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  • way.

  • Just see it.

  • My recording.

  • This.

  • Hello, everyone.

  • I live streaming, apparently from, uh, interactive Media Arts Program and I t p at New York University of Logistical.

  • The arts.

  • My name is Dan.

  • You're watching coding train, which is this gentle?

  • I feel very awkward.

  • Embarrassed about doing right now.

  • I want to just get a couple of logistic things out of the way.

  • This microphone is not actually doing anything.

  • It is recording audio as, like backup audio.

  • But there is a new mike attached to the phone that we're live streaming.

  • And so hopefully you can hear me.

  • People can hear me.

  • OK, great.

  • So just let us know in the chat how the audio is Look at the cameras.

  • Oh, I'm looking at the mike.

  • Yes, let us thank you.

  • Let us know in the chat if how the audio is doing hopefully it's gonna be better this year than any other year before.

  • So this is what you're tuning into.

  • There are two programs here.

  • There's an undergraduate program called I Am a Interactive Media Arts.

  • There's a graduate program called TP Interactive Telecommunications programs, a Tear master's program.

  • Both of these programs are at Tisch School of the Arts, which is this building 7 21 Broadway in Manhattan, in New York City on her New York University.

  • So this is the end of semester show.

  • Of all the students work, they're probably over 100 projects.

  • I don't know how many will get to.

  • We've gotten toe, like, 30 plus projects before.

  • Go for an hour or two or two.

  • We all in Esteem.

  • Who's behind the camera and be true here.

  • Is helping mantra.

  • Yeah, on.

  • So I'm just gonna wander around and show you projects.

  • What else do I want to say?

  • Anything important?

  • Uh, I think that's good.

  • And then at some point, also probably tried to make an edited compilation video of Just highlight some of the projects.

  • All right, so let's move.

  • Can be How's it going over there?

  • You want to be our first project?

  • Okay, so we're gonna come on over here, take a look at, so tell us your name and your senses about your project will get some kind of Kimmy.

  • Kimmy said you wanted I have a multi model.

  • Don't you know you can play in the browser life several way.

  • Dad was playing with his nose.

  • Uses facial recognition.

  • Thio Lying plate.

  • Your brother, That's one.

  • We'll clean it and then the other way paid a touch screen so you could just wait way familiar with you.

  • Tell us a little about the origins of some piano.

  • Why the notes of context their way.

  • I just meant I'm interested in the thumb.

  • Piano as an instrument used has different shapes and a lot of the shapes, Like needing a calabash writhe like a modern Bergen, you know, which is like a square.

  • I need it, actually, for people with muscle for, like, an adoptive parent.

  • Complete training, you know, game with music.

  • You know, twin brother without having to worry about fucking notes.

  • You know, you're trying to make way.

  • And you made this with five others.

  • There's no requirement to be five Jack here.

  • Yes, I used to be five, and it was quite refreshing of relieving to use p five because, you know, you can see all the tools.

  • It's sort of like you know what coating now, five Director.

  • This way.

  • Okay, go.

  • Go.

  • Bye, baby.

  • Wait.

  • Oh, my goodness.

  • Okay.

  • Next next person won't necessarily get that we'll get a random one, but that one is just entered.

  • I love the idea of just like a database job like Michael with.

  • Yeah, okay, yeah, we'll just tell people to talk louder, so that doesn't surprise me that way.

  • Have we've never had, like, a great audio ATT?

  • Least I'm capturing this audio and we'll be able to put stuff together afterward.

  • But thank you for mentioned What's going on here.

  • So for the first time ever, perhaps, Oh, I remember something I want to talk about the first time ever.

  • But it's been a little while.

  • But now this year, on the TV show, there is a performance room, and this is actually the performance schedule.

  • So it's 4:26 p.m. Matt Ross will be performing Pillow Taco.

  • There's an introduction before that.

  • Emma will be producing complication of the computer mouse.

  • At 4 54 PM, you tell us what that's about things is Emma Election, based on about six months of research on the computer analysis, isn't object.

  • Talking about gender is an active getting the materiality of it.

  • Don't worry about speaking up into this.

  • It's this Mike that's actually picking you up.

  • Yeah, great.

  • Well, we're gonna try to sneak into catching the performance.

  • That would be great.

  • We're going right on time.

  • Okay, Okay.

  • Thanks.

  • Great.

  • All right, all right.

  • You want to tell us quickly about your projects, just tell us your name.

  • And if you were about what we're seeing here for, my name is Michael Bluhm.

  • My name is Michael Bluhm, and this is a platform to help educate users about some of the recent advances in natural language generating technology, which are basically, consider algorithms that are capable of generating text similar to what you were I would would write.

