your hand. You know what I mean?"

  • "Oh, Waties, you're so funny."

  • He realized he was in love with Elizabeth,

  • and he confronted his wife, Annie,

  • and he was like, "Hey, remember Elizabeth?

  • I'm sleeping with Elizabeth."

  • (belches)

  • Sorry, I'm getting, like, drunk now.

  • So, he married Elizabeth,

  • and they were ostracized from Charleston society.

  • "You're not Charleston anymore.

  • You're a Yankee.

  • You're an (beep). No one likes you."

  • And all they have left is each other.

  • And so Elizabeth starts going to Waties' court cases.

  • She starts going, "Oh (beep).

  • Maybe all these cases where the white people won,

  • some of the black people got screwed over, you know?"

  • And Waties was like, "Yeah,

  • but that's the way it always has been."

  • And she was like, "Yeah,

  • but black people are people, though.

  • And he was like, "Yeah, black people are people,

  • but, like, in like a different way."

  • And she said, "That's gross.

  • We're going to get dinner with some black people."

  • And he said,

  • "White people don't get dinner with black people.

  • And she was like, "No, but we do.

  • We're those kind of white people."

  • And he was like, "All right.

  • I love you, but I'm telling you right now,

  • it's really not normal

  • for white people to get dinner with black people."

  • I feel like (beep). (Derek chuckles)

  • - [Derek] Yeah, I know. - I feel like

  • want to throw up.

  • - [Derek] If you want to go throw up, you can.

  • We're very open-minded here.

  • Do you want to just get some fresh air,

  • take a little walk?

  • - Yeah, sure.

  • - [Derek] Okay, just a little bit,

  • and then we'll walk back up.

  • - [Dave] Sure. - [Derek] That sound good?

  • - [Dave] So she made her husband get dinner

  • with a black couple,

  • and it was awkward as hell.

  • Just like, "Hey, what'd you do today?"

  • And they're like, "I don't know.

  • Several people threatened my life."

  • And they were like, "Oh, that's interesting."

  • But then Elizabeth made Waties keep doing it.

  • After the second time and the third time,

  • it became more regular.

  • And it was like, "Oh, right.

  • We're all people, you know?"

  • He started to understand

  • that black people were incredibly subjugated.

  • "Maybe we need to do something

  • about this segregation thing, you know?"

  • - [Derek] This is a really good area.

  • - [Dave] I moved here because the last place I lived,

  • my friend got stabbed

  • while he was getting a hand job.

  • - [Derek] No!

  • - [Dave] Yeah, that happened.

  • - Did he (beep)?

  • - (sighs) I don't know. I didn't ask.

  • First thing he did was he integrated his courtroom.

  • And he was like, "No, no, no. Everybody sits together.

  • Black person there, white person there.

  • Then black person there. Then white person there.

  • Be friends. Quit being an (beep).

  • Just be friends."

  • Then he ruled that black teachers have to be paid

  • the same as white teachers.

  • Which is, uh, crazy.

  • The next really big one,

  • he ruled black people are now allowed to vote in primaries.

  • And that just, like, set Charleston on fire.

  • Someone threw a brick through their window one night.

  • The KKK burned a cross on their lawn.

  • It got so bad, there was a petition

  • that 21,000 people signed that said,

  • "Hey, Warings,

  • here's $10,000.

  • Take this and move anywhere."

  • They're like, "No, we still have work to do here. You know?"

  • "(beep) you!"

  • And then, Briggs vs. Elliott happened.

  • And Thurgood Marshall trying to prove

  • black kids are not getting the same education as white kids.

  • And there were three judges.

  • One of them was Waties Waring.

  • The other two were like, "Yeah, segregation is great.

  • Everything about this is amazing,

  • so who cares if they're equal?"

  • So they lost, and schools were not integrated in the South.

  • Waties is like, "Well, I'm not going down without a fight."

  • And he writes this 20-page dissent.

  • Basically, what he said was,

  • "Everyone in Charleston is an (beep).

  • You cannot be okay with the fact

  • that black people are separate from white people.

  • This is a nice town. I grew up here my entire life.

  • Why do we punish half our citizens?

