have a real treat. We're going to do another Learn English with TV lesson. In this video

we're taking a little clip from 'Grey's Anatomy'. Now in this scene, one of the characters is

apologizing. Have you ever had to apologize for something? We'll study how she does it

and then of course we'll also study all the ins and outs of pronunciation. Reductions,

stress, things like flap Ts. By studying this way, a full in depth analysis, it will really

help you with your listening comprehension when it comes to TV, movies or real life and

it will also help you sound more natural when speaking American English. It's amazing what

we can learn by studying even just a small bit of conversation.

Do you watch 'Grey's Anatomy'? I used to watch it back when I was more of a TV watcher and

I was really surprised when I went online to look for scenes and I found it is still

going on! I think it's like the 15th season or something. So I call this kind of exercise

a Ben Franklin exercise. It starts with us just watching the scene then together we'll

do the full pronunciation analysis. I'll make sure you understand everything that's happening

and how things are being pronounced. Let's go ahead and get started with the scene.

Girl 1: I'm sorry. Girl 2: I just saw Meredith. Jackson left

without talking to you? He just left? Girl 1: I wish I could blame this on him but

I told Link about you before I even knew. Girl 2: Jackson left?

Girl 1: I was really kind of awful to Owen. I was really... I was really awful

to Owen.

Girl 2: Jackson left.

And now, the analysis.

Girl 1: I'm sorry.

Rachel: I am sorry. She uses the contraction 'I'm'

which would be written in IPA with the AI diphthong, I'm. But she doesn't really say "I" does she?

like mm, mm, mm sorry, mm sorry.

Girl 1: I'm sorry.

Rachel: I've definitely noticed this before in the

I AM contraction. People will take just the M sound and link it on the next word. msorry,

msorry. Try that.

Girl 1: I'm sorry. I'm sorry. I'm sorry.

Rachel: So it's short little 2 word thought group

and the stressed syllable is sorr. Mmsorrry. And then the voice falls in pitch as it comes

off that stressed syllable. There are no skips or jumps. Everything is smoothly connected.

Mmsorry, mmsorrry. The ending unstressed syllable. Just a really quick E as in SHE vowel -y, -y.

Mm sorry.

Girl 1: I'm sorry. I'm sorry. I'm sorry. Girl 2: I just saw Meredith.

Rachel: Okay then we have a 4-word thought group.

I just saw Meredith. What are the stressed syllables there?

Girl 2: I just saw Meredith.

Rachel: I just saw Meredith. Just and Mer are the

most stressed syllables there. Now, "saw" is a verb and that's a content word those are

sometimes stressed but in a sentence with multiple content words, they're not all going

to have the same stress. And I would say "saw", even though it's not reduced or anything like

that, it is lower in pitch compared to the other stressed syllables. I just saw Meredith.

All linked together. Smooth pitch changes, no skips, no breaks.

What about this T? How does she pronounce that?

Girl 2: I just saw Meredith.

Rachel: She drops it. It's common to drop the T between

two consonants. So here it comes between S and S. And so actually these two words link

together with just a single S sound. Just saw, just saw, just saw.

Girl 2: I just saw, I just saw, I just saw Meredith.

Rachel: I'm going to stop here for a minute guys because

I have something important to tell you really quick. If you would like this kind of analysis,

I'm going to do 11 videos in a row starting June 18. It's the summer of blockbuster movies.

We're going to be learning English with movies and I'm going to make and extra free audio

lesson to go with each video lesson. If you want that, you'll have to sign up. I'm not going

to bombard people with emails so I only want to send people these free downloadable audio

lessons if you want them. So if you want to study English movies this summer follow this

link here or in the video description below. Pass it on to your friends, we're going to

be doing this together, it's going to be so fun, I cannot wait to spend my summer with

you. Okay now, back to this analysis. Girl 2: I just saw Meredith.

Rachel: Meredith. Merrredith. Make sure your tongue

is not flapping for the R in "Meredith" or "sorry". The tongue never flaps for the R in American

English so it does not bounce against the roof of your mouth. It should be pulled back

a little bit. The tip is pulled back a little bit within the mouth. It's not touching anything.

Sorrry. Merrredith. And then the 2 unstressed syllables are lower in pitch. Edith, edith,

edith. And then they have a different feeling, a different shape than 'Mer' which has that

up-down shape. Now this does end in an unvoiced th sound, tongue tip does come through the teeth

for that, Meredith. That can be a tricky sound for some people.

Girl 2: Meredith. Meredith. Meredith. Jackson left without talking to you?

Rachel: Stressed syllables? The stressed syllable

of the name. Jackson left without talking to you? And the pitch goes up in the end because

it's a yes/no question. And that is usually how we deal with the intonation with a yes/no question.

It's how we show it's a yes/no question.

Jackson left without talking to you? It's different than "Jackson left without talking to you."

Pitch goes down, that's a statement. Here, pitch goes up, it's a question.

Girl 2: Jackson left without talking to you? Jackson left without talking to you? Jackson

left without talking to you?

