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  • Welcome to the magnificent the Temple Expiatori de la Sagrada Família, often simply called

  • the Sagrada Familia. Many say that if you only have time to visit one site in Barcelona,

  • the Sagrada Familia should be it. When looking at the church, I think you can understand

  • why. Even though the church is still under construction, it has become a symbol for Barcelona

  • and the Catalonian region. The initiative to build a new grand church

  • came from the bookseller and chairman of the Holy Brotherhood, José Maria Bocabella, in

  • the mid 19th century. The church would be devoted to the child Jesus, the Virgin Mary

  • and Saint Joseph, which is why the church is named "Sagrada Familia" -- "The Holy Family".

  • The planning of the church began when the architect Francisco de Paula del Villar offered

  • to design the whole structure. He planned a more typical gothic church, but was later

  • forced to resign from his job due to fundamental disagreements with the founder Bocabella.

  • A few months after del Villars resignation, a young architect by the name of Antonio Gaudi

  • took over the work in 1883. What Gaudi didn't know at the time was that his new project

  • would take up almost all his time and effort for the rest of his life. Once the construction

  • phase started, he soon became obsessed with the project and set up an office on site which

  • became his permanent residence. His plan was to build facades which would

  • represent the birth, death, and resurrection of Christ. The church would have a total of

  • eighteen towers symbolizing the twelve Apostles, the four Evangelists, and the Virgin Mary

  • and Christ. The one representing Christ would be the tallest and would stand 170 meters

  • high, crowned by a large cross. The tower would be one meter less than the Montjuïc,

  • a hill in Barcelona, as Gaudi said he didn't want to suppress the work of God.

  • Gaudi devoted his last 15 years fully to the Sagrada Familia, until he by accident was

  • hit a tram which led to his death, a few days later in 1926, 74 years old. What made Gaudi's

  • architectural style so exciting was his sense for shapes. Instead of designing buildings

  • with straight lines, Gaudi worked much with loose vivid design. The Casa Mila and the

  • eastern façade of Sagrada Famila are perfect examples of this, which you will see later.

  • Arguably, no other architect in history has ever had such an absolute influence on a city

  • as Antoni Gaudi has had on Barcelona. There are great works of his Modernist style all

  • over the city but the greatest of all his works is of course what you have in front

  • of you right now. After Gaudi's death, work continued as planned.

  • However, with the outbreak of the Spanish Civil War in 1936, work came to a halt and

  • parts of Gaudi's models and plans were destroyed. The present design is based on reconstructed

  • versions of the lost plans as well as on modern adaptations. Today, computer technology is

  • being used to pre-shape the stones off site, rather than shape them on site by hand. This

  • has significantly affected the pace of the construction and it's now scheduled to be

  • completed around 2020-2030. Many believe the deadline is set to June 10th 2026, in honor

  • of the 100th anniversary of Gaudi's tragic death. On the subject of the extremely long

  • construction period, Gaudi is said to have remarked "My client is not in a hurry."

  • Now, let's talk some about the church itself. If there is something the church is full of,

  • except enchanting beauty, its symbolism. Themes throughout the detailed decoration include

  • words from the Christian liturgy. For example, the towers are decorated with words such as

  • "Hosanna", "Excelsis" and "Sanctus", but the most detailed parts of the church are the

  • magnificent facades. When completed, the Church will have three

  • grand façades: the Passion façade to the West, the Nativity façade to the East and

  • the Glory façade to the South. The latter is the one still under construction.

  • The one you are standing in front right now, the Passion façade, also known as the Façade

  • of the Suffering Way, is most known for its unorthodox sculptures. The façade is actually

  • designed by Gaudi during the time he suffered from a serious illness. The work was carried

  • out later in 1989 by the sculptor Josep Subirachs, based on Gaudi's drawings. As you can see,

  • the sculptor' style is, in contrast with Gaudi's, very much based around sharp edges.

  • The façade is based around telling the story of the suffering of Christ, showing different

  • stages of the suffering, with the help of sculptures, in an "S-shaped" pattern. Starting

  • on the first level, to the very far left of the entrance, you can see statues depicting

  • the last supper. The next step in the "S-shaped" story telling is to the left of the entrance,

  • where you can see how Judas the betrayer is kissing Jesus.