  • And I think it's important to sort of learn more about them and know more about them because not only would be be better able to sort of harness thes technologies were creative ends, but also just be more country consists of some of the sort of not so great things about them.

  • I mean, there's a lot of issues driving bias and misuse, So those are some things that I'd like to sort of trying some light on it.

  • You will find this online if they're looking for it is not a thing is a predator I'm playing.

  • Okay.

  • We're gonna include links in the video's description to all the different projects.

  • So hopefully, if this goes on live will find it through their great awesome.

  • Okay, let's come check this out.

  • I promise you, Gina.

  • And, uh, this is P five shakers.

  • I worked on my partner Lisa vessel, and it's essentially a collection of examples of shakers and p five that basically and a guide to basically show people what they can do with strangers and p five.

  • Why they want to strangers and p five verses your pixel function different couple of examples webcam and have him running in my browser.

  • It's not slowing down there performing documentation.

  • Games go through the wide what?

  • How like this is just like some kittens with using load pixels to increase of brightness, depending on distance, mouth using Schrader's weight faster, you just switched from low pixel shader cooking that but yeah.

  • So what would you say if people are Maybe they know little p five.

  • They know about you, but I've never done any changes before.

  • The idea shares completely do Well, where would you suggest they get started?

  • Is this the place where they could get.

  • You could definitely get started here way Go through what shares are out to get him set up by.

  • We've been like some explanation about what's actually going on on in the background.

  • So, yeah, if you wantto in the even had to use this resource with other resource, like book of Chez Tres right way teacher on this is the euro up there?

  • Yeah.

  • Also bit lee slash people slash five owners.

  • Cool.

  • I get that requested a lot of girls on changers and I have never done that.

  • So this will be helpful.

  • Great.

  • Thank you.

  • Great.

  • Okay, coming this way.

  • You want to join us in a little while in a little while?

  • We're gonna maybe take a little break for me and have a Spanish language version of Okay, Let's come.

  • Let's stop here.

  • Talk about the feedback.

  • You tell us your name and a little bit about your food processing.

  • It's using using the letter.

  • I visualize the camera image, but it's also measuring the overall image to create some sort of feedback.

  • It's adjustable.

  • All right, So when you started now, I could understand what's going on much for now.

  • So this is very clear committee.

  • The 1 to 1 relationship picks on kind of angle of this line when you started to have, it's almost like swirling fluid like quality to it.

  • What, Is that a fact, or what's the parameter that you're adjusting?

  • One is the angle that's meant to the brightness of the camera, and the other one is the Frighteners.

  • They tell you.

  • So Lim started touching each other.

  • They start because that's off right now.

  • That is because there are okay.

  • Angle is already like, Yeah, yeah, this is not the same thing.

  • I don't know what it's like to feel like this, but it depends on the value you call and set up.

  • So even if we change it after, we just stay that way Exact same two things.

  • But this one is ended a three dfx outside, so I'm just going wonderful.

  • It's a very unique, seen lots of variations of this kind of idea, but this idea of having sexual feedback angle it's very unique and creates a beautiful job.

  • Okay, Crater creator soothe.

  • You tell us your name and a little bit about your project.

  • Sure, my name's Billy Bennett and I have a five sketch was particles which you may recognize the nature of code.

  • Yeah, I rigged up this musical.

  • Want to play music?

  • Aziz, Swing it across.

  • Wait, you weren't expecting to see a lot of waiting around.

  • It's mostly a lot of waiting around and confusion there like what'll I do.

  • But once they get them left and right way, I really loathe waiting for instigating these moments of the booth.

  • Uh, I don't know.

  • Might be hard to explain in this contact.

  • Let's give it a try.

  • So will you tell us your name and a little bit about your project?

  • Sure.

  • My name is Jan Ove it.

  • And this is my pieces that I need it self driving him in.

  • It's about what does the future feel like when guarded by sir making decisions for us?

  • Some that are very uncomfortable, So yeah.

  • Yeah, Don't worry about this microphone.

  • Okay.

  • So making a future with device, you're making decisions for us.

  • That might make us uncomfortable.

  • So I made a artificial intelligence device that makes me do what's very uncomfortable, which is talking to strangers on the way it works when it identifies people.

  • Don't you see here on the camera.

  • So there's like it's identifying people using a quarrel, which is a machine learning piece of hardware.

  • It gives me an instruction on.

  • Then I basically went around parks in New York and subways, talking to strangers.

  • Here's documentation.

  • Video on Uh, yeah, it's It's a better experience of sound on, but check out my website and see like the nice documentation video.

  • But it was a great project.