  • Stop punishing them! Just be nice.

  • #BeNice.

  • You know?"

  • And that was it. And they moved to New York.

  • Man, can I just tell you guys

  • how happy I am to not be as throw-uppy

  • as I was like 45 minutes ago? (Derek chuckles)

  • That (beep) sucked so bad. (laughs)

  • It wasn't until 1954,

  • he seriously changed all of history.

  • When the Supreme Court made their decision

  • in a case called Brown vs. Board of Education,

  • they were like, "Dude, because one lonely judge

  • in Charleston, South Carolina says

  • that black kids are not getting

  • the same education as white kids, and he's proving it,

  • the entire country should be integrated."

  • They based their entire decision

  • on the fact that Waties said, "Segregation sucks."

  • That dude ate it for years because he believed

  • that black people were the same as white people,

  • and that he was in love with his wife.

  • And I think that's really incredible.

  • - [Derek] You seem a million times better than you did.

  • - Yeah, well, I threw up in the (beep) toilet.

  • So, that makes sense.

  • (laughing)

  • I literally just drooled on the floor.

  • (air rumbles)

  • - Hello.

  • My name is Paget Brewster,

  • and today, we're gonna talk about Eleanor Roosevelt

  • and the communist sniper.

  • - Cheers!

  • - (speaking Russian) - [Derek] (speaking Russian)

  • - Oh, I spit. Okay.

  • Our story begins in 1941.

  • It was the Second World War,

  • and the U.S. was fighting Japan.

  • And Russia was fighting the Nazis,

  • and Russia is suffering.

  • So Joseph Stalin calls Franklin Delano Roosevelt,

  • and he's like, "FDR, my friend,

  • can you (beep) help me out here?

  • Please?

  • I'm getting my ass kicked here in Russia by these Nazis."

  • - Nazis.

  • - Not Nancys.

  • - [Derek] I didn't say Nancys.

  • I said Nazis. - Oh, I thought you said.

  • Nazis, yeah! I misheard you.

  • And Franklin's like, "It's not up to me, man.

  • I understand what you're talking about.

  • It's a shit show, but I got Congress,

  • I got the American people.

  • I can't help you out right now because no one supports me."

  • So, Stalin's like, "Ah (beep).

  • Okay, I'll tell you what,

  • I'm gonna send someone over there. Pavlichenko.

  • Huge sniper. Big deal.

  • Highly feared, the greatest sharp shooter

  • in the history of mankind.

  • Just meet with my sniper."

  • So, in July of 1942,

  • Franklin Delano Roosevelt and his wife Eleanor are like,

  • "Oh, what's happening today in the White House?

  • We always have stuff to do."

  • And Franklin says, "Oh, Eleanor,

  • we got to meet with this sniper.

  • This is being sent from the Red Army."

  • And the sniper

  • is a 25-year-old woman

  • named Lyudmila Pavlichenko. (dramatic music)

  • - [Derek] Say it again.

  • - Lyudmila

  • Pavlichenko.

  • - Lyudmila.

  • - Pavlichenko.

  • - Pavlichenko.

  • - Pavlichenko.

  • - Pavlichenko.

  • - Pavlichenko!

  • - Pavlichenko.

  • - I really like you. We're friends.

  • (laughs) What?

  • - I'm just letting you finish, as a gentleman.

  • - You are a gentlemen.

  • But with just the right amount of a bastard.

  • (both laughing)

  • Shit.

  • Oh, no, I'm drunk.

  • So, she says to them, "There is no color line.

  • There is no male-female segregation in the Red Army.

  • We are a nation of people

  • who want to defend our motherland."

  • And Eleanor, who was a feminist and a human rights advocate

  • (beep) bad-ass, takes Franklin aside and says,

  • "This girl,

  • this tomboy, sharp-shooting,

  • genius

  • killer.

  • I can take her on the road,

  • and she will get us enough American support

  • to go after the Nazis."

  • President Franklin Roosevelt's like,

  • "Okay. If you think that can happen, go for it."

  • So they get on a train,

  • and they're traveling across the U.S.,

  • and the American press starts hearing

  • that a girl sniper's sent from Russia.

  • She does town hall meetings.

