It should work, but it doesn't.

You might be thinking, "It must be nice. A kind of savory salty flavor."

But, in fact, it tastes like somebody dropped a bag of sugar over some potatoes

and the end result is...

Disappointment.

This was supposed to be my reward for a job-well-done today on my

1980s Japanese living room. Which I've spent all afternoon working on.

It's a reward that now feels somewhat redundant.

Nevertheless, check out the actual working retro television in the corner over there.

Admittedly, when I did plug it in earlier, I did think I hope it doesn't show real

Japanese television because nobody deserves to watch that.

Maybe let me think to yourself. Well, ...

Eh?

Now right about now you might be thinking,

"Wait a minute. Did you just say bad things about Japanese television?"

"Japanese TV is amazing!"

"And I hate anyone who says otherwise!"

"What about Takeshi's Castle? The game show where people fall over in the mud for our amusement?"

"Or what about the show where the guy eats a door handle?"

"An actual door handle. And he eats it."

It's probably the best thing I've ever seen.

A hilarious act that,

probably wouldn't go down very well anymore...

But what if one of the greatest myths about Japan to the outside world is that

Japanese TV is actually good.

Because while people falling over in the mud or eating door handles is undeniably great entertainment. I can't deny that.

Unfortunately, the reality is quite the opposite.

Now over the years by virtue of having lived here and done this I've found myself on both sides of the screen

both as a bemused viewer and as a bemused participant

TV Host: "Good morning!"

"Good morning! Thanks"

"Are you, YOUTUBER?"

"I am"

And I've somehow ended up on TV around half a dozen times.

Including Japan's biggest morning breakfast show, "Mezumashi TV"

Thanks to the horrific behavior of YouTube Supervillain Logan Paul. Which we'll get onto in a minute

I've always wanted to make a video talking about those somewhat awkward experiences and

breaking down the aforementioned myth.

But I didn't find the real motivation to do that up until a few weeks ago

when a TV show here aired a segment that

beautifully personified everything wrong with Japanese TV in about 10 seconds

Shrewd TV pundits of one of japan's biggest channels were discussing why in hell the number of cases of Covid-19 were so low in Japan

when a groundbreaking theory was put forward suggesting it's something to do with the Japanese language itself.

Was it because the Japanese language is more "elegant" and "softly spoken?"

a test subject stood before a tissue and said the phrase,

"Kore ha pen desu." Literally "This is a pen."

to measure the exhalation of air and any potential virus riddled spit as she spoke.

Upon speaking the phrase in Japanese the tissue barely moved.

A testament to the refined and superior nature of the language.

Next though, came English. And that's when things got really scary

The sheer destructive force of saying, "this is a pen" in English blasted the tissue away

A testament to the crude, abrasive nature of the English language.

Cue the reaction from the enthralled commentator stuffed inside a tiny box!

The writing was on the wall for the English language and for the letter P

And I think we can all agree looking at the results of this, objective and meticulous scientific experiment,

The results are abundantly clear.

Was there a lack of cases in Japan due to the wide adoption of face masks or an absence of mass testing?

No! It could only be "Kore ha pen desu." This is a pen!

I know for a fact because I've done the experiment myself. So I know it's true.

Peter Piper picked a peck of pickled-

To be honest,

I'm as guilty as anyone else at believing that Japanese TV was on another level before I came here

Like a lot of people, I grew up watching reruns of Takeshi's Castle

A gameshow in which around the hundred willing participants battled their way through

increasingly sinister obstacles in order to take the castle and beat takeshi himself

It was ludicrously hard. In 133 episodes,

Only eight contestants ever actually took the castle and won the grand prize of a million yen.

A grand prize that wasn't really so grand when you converted it into dollars and pounds.

Especially given the questionable scenarios the contestants have put themselves through

The winnings probably wouldn't cover the cost of the health insurance claims.

Nevertheless, I've given many reasons over the years as to why I moved to Japan

Cultural exchange, learning a language, becoming an English teacher. But it was all a lie.

The real reason was, I just wanted to be on Takeshi's Castle.

So you can probably imagine my horror and despair when I started working as an English teacher

My students asked me one day, "Chris sensei, what's your favorite Japanese TV show?" and I thought yes

This is my chance to show off to show that I've actually watched a Japanese TV show

So I sort of said, "well, I like to watch Takeshi's Castle! Yaaa!"

Ya...