  • I spoke to a lot of people down boundaries I never thought would have existed.

  • Yeah, and can you talk about So for someone who might be familiar with a little bit with machine learning, maybe has done some stuff, like on just either job script in the browser or using tensorflow fight on What?

  • What do they need to know where figure out to get it to run on a reverie pilot.

  • Sure, So this this raspberry pies using what's called the Coral http accelerator, which could do machine learning locally without even a cent inundated Internet and basically the FBI's super simple.

  • You just send this thing an image, and then it'll give you back detection boxes boxes where estimates a person is or a chair or a and you actually don't really know that much about machine learning to use this because it's a few few lines of python code where all that stuff is obstructed away and it's using a creek.

  • What's called a return Machine learning model, which has been trained to recognize about 70 objects.

  • But when the YOLO models Mobile Mobile now okay, it's mobile.

  • Yeah, but that's some research on something I didn't get to finish for.

  • This was being able to trade custom models to recognize specific objects, but I want to work on that.

  • On the summer.

  • People could basically create any kind of detection model and then upload it to the world.

  • They can create inhuman device That's best for that's what's best for them.

  • Personalized job.

  • Just you change your behavior now when you're not using this, Yeah, I mean, I start start asking liquor, he says.

  • They're going to get like, really nice just once is that I would have never I mean, I don't really to be honest, like it's just made me understand things about people, and I don't really use it that much anymore, but it's just changed my perception and, uh, yeah, yeah, just more more aware people on the street.

  • Yeah, so a little bit about you.

  • Okay, I'm Elizabeth, and I worked on a project where I looked for people in the Library of Congress who are featured in the New York Times has overlooked obituary future.

  • So I put together a day to, say, 16 people who are about half the people who have been recently given obituaries only for the first time.

  • So some people might be surprised to receive an obituary in The Times died.

  • Uh, So I decided to ask, like, in another institution, Have they been overlooked in there as well?

  • So I asked some questions, put together some data by, like, searching the online collection of the Library of Congress and used that kind of power that interaction here.

  • So the questions down here correspond to the button that you press to find out.

  • Like, are they in the library promise at all?

  • Do they have a name authority file?

  • Do they have a subject heading and you could see they start to fade away.

  • Kind of representing how it might be hard to find.

  • So that's like way like what it's like today.

  • And then I will start of a chrome extension, which is on my laptop over there, waiting for someone.

  • And then I'm interested in collaborating and like working on the data set with, I know, Can you tell us a little bit about the class?

  • Because this cost was a collaboration with the Library of Congress.

  • And did you get what back did you get from them?

  • What?

  • What?

  • Yeah, So some of us, I think you were in a class by called artists in the archive.

  • And, uh, he was an innovator and residents of the library Congress for the last year.

  • So through hair like this group of students got toe build projects on top of the collections and, uh, like the help of feedback I got was really great.

  • So, like, through that class, I got to talk with Metcalf, who is recommending officer at the library for, like, gender and sexuality.

  • So it was great to get her take on, like, how are you items in the library, like, encoded with data and how they find a bowl from her perspective, even got to go on a field trip to the library, which way.

  • Got to see a lot of things for you.

  • You can visit.

  • You should visit.

  • Anybody could just go in there and get a library card.

  • You could check out there compared to.

  • Used to be that researchers would have to make a library.

  • Find it.

  • Now there's so much beauty and wonder they're still go down to Florence.

  • Yes, but still experience what it would be like to find a job.

  • Okay, Okay.

  • We've got BR projects.

  • We can't really be our project.

  • But you could give us a one cent version of what it is.

  • So because I was born on tropical idea and it's it's actually based on my the memory, the trouble memory, my grandma.

  • So basically, in the way, our scene, the user will be welcoming a wood house.

  • You would be a great scene by my grandma and then she'll ask you, Do you wanna have breakfast with me?

  • If you say yes and then you will have to finish to cast.

  • So this kind of game a swath first that is you will feed the chicken.

  • So the chicken will you feed the chickens coming to it?

  • It is the first attack and the second tax will be you help my grandma to pick up the badges in order to have the records that it will be a very interactive games not just sitting there.

  • You have to like, you know, it sounds like the way you're okay.

  • So tell us your name and a little bit of pride.

  • A lot of stuff to look at here.

  • So maybe we could just have you explain it for a little bit.

  • And then we kind of have the camera walk around, speak louder.

  • So my name is Yao, and this is my business project Court life.

  • In a nutshell.

  • There is two parts.

  • The first part is a serious off sculptures.

  • They have 13 from birth to that as a sign on the second part.

  • Interactive installation.

  • People can interact with it, and they need to make a pose exactly like what the sculpture shows on.

