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    Fascinated

    US

    ・

    UK

    B1
    adj.AdjectiveHaving your attention fixated as though by a spell
    Ethan was fascinated by the beautiful painting
    v.t.Transitive VerbTo attract or interest greatly
    The story about that country fascinated the woman

    Video subtitles

    How Europe Lost Its Tech Giants

    09:10How Europe Lost Its Tech Giants
    • If you're fascinated by AI, Brilliant's "How LLMs Work" lesson lets you explore how large language models generate text that's indistinguishable from human writing.

      If you're fascinated by AI, Brilliant's "How LLMs Work" lesson lets you explore how large language models generate text that's indistinguishable from human writing.

    • If you're fascinated by AI, Brilliant's How  LLMs Work lesson lets you explore how Large

      If you're fascinated by AI, Brilliant's How  LLMs Work lesson lets you explore how Large

    B1

    Democratic Presidential Debate - June 26 (Full) | NBC News

    36:00Democratic Presidential Debate - June 26 (Full) | NBC News
    • I've let this plan a little bit because I'm fascinated to hear the daylight between you.

      I've let this plan a little bit because I'm fascinated to hear the daylight between you.

    • I've let this plan a little bit because I'm fascinated to hear the daylight between you.

      I've let this plan a little bit because I'm fascinated to hear the daylight between you.

    B1

    DeepSeek R1 - The Chinese AI "Side Project" That Shocked the Entire Industry!

    16:45DeepSeek R1 - The Chinese AI "Side Project" That Shocked the Entire Industry!
    • I am absolutely fascinated by what's happening right now in the world and I hope I broke it down for you well.

      I am absolutely fascinated by what's happening right now in the world and I hope I broke it down for you well.

    • I am absolutely fascinated by what's happening right now in the world,

      I am absolutely fascinated by what's happening right now in the world,

    B1

    The Story of: Gerhard Richter (1932–Today)

    19:49The Story of: Gerhard Richter (1932–Today)
    • Realism, and with reference to Socialist Realism, but also a label Richter wasn't too satisfied about. Richter was interested in current affairs, consumer society, new media and popular culture. He incorporated these elements into his painterly practice, depicting for instance televisions, design magazines, advertisements or political figures and events. This was the genesis of Richter's professional oeuvre, and photography was the starting point, something which used to be impossible with his academic background. He combined photography with his characteristic blurred effect, and immediately started to examine the relationship between both media, photography and painting, a true pillar within his artistic practice. The German artist was interested and fascinated by the dialectic relation between the objectivity and the subjectivity when painting photographs. For Richter, the photograph was the most perfect picture. He could eliminate conscious thinking, as the picture does not change, it is absolute, autonomous, unconditional and not linked to any style. With his blurred effect, he made everything equal, equally important and simultaneously equally unimportant. He was strongly drawn to depicting certain subjects from found photographic material. Think of military subjects, family portraits, images from newspapers or magazines. These selected images all have their very own narrative and motive to be painted, most often combining death or suffering, and its exploitation of death and suffering in media. From 1963 until 1964, Richter had his first exhibitions and commercial successes, collaborating with several galleries, and also collectors were starting to get really interested in his work and career. A landmark year for Gerhard Richter was 1966, for many reasons. The first, the birth of his daughter, Betty, whom he iconically painted in 1988. He also painted his wife

      Realism, and with reference to Socialist Realism, but also a label Richter wasn't too satisfied about. Richter was interested in current affairs, consumer society, new media and popular culture. He incorporated these elements into his painterly practice, depicting for instance televisions, design magazines, advertisements or political figures and events. This was the genesis of Richter's professional oeuvre, and photography was the starting point, something which used to be impossible with his academic background. He combined photography with his characteristic blurred effect, and immediately started to examine the relationship between both media, photography and painting, a true pillar within his artistic practice. The German artist was interested and fascinated by the dialectic relation between the objectivity and the subjectivity when painting photographs. For Richter, the photograph was the most perfect picture. He could eliminate conscious thinking, as the picture does not change, it is absolute, autonomous, unconditional and not linked to any style. With his blurred effect, he made everything equal, equally important and simultaneously equally unimportant. He was strongly drawn to depicting certain subjects from found photographic material. Think of military subjects, family portraits, images from newspapers or magazines. These selected images all have their very own narrative and motive to be painted, most often combining death or suffering, and its exploitation of death and suffering in media. From 1963 until 1964, Richter had his first exhibitions and commercial successes, collaborating with several galleries, and also collectors were starting to get really interested in his work and career. A landmark year for Gerhard Richter was 1966, for many reasons. The first, the birth of his daughter, Betty, whom he iconically painted in 1988. He also painted his wife

    • The German artist was interested and fascinated by the dialectic relation between the objectivity and the subjectivity when painting photographs.

      The German artist was interested and fascinated by the dialectic relation between the objectivity and the subjectivity when painting photographs.

