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  • The nineteenth century art historian Gustave Friedrich Waagen once said that,

  • 'a museum's role was to first delight, then instruct.'

  • For over a hundred and forty years, no museum has embodied that ambitious goal better than the Met.

  • The Metropolitan prides itself on having,

  • representing five thousand years of world culture.

  • Really everyone who visits our galleries can find something

  • about where they came from and their origins.

  • And amongst our vast encyclopedic holdings,

  • we have the largest collection of Islamic art in the western world.

  • We are opening fifteen renovated galleries of art from the Arab lands;

  • Turkey, Iran, Central Asia, and Later South Asia.

  • And this is a culmination of an eight year project which will enable us

  • not only to show many works of art that people have seen before in the past

  • but also in expanded space to show more than we have ever shown

  • Well, as a member of the Muslim community myself,

  • I'm so deeply impressed and moved by the fact that this institution has given this much space,

  • this much commitment, this much money, this much hard work,

  • this much talent to taking the heritage of the Islamic world and presenting it in the best possible way.

  • I think that one of things that a museum, especially a space like this is going to do,

  • is going to help bring people together.

  • Where Muslims can come and talk about their art and their heritage.

  • Where non-Muslims can come and see art and heritage from other civilizations and look at that impact, you know.

  • That they can look at it and 'oh, this stringed instrument,' and look at a lute in the room next door from Europe,

  • and say, 'oh, these are the same instruments and these communities were getting along together a thousand years ago

  • so why are we not getting along together now?'

  • And so I think it's a great way to open these conversations.

  • It's thrilling for us to be able to reintegrate these collections with the rest of our collections

  • but in particular because of the Arab Spring.

  • I think there's such international attention on the Middle East at the moment

  • and these galleries help us to tell a more nuanced, a more complex story

  • about this part of the world that is not just seen through the reductive lens of contemporary politics.

  • The partnership between the State Department and the Met is a new one.

  • But together we will ensure that students, scholars, and art lovers of all ages worldwide

  • can experience everything that these galleries have to offer.

  • Our focus on youth education and community outreach will bring uniquely American content

  • from a leading American museum to the world.

  • The great treasures, everything from the historical manuscripts, the textiles,

  • all these wonderful objects will now find a broader audience

  • through the outreach that is being done by the Department of State

  • and through the embassies around the world.

  • It's a really thrilling collaboration for us and a first.

The nineteenth century art historian Gustave Friedrich Waagen once said that,

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