  • Then they will become part of the character to experience different stages of life.

  • Did you throughout the process of making this was there with their new discoveries that you found about how the history of these characters and what they mean and how that out and you have a user's sense of them and use them in daily life.

  • I think by doing this for Jack, I was also very inspired by this project I made.

  • So they are actually deriving from the Asian Chinese character called Oracle Bone Script.

  • The Oracle Bones script more consider as the first fully functional and mature Chinese brittle language.

  • So from a lot of the discoveries and finance from scholars, we found that system they were picked a brand.

  • Based on the findings hours on my design, I put human character in each off this Chinese return character.

  • Some of them has one human being, but for some of them have to human beings.

  • So, as you can see here.

  • So, for example, this character, this maze first it make that the first sprout break out from the ground.

  • And that means for for the other character, like home, it means that two people, they talk each other under under this more room, and then it means home.

  • For example, guy, you can see that from Asian peoples.

  • I actually skies very small scratches, a little little squares.

  • So that's our imagination about the world.

  • About Skye and also the card and happiness.

  • Happiness is so simple.

  • It's just like playing and dancing to music, like an instrument happiness.

  • And she is love.

  • It means two people holding hands with each other on the last bombs and a whole town.

  • Don't tell me to people having a meal with each other and they watch had and they were changed on then share their memories about their hometown, their native place.

  • And she at that.

  • That is like one people, one people gone I want to know is God and the other people were still alive on that.

  • People will still alive Course for the people who already gone.

  • So it means that in Chinese character documentation, footage of your insulation is really remarkable effect of the characters and particles going back for it between human form in that character for me.

  • Okay.

  • Okay.

  • All right.

  • We're gonna try to interact with this project thing is like a very rare sight tonight.

  • Appeal was a Windows computer just opened up.

  • Never see that here.

  • Okay.

  • How many stages are there?

  • Altogether?

  • So people want to see I don't see all of the different stages.

  • You have this video documentation online somewhere.

  • You tell us where it is, people.

  • Yeah, Yeah, You beautiful work.

  • It's really magical.

  • Have it certainly recognize your break going over your body.

  • That's the way that I have that effect on duty.

  • I can walk, I can also now waving on.

  • But I work.

  • Actually, it's kind of weird.

  • Thio, show on Here you are Second br.

  • Okay, so give us your culture name and a short explanation.

  • You're great.

  • Yeah.

  • Thank you for visiting the Museum of Technology history today way Have a really exciting exhibit.

  • It's a rare artifact from the early 21st century.

  • As you all know, waited 27 4 sites.

  • I don't know if people started these underground experience started to be created and people made these virtual waiting speakeasies.

  • So in this yards of it, you start in our virtual museum, and then you can go down the hallway into one of these historic way cool and have, as anybody's reaction of this surprised really conversations free, please.

  • What's in here?

  • It looks cool.

  • Way you dames?

  • You got to speak up.

  • So this.

  • Like what?

  • People speak up and tell your name.

  • My name is Adrian, but you and we still have two other group innards.

  • Which is Karen, you and Antonio.

  • Are you ready to start your process?

  • Well, you're gonna be doing it to be joining the crisper detective unit today.

  • Your goal is to find members of the metastases mafia, the genes that cause cancer cell to metastasize and spread throughout the body.

  • So obviously, we want to be able to identify those, and we'll give you just a couple of seconds to review the evidence for to get an overview about sienna and jeans.

  • A little refresher, but I guess we'll people online somehow participate in this chat can like solving the mystery.

  • Well, so, uh, we're gonna need to play a game.

  • Wait.

  • You need to players.

  • Is there anybody who could?

  • Dan, would you like a Bronco?

  • Would you like to being friendly competition?

  • They're welcome to your first mission.

  • This pre Christian era genetic research with a little bit cumbersome.

  • Not always accurate.

  • How does the most efficient?

  • So to illustrate that point we're gonna be doing here using your sense of touch you're trying to find the badge is the one that caused metastases.

  • They have an etching.

  • Okay, so the genetic civilians want that?

  • No effect on the taxes are gonna be smooth.

  • So with your hand in the jar when you find metastases, Mafia Jean member will pull it out.

  • You'll go back in for more than 30 seconds.

  • Left hand.

  • Are you ready?

  • Okay.

  • A little cumbersome.

  • Little frustrating.

  • Day was like a brother and that I promise they're in there.

  • No, you were seconds.

  • Wait a little bit.

  • Tragic.

  • I could look a little scratch.

  • Did you see that?

  • But what you do now enter the modern era where people like researchers, doctors and Jonah been using crisp air in there.