Rachel: The letter o here is the schwa son-Jackson,

Jackson, son, son, son. So you'll say that quickly with no jaw drop. Don't try to make

a vowel there. Just s into n sound. Son, the schwa will happen on it's own. Schwa gets

absorbed by the n. Now what about this T? I said we usually drop the T when it comes between

two consonants. Here's the F consonant and here's the W consonant. How does she pronounce

that?

Girl 2: Jackson left without...

Rachel: She does release it with a very light true

T. So even these rules we usually do this, they're not always. There's always some exception

that some will make. So she articulates that T.

Girl 2: Jackson left without, Jackson left without, Jackson left without talking to you?

Rachel: Ta without Ta. We have a word that ends in

a T the next word begins in a T in these cases we link with a single T. And it is a true

T. This T starts a stressed syllable and when every T starts a stressed syllable that's

not part of the TR cluster, it is a true T.

Girl 2: Without talking to you? Without talking to you? Without talking to you?

Rachel: Without talking, without talking. Now are

you noticing what's happening here? It's not talking with the ng consonant. She drops the

ng consonant and instead makes it an n consonant. Talkin', talkin', talkin', talkin' to you?

Girl 2: Talkin' to you? talkin' to you? talkin' to you?

Rachel: Talking to. So she says talkin'. But then

what does she do with to? How is this word pronounced? Fully pronounced it would have

the true T and the U vowel. But what do you hear?

Girl 2: Talkin' to you? talkin' to you? talkin' to you?

Rachel: Talkin. Talkin. It's actually reduced to just

the schwa sound. So sometimes we'll make it a true T. Tu, tu. And then the schwa. We do

that when the sound before is unvoiced. Sometimes we make it a flap T. Talkin' to, talkin to.

to to to to. The tongue bounces against the roof of the mouth. And I have noticed sometimes

when it comes after an n, the T sound is dropped altogether and it becomes just a schwa that

links the word together. So she straight goes from the N sound into the schwa and then right

into the JU diphthong. Talking to you, talking to you. Reductions like this, reductions and

linking. It's just everywhere in spoken American English practically every sentence.

Girl 2: Talkin' to you? talkin' to you? talkin' to you?

He just left?

Rachel: He just left? He just left? What do you

think is the stressed syllable in that thought group?

Girl 2: He just left?

Rachel: He just... flatter in pitch. Left? That's where

we get more energy in the voice. And it does go up again because again, it's a yes/no question.

That makes it different from a statement. He just left. He just left? "He" and "just": unclear,

lower in pitch, lower in volume and what happens to this T?

Girl 2: He just left? He just left? He just left?

Rachel: It's totally dropped. Comes between two consonants,

the S sound links right to the L sound. He just, he just, he just, he just. See how simply

you can make that. You don't want to use a lot of mouth movement because they're unstressed

words, you want to say them quickly so we simplify things. He just, he just, he just.

Girl 2: He just left? He just left? He just left?

Rachel: He just left? And then we do have a very light

release of a true T here. We often release a true T when it's in a cluster. Here it's

in an ft cluster, unless it links to another word. Here it's in the end of a thought group.

So that will generally be released with a light t sound.

Girl 2: Left? Left? Left?

Girl 1: I wish I could blame this on him but I told Link about you before I even knew.

Rachel: That's a long thought group. There's a little

bit of a lift here. Maybe between where I put the comma for grammatical purposes. But

it's a lot of words. Let's look at the first chunk. What do you think are the stressed

syllables there? Girl 1: I wish I could blame this on him,

I wish I could blame this on him, I wish I could blame this on him..

Rachel: I...wish I could blame this on him. And the

pitch going up signals I'm not done talking, there is more I would like to say. Remember

these stressed syllables, these longer syllables, are our anchors in the sentence and we need

those clearer stressed syllables in contrast to the unstressed syllables that are said

much more quickly, much more simply.

Girl 1: I wish I could blame this on him...

Rachel: So I is lower in vocal energy, lower in pitch

I, I, I wish. I wish I. I could, I could, I could. These words also unstressed, lower

in pitch, lower in energy.

Girl 1: I wish I could, I wish I could, I wish I could blame this on him..

Rachel: This and on also unstressed, less clear. This

TH is really unclear. It's unvo.. it's voiced. And the voiced TH in an unstressed word can

be made without the tongue tip coming through. Blame this, this, this, this. It just touches

behind the bottom or actually both the bottom and top teeth in the front. This, this, this,

this. Doesn't have to come all the way through. But I almost feel like she drops it. That's

how unclear it is. Blame this, blame this, blame this on him? blame this... So you could

try it with a very very light TH or you could try it dropping it, and linking it in, and see

how that sounds.

Girl 1: I wish I could, I wish I could, I wish I could blame this on him...

Rachel: On him, on him... We sometimes drop the H in

him. She doesn't. The S goes right into the AW vowel. On him. And then the N goes right

into the H, everything smoothly linked together.

Girl 1: On him, on him, on him but I told Link about you before I even knew.

Rachel: But I told Link about you before I even knew. I think those are the most stressed