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  • - Bite your tongue!

  • - Bite thy tongue!

  • - Bite thy serpent tongue!

  • - Thou hast done this to thyself.

  • Bite thy tongue!

  • (dramatic music)

  • - Gentlemen.

  • - Can you hear me?

  • Hello?

  • - Are you comfy out at Thousand Peaks

  • when you have no signal?

  • Sometimes I'm like, I want to jump in a van

  • and run back to base, and they're like,

  • "Why?" And I'm like,

  • "I peed my pants."

  • 'Cause base camp has Wi-Fi, but then you get there

  • and you're like,

  • "What am I looking at? What's happening?"

  • Do you know, how we can fix this problem?

  • If production had that antenna thing that they-

  • - Or Yellowstone moves to the big city.

  • It's an inbox.

  • What do they call it?

  • And then

  • (connection noises)

  • (dramatic music)

  • - This,

  • is the Dutton Ranch.

  • - We were there together.

  • You missed the biker scene.

  • I really enjoyed this sequence as a whole.

  • It's a three act piece in the car together on the way,

  • getting out, trying to diffuse it,

  • act two, and then Teeter

  • deciding to tee off on the first dude.

  • - You kind of roll up, we see all the bikes

  • and then we see y'all there just sitting

  • around a fire and you're like,

  • "Okay, well how is this gonna go down?"

  • It's too early to get in a fight.

  • We pretty much had like four

  • or five people, bikers per individual.

  • It was a pretty, I slept pretty well that night.

  • I definitely had a lavender bath.

  • - We always get whooped,

  • we're not out there just like "Pow, pow,"

  • we're just getting beaten.

  • - Thrown over shoulders, down on the ground.

  • And we didn't have any stunt doubles that day.

  • - No.

  • - We did it all

  • (dramatic music)

  • - I see the women in this valley

  • have gotten a lot more fashionable.

  • - Yeah?

  • You see Chippendale's changed their policy on capped teeth.

  • - What's that?

  • - Josh Holloway is one of the nicest actors I've ever met.

  • I think he's incredible.

  • Those scenes are so fun to watch

  • and seeing the way that it translates

  • from the page, the script, hilarious.

  • And then those actors; to see Kelly Reilly's comedic chops

  • because she's so funny too.

  • - Bob Schwartz's girl.

  • - I'm nobody's girl.

  • - You're somebody's girl.

  • - Okay,

  • let's stop speaking in Billy Joel songs for starters, okay?

  • - She's found someone

  • that she can spar with, legitimately.

  • - Yeah another intellectual.

  • Yeah.

  • And then you can see that her eyes twinkle a little bit

  • like this is a formidable opponent.

  • I want to play for a minute.

  • - Which gets her excited.

  • - Have you given any thought at all

  • to the ranchers who live here?

  • What will happen to them?

  • - What will happen to them?

  • They won't have to be ranchers anymore

  • 'cause they're all so fucking rich.

  • - Good answer.

  • - Beth can get anyone's goat,

  • so it's so exciting to see her go

  • up against someone who you just can't ruffle.

  • - Right, my mistake you fucking cheese dick.

  • - You know what I mean?

  • He's like a real float like a butterfly.

  • Like you can't fucking ruffle that guy.

  • - He's literally floating around in the water.

  • - Like he's happy to be here,

  • And it's because he has so much power.

  • So much power and status and money,

  • - And backed up by so much power.

  • - It's so much harder to get him angry.

  • - Mind the flowers when you leave.

  • - I like this girl.

  • (dramatic music)

  • - Is it, is it Teeter or Tater?

  • How do you say it?

  • - Tee-ter.

  • - What's that?

  • - One more time.

  • - Tee-ter.

  • - Tee-ter.

  • - Tee-ter.

  • - Your name Peter?

  • - Teeter.

  • - What's that?

  • You got to keep the tongue forward on the T.

  • - Teeter.

  • - That's gibberish.

  • - What do you have?

  • They're all deeply foul.

  • - Everything.

  • - Do I look like my fucking name is Peter?

  • You skunk haired motherfucker?

  • - Do I look like my name is Peter, you skunk haired mo-

  • - That's pretty good.

  • - Skunk haired?

  • - That's 'cause that's the color of his hair.

  • - Understood that didn't you, you bow legged bastard?

  • - I love that line.

  • - You understood that didn't you, you bow legged bastard.

  • (dramatic music)

  • - The cattle on your side of the fence.

  • - You oughta tell your boy to watch the bass in his voice

  • when he speaks to me.

  • - I sort of keep my voice up here most of the time.

  • And then when I'm around Cole Hauser,

  • I try to kinda drop it down

  • and just sort of legitimize myself in his eyes.

  • So back up here with you guys.

  • Hey, I feel comfortable.

  • I'm at home.

  • I can really be myself.