  • Technology on your job.

  • Less easy area.

  • Much faster way.

  • Scientists.

  • Genetic police get to work Tool called whisper whisper camp Scientists.

  • Medical detectives like you.

  • I didn't find it easy.

  • Faster and cheaper than ever before.

  • Makes it possible to wait to become a medic.

  • Civilians, Members of the metastases.

  • Chris Boothe, Research opportunities for scientists in genetics.

  • Detectives help save our police departments a lot of time.

  • We're still searching for members.

  • Wait, but it's one.

  • Oh, so Okay.

  • What if I find one?

  • What do I do?

  • It?

  • You put it.

  • That way.

  • Wait, wait.

  • You try to explain the research from part of you.

  • So big goal less trying to find how whispered was used three spaces.

  • Now, how did you What for you to make the user feel like frustrated.

  • And I was, like, really slow and not that great with one.

  • If it's faster and it's more like what?

  • What's the best anyone's done with someone?

  • 33 Someone wanted to make it way started with just one.

  • We realized it was frustrated.

  • Yeah, but still you So today.

  • Way to make it slow.

  • I'm really frustrating.

  • Great job daily Amazing soul, Fully flecked out project of installation.

  • Thank you.

  • Okay.

  • Um can you tell us about your project?

  • Hi, everyone.

  • My name is my dad.

  • I called it in all your conversation.

  • I made it because I'm so tired about people taking photos in your David and extensions.

  • Sometimes they really care about our work itself.

  • The only one of the posts on the ground.

  • So I mean already, it's criminal.

  • The way you're trying to take a photo off, it stops.

  • So maybe you do you want to come use your phone and pretend you're taking a picture.

  • You want to use your phone and you're taking a picture of this.

  • Give me a ticket.

  • You and what are you?

  • What are you using?

  • Detective?

  • Used something called Holden.

  • Holds its elaborate ended a human skeleton.

  • And the body, right?

  • Exactly.

  • Not looking for the phone?

  • No.

  • In fact, it would do the same way.

  • Way are taking photos.

  • Can gesture of every similar.

  • So that's why I made a way.

  • Thank you.

  • All right.

  • All right.

  • So, uh, why are you telling your name Jeremy on this project?

  • Don't.

  • Three creatures are from Chinese medicos doors.

  • All have special ability to like the great music or listen, everything happened in the world.

  • So actually, it's it's kind of life for Homer's.

  • But I doubt right now is a commission that I will stab, stab.

  • So back to this interface.

  • All those in a vase are rabbits.

  • So everyone who has the internet access to those two.

  • This is like, Hey, Jim, this one is a step meeting cage audience can wait automatically show here real time and some random.

  • And this this is the controller program way.

  • Wait.

  • Way hotel sounds Wait, wait.

  • About your ship's Meteo, tell us your name and a little like I'm James.

  • This is 100 days use patients for it was for a class 100 days of making whatever for Booth cost 100 days of making, which was about iterating on a theme.

  • So for 100 days each day you have to make something new on part of the class is about trying to break free from the chains of perfectionism.

  • It doesn't matter if it's good or not.

  • You just have to post it on.

  • Another part of the class was posting in public.

  • So this was all on instagram.

  • And each of these posters represents two days of a spaceship making the first day was modeling a spaceship.

  • And in the second Waas.

  • Animating this bishop on this is basically the results.

  • This is all 100 or no, this is a 100 well, 50 but because they're animated and models.

  • So I also wrote a little description for a ship.

  • And that's what that's what's loved here with printouts and then on the side is the final animations for me as well as the precious.

  • Did you use the same tools set for everything wondering did with something that I wanted to do was learn this tool.

  • It's got a blender used the open source remodeling cervical blender.

  • I wanted to get to know it a little bit better, so I used that allow 100 days job.

  • Thank you.

  • Thanks for stopping by.

  • Wall.

  • Coming.

  • Well, come over here.

  • Can you tell us your name and about your project?

  • Yes.

  • So when it is, tell me on and this is a project for Helen 100 harm.

  • They're also in this project.

  • We're making a music box for our Children specifically age from 4 to 6 on.

  • We just want to deliver a very playful experience to encourage them to be more interested with music making and also maybe become deejay or composer when they're young.

  • So we're just want todo Yes.

  • So it's actually inspired by traditional music walks on Then if you turn it faster lied Vojin truster and loathe you want to displace way So there's a card is dictating for different instrument by we're just packing this box.

  • I think this is the key for turning it off.

  • So based on that ownership of this was that there yesterday when I notice it?

  • Yes, yes, it's actually one of the sort of break that so simple and elegant and just the interaction is turning.

