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  • SEAN WALKER: Hello everyone, good afternoon.

  • This is CS50, week 1, slash week 0, part 1,

  • depending on how you're counting things.

  • I'm Sean Walker.

  • I'm a senior in Hopper, and I am your head teaching assistant.

  • JANA VRANES: Hi everyone, my name is Jana.

  • I'm the head course assistant for CS50 this year.

  • SEAN WALKER: So yeah, we'll be seeing you guys in office hours.

  • I'll be maybe seeing some of you in section.

  • Can't wait to start the semester.

  • We're very excited.

  • There's so much cool things in store for you this semester,

  • including this Saturday, there is a great event--

  • one of my favorite of the year-- which is called Puzzle Day.

  • And maybe Jana will tell you a little bit more about that.

  • JANA VRANES: So every year, CS50 partners with Facebook

  • to organize Puzzle Day.

  • Puzzle Day is this really fun event we put together.

  • It's basically just like a fun afternoon slash evening

  • that you can spend solving puzzles with your friends.

  • This event is-- of course, all of you are invited and encouraged to come,

  • but it's also open to anyone from Yale.

  • So please feel free to bring your friends, bring your roommate.

  • And the puzzles aren't CS50 or CS-related.

  • So it's really open to everyone.

  • And we will have super-cool prizes for the winners of the event,

  • as well as a raffle.

  • So yeah, make sure to come.

  • It's this Saturday.

  • It's going to be in Hillhouse 17, which I'm sure most of you know where it is.

  • Yeah, it's right up there.

  • And then one more announcement we have is that, next week,

  • in the same time slot, Benedict, who is our professor of CS50 here at Yale,

  • will be holding a--

  • he's right over there--

  • he'll be holding a hot takes CS50 tutorial right here in this room,

  • from 4:00 to 5:15.

  • So if you can come, please do.

  • It's going to be just a lot of helpful advice, things

  • you should know about the course.

  • But it also should be recorded and available online if you can't come.

  • Thank you, everyone.

  • Have a great semester.

  • [APPLAUSE]

  • DAVID MALAN: So good to see everyone again.

  • So this is a continuation of where we left off last week.

  • Which, recall, was a look at computational thinking,

  • where we tried to more methodically start thinking about problems,

  • and start to leverage some of the intuition

  • that you might have had with things like phone books and the like,

  • to start solving more interesting problems.

  • And in fact, Puzzle Day is ultimately about exactly that-- problem-solving.

  • And indeed, as Jana said, it's not about computer science.

  • There's no computers even required, or programming required.

  • It really is just about taking input and producing outputs.

  • And in this case, the inputs are the puzzles themselves.

  • The outputs might very well be some fabulous prizes.

  • But it really is meant to be an opportunity to bring you

  • and some of your classmates together right at the start of the term,

  • whether they're taking or not taking CS50,

  • and really just think hard about some interesting, fun problems,

  • and then sort of delight at the end as to who got as many of them as possible.

  • But you'll recall that when we started framing problem-solving like this,

  • it first required that we represent those inputs and outputs.

  • And there's any number of ways we can represent inputs to problems.

  • Like the number of people in this room, that's

  • an input-- each of the bodies in this room.

  • And we could count them sort of old-school like we did last time,

  • or perhaps a little more methodically.

  • We might think of the inputs, though, not as being

  • physical as much as they are digital.

  • Right?

  • Recall, we introduced binary, which really

  • is just an abstraction on top of electricity--

  • either being there or not being there, one or zero, true or false.

  • And so we came up with a number of ways last time

  • to represent information and recall this theme of abstraction we

  • had the electricity sort of literally at the ground floor,

  • then we had this layer of binary--

  • zeros and ones-- above it.

  • From there, we could represent decimal, and another base system if we wanted.

  • We could represent letters through ASCII,

  • or we could represent emoji through Unicode.

  • If we just thought about those bits in a different way,

  • we could actually use the same zeros and ones to represent colors.

  • And from colors, we get pictures.

  • And from pictures, we get movies.

  • And so there is this sort of hierarchy, this layering

  • of one concept on another, so that we can

  • start thinking about problems at this level,

  • and just take for granted that someone else

  • before us figured out how to actually map it to physical things

  • like computers.

  • So where does that leave us?

  • Well turns out abstraction can be both useful and not so useful.

  • And I thought we could explore this by way of just a couple of problems.

  • The first of these requires that we take advantage of the white pieces of paper

  • that hopefully you're holding in your hand.

  • If you don't, any piece of notepaper suffices.

  • Or just raise your hand, or one of us can run over with a piece of paper.

  • You just need that plus a pen or pencil.

  • And if we could ask for one brave volunteer who's

  • comfy appearing on stage and the internet,

  • we need you to come on up for just a moment.

  • Can't distinguish hands asking for paper or hands

  • asking for volunteer-- volunteer?

  • Yeah, OK, come on up.

  • What's your name?

  • AUDIENCE: John

  • DAVID MALAN: John, nice to meet you, David.

  • All right, so John here is going to see in just a moment a picture.

  • And John is then going to take on the role of a programmer, if you will,

  • an expessify, step-by-step, how you all, as the computers, if you will,

  • will execute that program by applying pen or pencil to paper.

  • And the goal is for John to be as precise and as explicit as possible.

  • You can say anything you want, but you can't make any physical gestures.

  • And the goal is for all of us to transcribe, perfectly, exactly what it

  • is that John is describing.

  • So let me go ahead here and just temporarily mute my image, if I may,

  • so that John and only John and I know what the picture is.

  • And I'm going to ask that you draw this for the audience, verbally.

  • Execute.

  • And go ahead and right it into here.

  • OK, just don't hit the keys, or this will spoil something.

  • AUDIENCE: So start with the vertical line down the middle.

  • DAVID MALAN: OK, a little louder.

  • AUDIENCE: Start with the vertical line down the middle.

  • Then two lines jutting out from the bottom--

  • well, start with one line at the right side, at an angle,

  • about 30 degrees up--

  • 30 degrees from the horizontal.

  • Just draw a line from the right, and then do

  • the same thing on the left side.

  • All the lines should be equal length.

  • DAVID MALAN: By the way.

  • [CHUCKLING]

  • AUDIENCE: Yeah, after the fact, yeah.

  • Then, at the end of those two lines that you drew,

  • draw two more vertical lines, going straight up, yeah.

  • Then, draw lines that will connect those two previous vertical lines,

  • and connect them at a point.

  • Then, draw a line that connects the three vertical lines together.

  • DAVID MALAN: Good?

  • All right, end program.

  • So a big round of applause for John for coming on up, if we could.

  • Thank you.

  • [APPLAUSE]

  • Give me just a moment to plug back in here.

  • All right.

  • So, if the staff wouldn't mind, could we just

  • collect a random-ish sample of the answers here, just grabbing a few.

  • We don't have to grab them all.

  • No, OK, you're refusing.

  • OK, who's willing?

  • No?

  • OK.

  • Over here, thank you.

  • Sorry for reaching.

  • OK, thank you.

  • OK, thank you.

  • OK, little shy.

  • Thank you.

  • OK, sure.

  • Thank you.

  • OK.

  • And let me get one more from the right-hand side.

  • Thank you.

  • All right.

  • Thank you very much.

  • So suffice it to say, at quick glance, it

  • looks like there's been a number of interpretations

  • of what John was prescribing.