metamorphosis
US /ˌmɛtəˈmɔrfəsɪs/
・UK /ˌmetə'mɔ:fəsɪs/
A1
n. pl.Noun (plural)Marked and rapid transformation of a larva into an adult that occurs in some animals; a striking change in appearance or character or circumstances
Video subtitles
Reef Life of the Andaman (full marine biology documentary)
- In adolescence, angelfish undergo a dramatic metamorphosis.
In adolescence, angelfish undergo a dramatic metamorphosis.
- In adolescence, angelfish undergo a dramatic metamorphosis.
In adolescence, angelfish undergo a dramatic metamorphosis.
Top 10 Most Disturbing Cult Classics You've Never Seen
- The gruesome special effects depict a man undergoing a violent physical metamorphosis into a machine.
The gruesome special effects depict a man undergoing a violent physical metamorphosis into a machine.
- The gruesome special effects depict a man undergoing a violent, physical metamorphosis into a machine.
The gruesome special effects depict a man undergoing a violent, physical metamorphosis into a machine.
What's Inside These 8 Unique Creatures?
- And if you checked out the chrysalis around day 16, you might even be able to see those brilliantly colored wings, because for some species, their chrysalis turns transparent in their final days of metamorphosis.
And if you checked out the chrysalis around day 16, you might even be able to see those brilliantly colored wings, because for some species, their chrysalis turns transparent in their final days of metamorphosis.
- And if you checked out the chrysalis around day 16, you might even be able to see those brilliantly colored wings, because for some species, their chrysalis turns transparent in their final days of metamorphosis.
And if you checked out the chrysalis around day 16, you might even be able to see those brilliantly colored wings, because for some species, their chrysalis turns transparent in their final days of metamorphosis.
English Vocabulary: Roots, Prefixes and Suffixes
- metamorphosis, the process of changing form or shape;
metamorphosis, the process of changing form or shape;
- 'metamorphosis'
'metamorphosis'
Anne Frank The Life of a Young Girl
- And until all of humanity, without exception, undergoes a metamorphosis, wars will continue to be waged." That's the exact opposite of, in spite of everything, I still believe that people are really good in heart.
And until all of humanity, without exception, undergoes a metamorphosis, wars will continue to be waged." That's the exact opposite of, in spite of everything, I still believe that people are really good in heart.
- and until all of humanity without exception undergoes a metamorphosis, wars will continue to be waged."
and until all of humanity without exception undergoes a metamorphosis, wars will continue to be waged."
Animal Classification for Children: Classifying Vertebrates and Invertebrates for Kids - FreeSchool
- some amphibians must go through metamorphosis - or a big change - to become adults. Aside
some amphibians must go through metamorphosis - or a big change - to become adults. Aside
- from some fish, amphibians are the only vertebrates that undergo metamorphosis.
from some fish, amphibians are the only vertebrates that undergo metamorphosis.
Meet The Artists Using Tech as their Canvas
- I think it is a metamorphosis.
I think it is a metamorphosis.
- I think it is a metamorphosis.
I think it is a metamorphosis.
Top 20 Facts About Superman
- This metamorphosis ability allowed Supes to pretend to be other people.
This metamorphosis ability allowed Supes to pretend to be other people.
- This metamorphosis ability allowed soups to pretend to be other people.
This metamorphosis ability allowed soups to pretend to be other people.
Wicked Game : an art installation at Kenilworth Castle about Queen Elizabeth I, by Lindsey Mendick
- We'll have Elizabeth as the lion and then Dudley and all the other people, the plots against her, crawling towards her trying to grab for her. This is the culmination of the chaos that was encased around her. I was really interested in places like the Acropolis where the sculptures were in fragments and I'm imagining all of these sculptures to be fragments of the past. I want the installation to feel as though it's a masquerade ball but then also a point of metamorphosis. I think there's a point in every party that I've been to when it tips, when they say nothing good goes on after 12 o'clock. This point that we become more animalistic, drinking, the hedonism, everything makes us into the creatures that we never hoped to be in everyday life. A lot of the female protagonists are the hunted, deer, foxes. A lot of the male protagonists are the dogs or the pigs. So we've done Elizabeth as this lion, the lion that she saw that she was, kind of maybe to tear herself away from her own femininity. We've taken inspiration from the rainbow portrait, considering this is meant to be the pinnacle of a hunt or also like the game of chess and checkmate. We chose that one because they had this great symbolism all over it of eyes and ears, which was sort of nodding to her massive network of spies who were protecting her and the way that she saw and heard everything. And that was why she was able to reign in the way that she did. We're doing Robert Dudley as the bear because on his coat of arms there was also, he was always the bear and you can see it throughout Kenilworth. We're actually transforming
We'll have Elizabeth as the lion and then Dudley and all the other people, the plots against her, crawling towards her trying to grab for her. This is the culmination of the chaos that was encased around her. I was really interested in places like the Acropolis where the sculptures were in fragments and I'm imagining all of these sculptures to be fragments of the past. I want the installation to feel as though it's a masquerade ball but then also a point of metamorphosis. I think there's a point in every party that I've been to when it tips, when they say nothing good goes on after 12 o'clock. This point that we become more animalistic, drinking, the hedonism, everything makes us into the creatures that we never hoped to be in everyday life. A lot of the female protagonists are the hunted, deer, foxes. A lot of the male protagonists are the dogs or the pigs. So we've done Elizabeth as this lion, the lion that she saw that she was, kind of maybe to tear herself away from her own femininity. We've taken inspiration from the rainbow portrait, considering this is meant to be the pinnacle of a hunt or also like the game of chess and checkmate. We chose that one because they had this great symbolism all over it of eyes and ears, which was sort of nodding to her massive network of spies who were protecting her and the way that she saw and heard everything. And that was why she was able to reign in the way that she did. We're doing Robert Dudley as the bear because on his coat of arms there was also, he was always the bear and you can see it throughout Kenilworth. We're actually transforming
- I want the installation to feel as though it's a masquerade ball but then also a point of metamorphosis.
I want the installation to feel as though it's a masquerade ball but then also a point of metamorphosis.
Of Pentameter & Bear Baiting - Romeo & Juliet Part I
- His immediate source material was a 3,000-line narrative poem called The Tragical History of Romeus and Juliet, written by Arthur Brooke in 1562, which itself borrowed from a tradition of tragic romances dating back at least to Ovid's Metamorphosis.
His immediate source material was a 3,000-line narrative poem called The Tragical History of Romeus and Juliet, written by Arthur Brooke in 1562, which itself borrowed from a tradition of tragic romances dating back at least to Ovid's Metamorphosis.
- dating back at least to Ovid's Metamorphosis.
dating back at least to Ovid's Metamorphosis.