  • That's a really great job.

  • What?

  • How many of these could you possibly like, Imagine so radically?

  • It can be like a lot, but right now we're using stretches.

  • So right now there's only three combinations on.

  • We have to make it on Semak Trickle because Children, especially like they don't have order.

  • Where to them.

  • We're just making it more like stable for having, like two different symmetrical reaction.

  • But ideally, we want to make more options.

  • And even maybe one day they just try their own card.

  • Awesome.

  • Great job.

  • Thank you so much.

  • Can you tell us your name and a little bit about your projects?

  • Way have to speak up probably a little bit.

  • Let me out on It's a lab that is turning movement off the algae under the microscope intothe based microscope and by turning like a different weights Wait, actually changing.

  • I wish it could be put into maybe bathroom or someplace that so that we have a lot in life.

  • Great job way can't do the PR projects of Hello?

  • Can you tell us your name and about this project?

  • My name, you stupid And my project called cats.

  • It is my experiment on generate a film completely using a I.

  • And this is like the very, very first step off doing that.

  • So what you're seeing now is my first experiment using your network to combine human porch.

  • It's with different things that are ubiquitous in our lives.

  • So what you see at the top is includes human Porcher mixed with cats, emojis doughnut power outlets on ripped jeans.

  • And the video is showing how way could do animations for your unfortunate mixtures by manipulating the late Inspector in, uh, new network.

  • So you're saying we're seeing a rendered version of it or this running?

  • This is a friend.

  • And how long did it like, What's the amount of time frame?

  • It's 30 framed frames per second, and it is because my enough so that's like three rendered generated.

  • Oh, no, I just meant like, how long did it take you to render?

  • Oh, it's like you have to run it for days.

  • Our I think it's about two hours.

  • Very cute and also incredibly creepy.

  • Capsule Yeah.

  • Some people say it's, like rising to watch.

  • Great job.

  • Thank you.

  • Okay.

  • Check out the mirror.

  • Will be excited to get a peek behind the scenes body.

  • There's no way for you to avoid being on the camera now.

  • Okay.

  • All right.

  • Tell us your name and a little about your Hi.

  • I'm Brandt.

  • I made on a mirror that uses face recognition to only work as a mirror for me.

  • Just very game.

  • In retrospect, I'm not sure how well it'll show up on camera, but, like, you can try looking in there.

  • It's best you just don't go out too.

  • Yeah.

  • All right.

  • Yeah.

  • See, it just kind of glitches out when you're in there and I go up to it and stand very still.

  • Yeah.

  • Turn back into a here.

  • Here we go.

  • All right, let's come and check out these plants and then have to decide what to do.

  • It's not a place anybody wants to be.

  • Your dream?

  • Definitely.

  • All right.

  • Uh, tell us your names about your project.

  • Why don't you stand next to me?

  • Oh, Okay.

  • Uh, this is pleasure principle, and it aligns the bodies in built in report system.

  • with creativity on.

  • Essentially, it logs the amount of time you use this drawing up, which would mean, uh to charge this pleasure devices.

  • I will call it for future use.

  • Right now.

  • We're featuring it in life, Moz.

  • It will actually react when we draw.

  • Oh, my gosh.

  • I'm bad.

  • Right handed, Drawing on the lefty.

  • Um, and it was made for quantified humanists with Joey was amazing.

  • Cool.

  • It's a behavioral intervention to create a new internalized incentive for creativity.

  • What's the camera for?

  • Hard document?

  • Yeah, people to engage in creativity in any way they can.

  • I think art is for humanity.

  • And as much as, um, as much pleasure is, I mean, we wouldn't be here without it, you know?

  • So thank you.

  • Yeah.

  • Tell us about your project.

  • I'll stand in front of sound that so, Yeah.

  • This is just a large scale interactive interface that suppose reacts to touch.

  • There's light animations and different sounds of knowing what motives in.

  • So it's a midi Kano in one mode.

  • Right now, it's in like a other North Illinois moods.

  • But yeah, just, uh, you know, getting people to come up and play around very colorful and e didn't turn bright red.

  • I just All right.

  • Let's, uh we're gonna be moving along.

  • Wave hit like quite a bit of this show.

  • How you doing?

  • How's your shoulder?

  • How's everything going to switch?

  • Okay.

  • Yeah.

  • So wait your name for okay.

  • I'm trample on you on that.

  • This is a project we've become one month of Blackwater.

  • You walked on water and make a song.

  • It's a battery in that booth because waiting mark wait like this is like a like a collection and then repentant it with, like, water.

  • It's spring.

  • So that's my water has been having like that.

  • And how do you do this?