  • Behind them you can see a magic square, filled with different numbers. Before I tell you

  • the square's secret, I want to give you a chance to find it out yourself. Can you solve

  • the riddle of the magic square? On the pillar in between the entrances you can find Jesus

  • tied and tormented. To the right you can see Peter's denial and to the far right Jesus

  • trial. Above the trial you can see the three Marys

  • and above the entrance, Golgotha; the place where Jesus was crucified. To the left you

  • can see a mounted solider, which depicts Longino -- the man who the legend has it pierced Jesus

  • side with a spear. Above him you can see soldiers gambling for

  • Jesus clothes, and to the right of them, the crucifixion. The last sculptures to the far

  • right shows the entombment of Christ. One little detail many people don't notice can

  • be found far above the entrance, at the archway between the towers. If you look closely to

  • towards the right side, you can see a golden statue of the risen Christ. If you take a

  • look at the main doors, you will see that they are filled with words from the Bible

  • in various languages, including Catalan.

  • .... You should now be standing in front of the magnificent Nativity Façade.

  • This façade was built before work was interrupted by the civil war and

  • bears the most direct Gaudi influence, as I mentioned earlier. It consists of four bell

  • towers and three large portals. From left to right you have the Portal of Hope, the

  • Portal of Charity and the Portal of Faith. If you look at the top of the portals, you

  • can see that they symbolize grottos. In fact, throughout the whole Nativity Façade, there

  • is a clear theme of nature, as many of the sculptures symbolize vegetation, people and

  • birds. This is a celebration to the ever changing nature and to the creators of all forms of

  • life. The leftmost portal, known as the Portal of

  • Hope, is covered in flora and fauna from the Nile. The portal shows the flight of the Holy

  • Family into Egypt and to the right you see the Herod murdering innocent children. The

  • portal also displays some hope, in form of Joseph standing together with his son above

  • the doorway. In the top of the portal you can also see the marriage between Joseph and

  • Mary. The rightmost Portal is known as the Portal

  • of Faith. The sculptures' surrounding the portal depicts the Sacred Heart of Jesus,

  • the Holy Family in their house at Nazareth and the presentation of the baby Jesus in

  • the temple. In the very top you can see the Immaculate Conception, a Roman Catholic Dogma

  • which says that Virgin Mary is without any original sin.

  • Now finally let's talk some about the large center portal, the Portal of Charity.

  • In the middle of this portal you'll find two doors, supported by a beautiful pillar. On

  • the lower part of the pillar, you can see a snake sinking its teeth into an apple, the

  • symbol of original sin, which is the reason Jesus came to earth. On the left side of the

  • doors you can see the Three Kings, bringing their gifts to the newborn Jesus, and on the

  • other side the Three Shepherds. Above the doors you can see sculptures representing

  • the birth of Christ and at the top you can see how Jesus crowns the Virgin Mary Queen

  • of Heaven. Above that, closer to the very top, you see the letters "JHS" - an anagram

  • for Christ's name. The Portal of Charity is crowned with a large

  • tree of life. On the pinnacle of the tree stands a large red "T"; the last letter of

  • the Hebrew alphabet which reads "tau", the initial of the name of God. On top of the

  • T is a smaller X, which represents Christ. At the very top you can also see a white dove,

  • which represents the Holy Spirit. Thus, the three persons of the Holy Trinity are represented

  • at the top of the tree, symbolizing the creators of life.

  • Between the tree portals you can see two massive pillars. If you look at the bottom of the

  • pillars you will see that they are resting on turtles. Turtles have long been seen as

  • a divine animal with connections to the heavens and the cosmos, known for their longevity.

  • Half way up, the columns bear the inscriptions 'Joseph' and 'Mary'. The columns are crowned

  • with palms to symbolize triumph and the coming of a new light. In the old days, palm symbolized

  • the martyr and his or her triumph over death. As you now know, the whole church is absolutely

  • full of symbolism. Giving all the details about all the symbols covering the church

  • would leave me talking for hours, so with this I'm going to let you do some exploring

  • and discover the rest of the symbolism yourself. I'm just going to explain one final thing

  • symbolism. Remember the Magic Square you could see on the Passion façade, behind Judas?

  • In case you haven't solved the riddle, the answer is that all the numbers added up to

  • 33; the age Jesus was when he died. Today, even though it's unfinished, the church

  • has become a top tourist attraction, not only in Barcelona, but in whole Spain. The visitors

  • are an important source of income as the project is not supported by any government or official

  • church sources. An estimate of more than two million people visits the site each year.

Welcome to the magnificent the Temple Expiatori de la Sagrada Família, often simply called

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