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What's really telling and even morbid about what the film says about death can be seen in the various instances where characters feel dissonant and unsympathetic to those more unfortunate than them.
What's really telling and even morbid about what the film says about death can be seen in the various instances where characters feel dissonant and unsympathetic to those more unfortunate than them.
and that's because I live in American society where I get to listen to messages of the form, "Your call is extremely important to us." Watch while my actions are cognitively dissonant from my words.
Watch while my actions are cognitively dissonant from my words."
She goes, And the trumpets have this Really, really dissonant.
She goes, "Shannanashtayah!" And the trumpets have this really, really dissonant.
While American Eagle says proceeds from the limited release Sidney Jean will go towards a mental health nonprofit, the campaign's language struck a dissonant chord with some viewers.
While American Eagle says proceeds from the limited release Sydney gene will go towards a mental health nonprofit, the campaign's language struck a dissonant chord with some viewers.
Festinger’s "A Theory of Cognitive Dissonance," published in 1957, argued that humans prefer cognitions to be unopposed or consonant, and struggle with those that are opposed, or dissonant.
and struggle with those that are opposed or dissonant.
While recording "Rock San," Sting accidentally leaned on a piano, creating a rough, dissonant chord,
This dissonant chord falls close enough to the bass lick that it feels natural,
possibly the most dissonant chord ever used in music at that point.
possibly the most dissonant chord ever used in music at that point.
With dissonant intervals, they tend to be frequencies that are sounding right next to each other, very close by frequencies.
They sound dissonant.
You can hear right there that when we enter the second verse of Deacon Blues, a horn section comes in, composed by Tom Scott, who detailed in a Washington Post interview how he modeled his horns after Oliver Nelson's orchestral style, in which middle register horns slide against one another to create a thicker, dissonant sound.
You can hear right there that when we enter the second verse of Deacon Blues, a horn section comes in, composed by Tom Scott, who detailed in a Washington Post interview how he modeled his horns after Oliver Nelson's orchestral style, in which middle register horns slide against one another to create a thicker, dissonant sound.