  • Sensing that camera, right.

  • So this is what we talked about a lot, which is that you could create a computer project where you could control the environment.

  • You have an incredibly high contrast.

  • Is fixed space you could do so much with, like, the perfect here that it's a testament to that some beauty of this project.

  • But it never occurred to me even look, it's so uh, thank you way.

  • But it's not just me reading top bottom water.

  • Those taps in middle there are actually Chinese symbol.

  • Some water.

  • It never goes off the air sometimes.

  • Yeah, that's beautiful job.

  • Thank you.

  • Project Okay, Huh?

  • Tell us about your I remember you might be here tonight.

  • My daughter actually made a lithe Yeah, get together.

  • Wait.

  • Put the lights under two.

  • I'm blowing, like, have you had kids at a show coming up with ways?

  • Thank you.

  • Way with aboutthe okay.

  • And I created a project called ENIAC Girls Program and pretend so what?

  • ISS speculative playset for girls to get them interested in programming.

  • But the place is also references.

  • History of inequality, surrounding women in computing.

  • So here it iss toys to the motions of being a programmer first.

  • So you can move around like you can turn knobs and, like, rearranged connections, just like any other girls of the 19 forties.

  • Yesterday, there was a young person here, just like it seems to me like they were here for 45 minutes.

  • That is a real child.

  • All right, look, there's a giant dinosaur.

  • Wait, Why don't you tell us your I'm sorry, my dear.

  • No, I haven't tell us first and then introduce you.

  • I'm Maya Pruitt.

  • Dino.

  • Dino, Dino, Dino, Dino way Partnered with Dr Michael Ram.

  • You know who's a geologist and also a researcher at what you Andi specifically studies mass extinction.

  • So we needed air where invited Thio become a geologist by standing rock layers for evidence of an and more information about a viable way it works is this is your aunt.

  • If you find an object you can scan in an a r component will appear.

  • So this one's one of our favorite way.

  • Call him ancestors true, because it is the ancestor of all placental.

  • So we really wanted to kind of emphasize this idea of fieldwork sense of discovery that you have a scientist far you can actually read a little bit more about it are I are ideal setting is definitely like a museum or something.

  • So if someone wanted to read a little bit more, they could.

  • You can exit out back into this search mode and then look for the thing.

  • Summer animations.

  • Some are three D models.

  • What you're like these are like a fungal spores learn a little bit more, and then we have some sound components to like for example, our favorite dinosaur.

  • Yeah, that's massive extinction.

  • Not everything on the wall will trigger an air component because science is hard and you have to search for the answer to your question.

  • What was the collaboration process like with scientists work with?

  • And have you gotten any feedback?

  • Are scientists coming see it here at the show way?

  • It was really cool.

  • We just got to start to talk to him about his work.

  • He was definitely, like, hands on enough to give us all the information, but also was just like I give you sort of ownership over what you'd like to do.

  • Like how you want to communicate.

  • So it's a really fun way scale what you have It makes it work.

  • I didn't have a full size thing.

  • You could really imagine pulling this out even larger.

  • Scale.

  • Oh, wow.

  • Okay.

  • Okay, way, son.

  • Exploration in They are.

  • So my idea was to see what happens if I said sound sources some sorts elements into space and we can move around with beautiful aspect that way.

  • Yeah.

  • Wait with music is really nice.

  • It's very soothing.

  • Soothing, lovely.

  • Thank you so much instruments I made for a final performance for this class in space.

  • Using 17 Speaker.

  • Some of these.

  • Okay, wait.

  • Yeah, We've been going for about an hour.

  • You talk about.

  • Okay, so my name is time.

  • Leave.

  • Andi, This is my thesis project.

  • Let's read a story.

  • Basically storytelling application for parents and kids.

  • Let's see how it works.

  • Telling the machine what kind of story you want today.

  • So lion and a man traveling company, Of course.

  • What happened next?

  • Daniel?

  • I have to say something, man.

  • If you would like something to eat that way, you're going to way becomes a sandwich.

  • Wait.

  • How does it arrive in the end?

  • What happened to wait on tables?

  • Benefit moral Indian people go.

  • They want to find out a three storey x y z way.

  • Check out your products.

  • Yeah, sure.

  • Could you just tell me a little about your project?

  • Yeah.

  • My name is Jesse Simpson on.

  • Uh, I moved a catchable MIDI controller that uses fiber optic cables to patch between light sources on light sensors for triggering many values and many notes in my computer software.

  • So, unfortunately, we're hooked up with headphones right now, so you can't hear it, But this is essentially works.

  • Where way, step sequence are down here on the bottom.