  • This is what my voice really sounds like.

  • But as soon as I'm acting with Cole, it's like,

  • "Hey, Rip.

  • What's up?

  • - So that would be adding or increasing the base.

  • - Adding more base.

  • - It sounds like he doesn't like that

  • - You definitely don't want to talk lower than him.

  • And I couldn't if I tried,

  • physiologically I'm not capable.

  • It's all in your chest cavity thing.

  • - You're trained vocally,

  • what's your low note?

  • See that?

  • - This is probably the lowest.

  • That's not even in the audible spectrum.

  • I can't even hear that.

  • - This is what I sound like when I wake up in the morning.

  • - Dog whistle.

  • - Yeah.

  • So that's the low.

  • That's why when I engage with Rip,

  • I don't even try to go down that path

  • because I think I would be out on the train very quickly.

  • - 'Sup.

  • - 'Sup.

  • - 'Sup.

  • - What's up?

  • - What's up?

  • Hey there Rip.

  • (dramatic music)

  • - Know what I think looks hot,

  • when a girl wears a jacket,

  • like it's a shirt,

  • like nothing underneath.

  • Just the jacket.

  • - This scene,

  • it's so damn charming,

  • like you fall in love with her and your relationship.

  • It says so much.

  • - That was such a fun day

  • because Eden Brolin is also pretty afraid of Cole Hauser.

  • It was a really exciting opportunity

  • for Eden to sort of have that stuff with Cole,

  • to have to sort of own that space so fully

  • in the way that Mia does.

  • And she does an incredible job.

  • She comes in there with this insane,

  • 80 words,

  • massive monologue,

  • where she's talking about all this crazy shit.

  • - If you think about it,

  • it's sexy

  • when men wear exactly what they're supposed to wear,

  • but for girls it's sexy to wear

  • what you're not supposed to wear.

  • I don't know.

  • I wonder why that is.

  • I guess it's the taboo of it.

  • - Eden is such a good actor

  • that Mia owns that space so fully.

  • In a space with Rip

  • who ostensibly is the highest status character

  • in any room that John Dutton is not in.

  • And also Rip is a bit of a father figure for Jimmy.

  • So there's that terrifying thing

  • of introducing your girlfriend to your dad.

  • It's very frightening.

  • And Cole also is such an incredible comedic actor.

  • - For sure.

  • - You know that song, Rip?

  • - What song?

  • - Turtles All the Way Down.

  • Let me play it for you.

  • You're going to love it.

  • - Yes, Mia,

  • put on some music,

  • wouldn't that be nice, Jimmy?

  • Some music would be nice, wouldn't it?

  • - Cole's so rarely gets

  • to stretch his comedic muscles on the show.

  • So it's so fun to sit there and watch Cole.

  • - I swear. You're going to love it.

  • - Right.

  • - 'Cause Cole has a better sense of comedic timing

  • and a better sense of using his ethos

  • as Rip for comedy's sake.

  • - Right.

  • - Come here.

  • Come here

  • When we get back to the ranch, I'm gonna kill you,

  • with my bare fucking hands, Jimmy.

  • I'm gonna kill you for this.

  • (dramatic music)

  • - Hello Forrie J Smith.

  • - Jimmy, you ain't got sense enough

  • to pour warm piss out of your boot.

  • - Let's just break this one down.

  • 'Cause this is unclear to me,

  • first of all how does the piss get in the boot?

  • - I've thought about this a lot.

  • - And if it's really cold out,

  • you might want to leave it in there.

  • - You pee yourself,

  • you're frightened or under extreme duress.

  • You yourself pee,

  • your boot fills up with that pee as it runs down your leg.

  • - Got it.

  • - And then if one had any sense, one might empty one's boot.

  • - But if it's really chilly.

  • - If it's really chilly or if one peed in a wet suit.

  • - It just seemed like a lot was going on,

  • I had my chaps on, I had my Long Johns on, my jeans on,

  • it just seems like there's a lot of areas

  • that it would never make it to the boot,

  • just seems like it would get real-

  • - The piss would be soaked up.

  • - The warmth would only last for so long.

  • And then you'd want to get that piss out of there.

  • - As soon as that piss gets out of your body,

  • it's cooling down.

  • I'm aware of the insult

  • Why is there piss in my boot?

  • (dramatic music)

  • - I don't know if I can be in a relationship

  • with someone who shows such poor judgment.

  • - First butt I ever saw was in the film Waterworld

  • and now I've shown my butt on television

  • and it just really makes me smile to think that out there,

  • there might be a young Jeff watching Yellowstone

  • and seeing his first human ass.

  • (dramatic music)

  • - Waterworld was the first time I saw a woman's butt.

  • So in a lot of ways, I think that Kevin is-

  • - That's six espressos catching up with you.