    B1

    Pixar's Coco: Philosophy of Death – Wisecrack Quick Take

    08:34Pixar's Coco: Philosophy of Death – Wisecrack Quick Take
    • As evidenced by the number of hipster sugar skull tattoos I see in Los Angeles, many Americans are fascinated by Dia de los Muertos, and Coco isn't the first animated film that makes use of that setting.

      As evidenced by the number of hipster sugar skull tattoos I see in Los Angeles, many Americans are fascinated by Dia de los Muertos, and Coco isn't the first animated film that makes use of that setting.

    • As evidenced by the number of hipster sugar skull tattoos I see in Los Angeles, many Americans are fascinated by Día de los Muertos,

      As evidenced by the number of hipster sugar skull tattoos I see in Los Angeles, many Americans are fascinated by Día de los Muertos,

    B1

    The Lengths We Go To Avoid Love

    06:18The Lengths We Go To Avoid Love
    • Or perhaps our parental figure was constantly at the office or unavailable behind a locked study door. They might have had a violent, unpredictable temper or left us somehow feeling that we were just never good enough for them. As a result, to an extent we may not even have realised, we became experts at independence. We came to associate safety with a high degree of self-protective isolation. We might have become big readers or fascinated by the animal world or obsessed with music or computer games. Without quite knowing we had done so, we learnt never to trust a flesh-and-blood, three-dimensional human again. Our experiences may not have affected the strength of our longing for love, but they have heavily impacted our capacity to endure mutually satisfying relationships. We may now, as adults, tell ourselves that we want closeness and surrender. We will sob sincerely when we lose love, but we are continually taking steps to ensure we will never be at any sustained risk of finding it. The true terror for us is not that love should fail, but that it should, by some oversight on our part, succeed. For this would ask of us a level of defencelessness and exposure to another person and to a chance of happiness that has no precedent in our lives and poses immense, ego-shattering challenges to the armoured way our personalities have been structured.

      Or perhaps our parental figure was constantly at the office or unavailable behind a locked study door. They might have had a violent, unpredictable temper or left us somehow feeling that we were just never good enough for them. As a result, to an extent we may not even have realised, we became experts at independence. We came to associate safety with a high degree of self-protective isolation. We might have become big readers or fascinated by the animal world or obsessed with music or computer games. Without quite knowing we had done so, we learnt never to trust a flesh-and-blood, three-dimensional human again. Our experiences may not have affected the strength of our longing for love, but they have heavily impacted our capacity to endure mutually satisfying relationships. We may now, as adults, tell ourselves that we want closeness and surrender. We will sob sincerely when we lose love, but we are continually taking steps to ensure we will never be at any sustained risk of finding it. The true terror for us is not that love should fail, but that it should, by some oversight on our part, succeed. For this would ask of us a level of defencelessness and exposure to another person and to a chance of happiness that has no precedent in our lives and poses immense, ego-shattering challenges to the armoured way our personalities have been structured.

    • We might have become big readers or fascinated by the animal world or obsessed with music or computer games.

      We might have become big readers or fascinated by the animal world or obsessed with music or computer games.

    B1

    The Fall Guy: An Important Movie

    09:44The Fall Guy: An Important Movie
    • Stunt work is admittedly not something I knew a ton about, but is a part of the industry I've always been fascinated by.

      Stunt work is admittedly not something I knew a ton about, but is a part of the industry I've always been fascinated by.

    • but is a part of the industry I've always been fascinated by.

      but is a part of the industry I've always been fascinated by.

    B1

    Words with Silent 'C' | English Vocabulary Lesson

    04:20Words with Silent 'C'  | English Vocabulary Lesson
    • fluorescent." "The scent of his abscess is obscene." "It takes muscles and discipline to ascend a mountain." "I am fascinated by miscellaneous science." Great guys.

      fluorescent." "The scent of his abscess is obscene." "It takes muscles and discipline to ascend a mountain." "I am fascinated by miscellaneous science." Great guys.

    • I am fascinated by miscellaneous science.

      I am fascinated by miscellaneous science.

    B2

    Hannah Einbinder & Paul W. Downs Want a Jeff Goldblum 'Hacks' Cameo | All About Me | Harper’s BAZAAR

    08:22Hannah Einbinder & Paul W. Downs Want a Jeff Goldblum 'Hacks' Cameo | All About Me | Harper’s BAZAAR
    • Part of the reason why that sticks is because I was fascinated with that story as a kid.

      Part of the reason why that sticks is because I was fascinated with that story as a kid.

    • Part of the reason why that sticks is because I was fascinated with that story as a kid.

      Part of the reason why that sticks is because I was fascinated with that story as a kid.

    A2

    English Pronunciation: Bitch or Beach?

    02:53English Pronunciation: Bitch or Beach?
    • [I'm fascinated with ships.]

      [I'm fascinated with ships.]

    • I'm fascinated with ships.

      I'm fascinated with ships.

    A2