Uh, no. I was met with a deafening silence because none of my sixteen year old students had seen it

apart from my 50 year old colleague who fondly remembered it and gave a it a

nostalgic grin. Because it turns out takeshi's castle finished broadcasting in

1989

One year before I was even born!

The truth is, that outlandish wacky game shows that most people know about

are very few and far between

Spectacularly rare and difficult to find.

People often ask me, "Oh, you must watch that show Candy or Not Candy."

The one where people walk into a room and start eating random objects to see if it's candy or not

You must have seen the guy's stuff a shoe into his mouth or the lady munch on a delicious tasty table

And of course I have it's ingenious its glorious and it's also a half-hour segment for a TV show broadcast six years ago.

It's not an ongoing series. Although, it definitely should be.

It's just a funny thing that happened once in 2014

and its been repeated so much that people think this is what Japanese TV looks like

So far, we've heard what Japanese TV isn't. We've heard the expectations. But what is the reality?

What is it actually like and why do I avoid going on it?

Imagine if you were to switch your TV on right now outside of Japan, what would you expect to find?

Drama! Attention! Suspense!

Im right, you're not!

Views, debates, conflict. It's what we crave in the West.

We want to be angry. We want to be uncomfortable.

Fucking donkeys!

It's not Gordon Ramsay's Fun Kitchen, It's Gordon Ramsay's Kitchen Nightmares!

It's not the Everyones a Winner Factor, it's called the X Factor!

And you haven't got it!

ha ha har

"Terrible"

But then again, he doesn't exactly have it either.

We want cretins! We want sycophants! We want monsters!

We love it and we watch it over and over and over

Now imagine you wake up tomorrow morning switch on the TV and everyone is exceptionally happy

"Look at this!"

Everyone: "Eeeeeeeh!"

"Wow!"

"Delicious~"

There's no criticism. There's no negativity.

Just everyone is happy and positive. In an almost uncomfortably utopian manner.

Imagine an episode of Gordon Ramsay's Kitchen Nightmares

where he walks into a restaurant, is sat before a dish, and instead of saying the usual phrases like

"It looks like a dog's been sick. Where's the men sauce?"

Imagine if instead he just said, "Wow! That's delicious!"

"Ooh amazing! Wow, it's so good."

"It's delicious."

"Wow!"

As a one-off, it might be acceptable

but imagine if he then did that not once or twice, but every single time, in every single episode

"Wow! It's delicious! Amazing!"

No other constructive criticism

No other comments. Just blind superficially positive statements repeated

over and over and over as if someone was threatening him secretly

off-screen to act that way. And that is what Japanese TV is like and for once I am not exaggerating

"Amazing!"

"eh!"

"UUOOOO!"

It has a very fake dumbed down feel to it where presenters are forced to display a

disturbingly theatrical enthusiasm towards the most utterly mundane things

Now yesterday I did something unspeakable.

I sat down actually watched some Japanese television and I did my own meticulous scientific experiment

Just like "Kore ha pen desu."

Where I went through some programs to see if there are any key traits or attributes that they all hand.

And I boiled it down to four points and the four points are:

Number One: Every show requires hyperbolic language

where everything is "sugoi" meaning "incredible"

or "Oishii" meaning "delicious."

Or in some cases, "Umai" which means "really delicious."

Number Two: You need lots of canned sound effects

Every action on-screen must be accompanied by some sort comical cartoon sound effect

The sound you hear the most though is

"heeeeeee"

which kind of means like "whaaat?"

The sound is so ubiquitous that it's actually put in post-production. They'll have a studio sound of all the audience going

*tons of people saying "heeeee"*

Stage Three is: The entire screen needs to be drenched from top to bottom in text

And finally, of course is stage 4. The infamous reaction box were

Enthusiastic presenter is forced to look on and deliver a relentless positive appraisal of everything happening on screen

and to give you a quick example of all those things combined let's now do a

horrifying simulation of what the Abroad in Japan channel would look like if it were on Japanese television

Yeah, again, they taste dreadful.

It should be illegal. It should be a crime to brand something as salted when it actually tastes sweet.

I can't be doing with that.

But congratulations guys! You've just watched every Japanese TV show about food ever. Well done!

Now, you know the kind of performance and sheer excitement required to go on Japanese TV.

You can probably realize why I don't enjoy doing it very much which takes us through to my own awkward experiences.

The first time I featured on Japanese TV was during the brexit vote in 2016 when a local TV station

Wanted to interview a British person and get an expert

"Expert opinion" on what was happening

Basically, an interview twice once on the day of the vote and once on the day the results