  • She meets with the local press.

  • But all they want to know is, "Why don't you wear blush?

  • Are you allowed to wear makeup on the front lines?"

  • And then a journalist tells her,

  • "Your uniform, the skirt's too long.

  • It's drab. You look fat."

  • And she's like, "What the (beep) are they?

  • I'm crawling through the mud with."

  • (coyotes barking)

  • Coyotes!

  • The coyote's eating the neighbor's cat.

  • Well, we got to wait this out, right?

  • So, so, it's not funny. It's a serious thing.

  • They finally get to Chicago halfway through their journey,

  • and backstage, Eleanor Roosevelt is Burgess Meredith

  • from "Rocky."

  • She's just massaging her shoulders and saying,

  • "Come on, you can do this.

  • I know they're asking stupid questions.

  • They're silly questions.

  • Don't worry about it. You can make it through.

  • I need you to talk to the American public

  • the way you've talked to me

  • and shame America into joining the Second Front."

  • So Lyudmila walks out on a Chicago stage and says,

  • "Gentlemen,

  • I am but 25 years old,

  • and I have killed 309 fascist occupants in my country.

  • This uniform I wear, that you say is ugly,

  • that you say makes me look fat,

  • this uniform has dirt on it

  • and the blood of my enemies on it.

  • And I wear it with pride.

  • Don't you think you've been hiding

  • behind my back for too long?"

  • And the crowd goes batshit bananas,

  • clapping,

  • and Eleanor, she's backstage like, "Yeah! Lyudmila!

  • I love it! Go, girl!"

  • Ugh. Jesus.

  • I got to burp. My stomach's making noise.

  • I'm trying to talk about World War II.

  • It's too much.

  • Okay, so Eleanor Roosevelt

  • and Lyudmila Pavlichenko are going from town to town,

  • and she's no longer a curiosity or an oddity.

  • She's, like, this impressive folk hero.

  • She's an amazing woman,

  • who was so young,

  • doing the work of dozens of men.

  • At 25 years old.

  • When I was 25,

  • I think I plucked off all my eyebrows

  • and dressed like Prince.

  • (Derek chuckling)

  • Anyway, 15 years later,

  • we are in a cold war with Russia.

  • Eleanor is in Moscow and has a political minder

  • that says, "You can't really talk to anyone about anything.

  • You're gonna eat some sablefish.

  • You're gonna drink some vodka.

  • You're gonna wear a furry hat,

  • showing that it's not that bad between Russia and America.

  • That's your job, lady."

  • And she's like, "Um, no.

  • I'm Eleanor goddamn Roosevelt,

  • and I'm gonna go and see my (beep) pal."

  • This emissary takes Eleanor Roosevelt

  • to Lyudmila Pavlichenko's house.

  • This woman, who was a national hero,

  • but she's living in this tiny, two-room apartment.

  • And Lyudmila opens the door.

  • "Hello, Lyudmila."

  • "Hello, Mrs. Roosevelt."

  • Like, Eleanor and Lyudmila are sitting formally

  • with the Russian minder,

  • and at a certain point,

  • Lyudmila makes an excuse and says,

  • "Oh, oh, oh, sorry, sorry. Have to leave."

  • And finds a way to take Eleanor

  • away from the Russian minder.

  • And she's half laughing and half crying,

  • and she's hugging Eleanor and saying,

  • "Oh, my friend.

  • It's so good to see you after all these years

  • (sniffles)

  • and think about all the friends we met

  • on our trip across the U.S."

  • And Eleanor is so happy to talk to her,

  • just saying, "Oh, Lyudmila.

  • We did have a great time, didn't we?"

  • These two incredibly powerful,

  • smart women saved millions of lives

  • by engendering the American public

  • into joining the war effort.

  • And it was such an important part of history,

  • but it's just two women,

  • happy to see each other,

  • and saying, "Do you remember that time we went to Chicago?"

  • Shit.

  • Ugh. Goddammit.

  • (sniffles) I think it's really touching.

  • (chuckling) Cheers.

  • (glasses clink)

  • Sorry. - Don't talk.

  • Oh, we got to do it again. You talked.

  • - What?

- You're hiding

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