  • - Kevin is in part responsible-

  • for

  • - Seeing a woman's butt?

  • - Sort of a formative experience

  • for a pre-pubescent Jefferson White.

  • Waterworld.

  • - What you're saying,

  • You saw an ass in Waterworld.

  • - Yeah.

  • - That was your first ass on TV.

  • Then now your ass is on TV.

  • And you're thinking about someone watching your ass on TV.

  • Where does that end?

  • - I think, yeah,

  • one of the big themes this season is legacy.

  • - It's just turtles all the way down,

  • - Is this idea of-

  • - Do they now go into acting

  • so that they can show their butt?

  • - Exactly. Yeah.

  • Perpetuating a cycle of exploitation, I don't know.

  • - Yours.

  • - My butt.

  • - Not a stunt butt.

  • - My own butt.

  • They asked me, they said,

  • "Hey we can get any number of stunt butts in here.

  • It's gonna be hard to match your butt."

  • My butt's a hard butt to match.

  • - Yeah 'cause you got the scars.

  • - Yeah, I've got the scars.

  • It's a very specific butt,

  • as any of Yellowstone's 35 billion viewers could tell you.

  • Those are the real numbers we just looked.

  • - I feel like we should explore this deeper.

  • - Yeah. That's the kind of thing that me

  • and my therapist will be talking about for a long time.

  • - As long you addressed it.

  • (dramatic music)

  • - Rip, have you figured out how to do this

  • without all of us getting trampled?

  • - Let's just get up there as fast as we can

  • and just chase them sons of bitches down the mountain.

  • - I think after three seasons of writing,

  • that's a moment where you are even like,

  • well this is pretty phenomenal.

  • - I don't think it's been captured on film

  • that many horses being run in that kind of scape.

  • That's like something-

  • - I mean,

  • if you had hundreds of acres of just wide open space

  • and these beautiful horses

  • - People are going to think maybe that we fudged it somehow.

  • - Of course, we didn't, at all,

  • all of those horses are real.

  • We're doing all of the riding,

  • in element that we are not even familiar with

  • because it's not like we're pushing cattle, you know?

  • I've never pushed horses before.

  • The landscape and the beauty of it all.

  • And it's just, again,

  • it's something that you read and you're like,

  • "How are we even gonna do this?"

  • As an artist, you're just kinda like,

  • okay there'll be a green screen

  • and I'll do this or something.

  • We're like, no, no, no.

  • What he wrote is what we're gonna do

  • and that's pretty fascinating.

  • - You know I got half a mind to run up that hill

  • and do it again.

  • (dramatic music)

  • - Okay, just some ground rules between you two.

  • Let's try to keep it clean.

  • Keep it above the belt.

  • Protect yourself at all times.

  • - Listen tell that to Denim's mom.

  • - So we had this day, right?

  • - Season two,

  • - Season two, we had the cougar thing.

  • - Okay. So just to clarify, Colby's mom,

  • that's a cougar?

  • - That'll be the last time you ever refer

  • to my mom as a cougar.

  • - She prefers wild cat.

  • - And that was an improvised line, season two-

  • - We had no idea that he was gonna use any of that.

  • - We didn't know.

  • We were just talking shit, as we do,

  • and then they use that line in the edit,

  • and then Taylor, I guess,

  • liked it so much

  • that he started writing that whole sub plot.

  • - Yeah,

  • there's a whole other layer of our relationship now

  • where you're just completely obsessed with my mom.

  • - Hey bro, just try not to rope my dick

  • or your mom's gonna be really pissed.

  • - That was funny.

  • - And that's very strange.

  • And this time,

  • you just went a little too far.

  • Right? Which I think that you really kind of broke

  • through some boundaries that we had

  • and we never really addressed that.

  • (melancholic music)

  • - So I think that I was kind of maybe

  • - Pain?

  • - Yeah. I think I was kinda just a little bit

  • like maybe holding that in, you know

  • and I think that now I feel kind of comfortable

  • as a recap to kind of go back

  • and talk about me feeling a little bit violated

  • emotionally in that way.

  • - I think that Jimmy,

  • much like Jeff and Denim,

  • I think that Jimmy has profound respect for Colby.

  • - Yeah.

  • - And I think sometimes just like with a schoolyard crush,

  • you might make fun of the person who you admire most

  • to try to get their attention.

  • I think that Jimmy, in some ways, teases Colby

  • because he respects him so much

  • and respects his mother so much.

  • - Just a little hair pulling,

  • is that what we're talking about?

  • - And also much like in real life,

  • Colby could just beat Jeff's ass.

  • Colby could beat Jimmy's ass

  • and Denim could beat Jeff's ass.

  • And I know that.

  • I know it deep inside me.

  • - Wait you've never felt threatened

  • that that was ever going to happen.

  • - No, never once.

  • - Okay.

- Bite your tongue!

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