  • And as these different placements cross over the buttons that are activated, they send pulses of light through these cables and then activate different sensors a sense of great.

  • Here.

  • Wait.

  • Give Audie a little break.

  • Okay.

  • Minute.

  • You could say hello to the show.

  • China, Columbia.

  • A sooth.

  • Well, just so you know, for my lord technical mentally Yama, occasional technologies, but helmet service and read about where I'm a web developer, Right to be on it.

  • It's a great place to be.

  • Maybe soon.

  • I'll also way you ever get lonely, right?

  • He's actually from Colombia.

  • Perfect.

  • So basically, wait.

  • Okay, So my best friend's nice.

  • It's about resting nights rolling them initially to see if they're perfectly in terms of being equal, having like, equal result between six numbers.

  • So, basically, you're trying to prove that the H number will have welcome six of the time you're rolling, right?

  • Well, I don't know.

  • Like preventing because to be surprised about how the die each dies, the different from another way of life reveal its name to.

  • All right, So let's make a night.

  • So now you get to wear something nice is also dancing the regular way.

  • Random generations connection.

  • Nice.

  • Nice are made by humans, but it's very close to this.

  • Has been running for a gift for each number, like, 3000 times.

  • Yesterday I started a lot of records dancing, maybe a Latina.

  • Very nice.

  • Who knows what you want to explain?

  • This is way, way, venison.

  • I'm not, you know, Wait.

  • Yeah, you know, See you next.

  • Check out.

  • Thank you.

  • Tell us about your project.

  • Okay.

  • Yeah.

  • So Hi, my name is Jim Smith's On This is my On my thesis project is he's a statement, which I practiced a 1,000,000 times.

  • Is my thesis about applying a style transfer thio 360 imagery?

  • So it's now transfers a computational technique where you re imagine a photograph in the style of on by using images from Google Street View, I'm able to create art that forms a connection with that inspires a viewer thio connect with actual locations.

  • Way do that over here.

  • So there is a BR using web.

  • We are we've got, huh?

  • You love this on.

  • It's immersive.

  • See?

  • Look around on everything looks style is a light.

  • Even.

  • Look, is this This is pre process.

  • Yes, render.

  • So it takes about five minutes on this particular.

  • Each of these images have about two and 1/2 resolution.

  • I need to use more reviews.

  • Morning Empire will do that to you after this is over.

  • But nothing about this is the style is is even in continuous.

  • And there's no scenes, which is different from the way that other style transfers You have developed custom Satirical.

  • Yeah, exactly.

  • New to learn more about.

  • There will be a writer reaches paper explaining that works.

  • But the data structures called 10 6 year, which is a miracle data structure that supports indexing using coordinates just like it's because of that, they will do this.

  • These images are Yeah.

  • So, using their FBI, I was able to collect pictures that my figure we're looking at here is a watercolor painting.

  • Thinking later, this'd be tie's perfect.

  • Make sure you're happy for this birthday time days.

  • Go back with You would like that.

  • Okay.

  • All right.

  • Tell us about your scene.

  • Wait.

  • Basically for the general audience.

  • So anyone understand it basically going through something like so what?

  • How the internet works on then.

  • Also the question of it Like how you tracks what are and just being more aware about your privacy and kind of about that be more secure.

  • Internet advertisers target you.

  • Yeah, it's very hard.

  • Thio explain topics like this way.

  • Give us in like, 40 feet.

  • But get off my online.

  • Yeah, Texture, privacy, This little coffee and a principal you can print your own and I just fold it in half and you have your team.

  • How you gonna let anyone of you?

  • A little more?

  • Yeah.

  • You guys are okay with this way with guest host I U s.

  • Oh, my name is Sun Force your student.

  • My project is called the Choice, and it is basically a scenario based fictional narrative that walks the player for the reader through different scenarios of the main part of the same where you have to make choices in the world or the age of surveillance on.

  • So my message through this project is there's no ride over toys where there are well informed choices when it comes to surveillance data collection.

  • So let's educate ourselves.

  • Thank you.

  • So is this online somebody played?

  • Yeah.

  • Also Yuriko Thio playing with reading glasses.

  • You tell us your name in about this project?

  • Yes, my name is Sukanya, This collaboration with Nick, who's run away right now it's a project surveillance.

  • It's essentially a router on drought leaks liquid as data is leaking bodies so I can go but speed, for example.

  • So these in this order demands it's hitting, which are not because he's a good bodies.

  • And as you can see, there's like this liquid that's that's running.

  • That's right.

  • It's basically just a shed light on the fact that there's this whole industry going around on surveillance for profit and sort of tracking your behavior online and creating these profiles a few things with Yes, way have a new g

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