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  • - We'd walk in, Seth would go,

  • "Hey, how you doing, Phil?".

  • It's like, "Good, good, how are you?".

  • It's like, "All right, here we go."

  • "It's raining sideways."

  • "Okay, one more, angrier."

  • "It's raining sideways."

  • "Cool, thank you."

  • - You will not best me this day, vile henchman of Aku.

  • - I wasn't cut out to be a bureaucrat any way.

  • - You know Blue, no, this is Coco.

  • - It's gon rain.

  • - I am confident you will make the right choice.

  • - Hi, I'm Phil Lamarr.

  • I'm a voice actor.

  • I'm known for the voice of Samurai Jack,

  • characters on Futurama, Family Guy,

  • Star Wars: The Clone Wars, Mad TV,

  • Justice League, or anything else you watched 15 years ago.

  • And today, we're gonna be doing a little cartoon breakdown.

  • When I was born it was a hurricane in Kingston Town

  • With a foot and half of water

  • On the show, Futurama, which is set in the year 3000,

  • every company will have a certified bureaucrat.

  • And my character, Hermes Conrad,

  • is the certified bureaucrat of Planet Express.

  • - Wow, you look happy.

  • Is someone fired?

  • - Better.

  • The Central Bureaucracy is conducting

  • an inspection tomorrow.

  • - I first got involved with Futurama just auditioning.

  • I think I was still working on Mad TV at Fox.

  • Came in along with hundreds of other people

  • to audition for the guy who created The Simpsons.

  • It was a little intimidating.

  • It was tough trying to figure out

  • where the character might be

  • 'cause it was a brand new show.

  • We knew it wasn't The Simpsons, but that's all we knew.

  • And I'm looking at the character,

  • and they're telling me he's, you know,

  • a bureaucrat, an accountant.

  • So I think I was doing just sort of a,

  • you know, this kind of voice.

  • Ah, yes, Fry, Professor, I'd like you to meet someone.

  • This is Doctor Zoidberg.

  • Then about three episodes in,

  • the writers sort of realized that the Hermes character

  • was fine, but they didn't really have anything

  • that was working, working.

  • And I remember Matt Groening coming up to me

  • in the hallway, and said,

  • "Well, we just wanna try something with Hermes.

  • "Can you do a Jamaican accent?"

  • I said sure, I can do that.

  • I auditioned for Cool Runnings

  • just like every other Black man in 1980 whatever.

  • Adding the accent gave the character

  • another dimension, added depth.

  • 'Cause all of a sudden instead of just writing

  • accountant jokes, they were writing Jamaican jokes.

  • And then laying accountant stuff on top of 'em.

  • Like okay, so what if he's sort of laid back

  • but not laid back at all.

  • I think actually, had Matt not suggested that,

  • I probably wouldn't be sitting here.

  • I probably wouldn't have made it past episode four.

  • - This isn't supposed to be fun.

  • We've got a job to do,

  • and we will do it better without distractions.

  • Understood?

  • - This was really a powerful, special moment for me

  • 'cause I grew up as a comic book fan.

  • It was wild to be The Green Lantern.

  • I'd seen Bruce Timm's work on Batman Beyond

  • and knew the character designs and all that.

  • And in terms of finding the voice,

  • that was sort of easy to do.

  • Because the way he draws men,

  • they've got these little tiny legs

  • and these great big chests.

  • So you feel like everybody's gotta have a deep voice.

  • They talked about the character.

  • It was like, well, he was a Marine.

  • He was from Detroit.

  • And I'm like oh well my dad's from Detroit.

  • So I added a little bit of a level,

  • sort of an homage to my dad, because my dad

  • was like a, you know, sort of this smoky voice,

  • so I wanted to put a little of that in there.

  • So it wasn't just, you know, I'm big hero.

  • It was also a little bit of this, you know.

  • The guy has, he's been somewhere.

  • He's done some things, you know.

  • My name is John Stewart, Green Lantern of sector 2814.

  • - And now here's Ollie Williams

  • with the Black-u-Weather forecast.

  • Ollie?

  • - It's gon rain.

  • - I also play the part of Ollie Williams,

  • the Black-u-Weather forecast weather man on Family Guy.

  • That's about the easiest job in show business.

  • 'Cause he's got one line.

  • It's gon rain.

  • That's it.

  • I would come in to record,

  • and Seth would be directing.

  • And it would basically be a 30 second work day.

  • We'd walk in, Seth would go, "Hey, how you doing, Phil?"

  • It's like, "Good, good, how are you?"

  • It's like, "All right, here we go."

  • "It's raining sideways."

  • "Okay, one more, angrier."

  • "It's raining sideways."

  • "Cool, thank you."

  • - Let's go live to Ollie Williams

  • with the Black-u-weather report.

  • - It's raining sideways.

  • - Sounds rough, Ollie.

  • - There have been a few times

  • where you stretch it out a little bit.

  • The time that they cut to Ollie, and he was high.

  • [laughs]

  • - How's the weather look, Ollie?

  • - Not too bad.

  • - But generally speaking,

  • it's a very nicely self-contained joke.

  • - Aku!

  • I've been really lucky to work with some of

  • the most creative people of the last 20 years.

  • Seth MacFarlane, Bruce Timm, Quentin Tarantino.

  • - I don't remember asking you a goddamn thing.

  • - And Genndy Tartakovsky is definitely among that pantheon.

  • He did something with that cartoon

  • that had never been seen in American animation.

  • The first episode has nine and a half minutes of silence.

  • [intriguing music]

  • Which was unheard of in children's animation

  • on Cartoon Network, Nickelodeon, all those shows.

  • Everything was [gibbers].

  • No, he said, I want a show that has action.

  • [gong rings]

  • - No, it cannot be.

  • - It also tells a story with everything at our disposal.

  • Not just words.

  • Music, sound, color.

  • And it was also I think groundbreaking

  • in that the characters had no black outlines,

  • which at the time nobody did.

  • We sat down in the booth and Genndy was there

  • and just sort of you work back and forth

  • with the creator to try to find the voice

  • that he's hearing in his head.

  • The only reason he had an accent

  • was to tie him to his roots

  • and to honor that he was coming from ancient japan.

  • And it was interesting because a few years before

  • I was part of a comedy group that was

  • predominately Japanese called Cold Tofu.

  • Lot of the folks in the group were, you know,

  • first or second generation Japanese-Americans

  • who had grown up hearing Japanese.

  • And I noticed that they had, not an accent so much as

  • just a way of speaking, which is like

  • oh this is how you speak English

  • if you're hearing Japanese

  • at the same time you're hearing English.

  • So instead we had a little bit of the accent.

  • There were simply words that he would say

  • in a way that he had heard something

  • differently growing up than you had.

  • [gasps]

  • - I'm home.

  • I'm alive.

  • - Virgil was a 14 year old boy in city of Dakota

  • who accidentally gets superpowers

  • and then becomes a hero.

  • But at the same time, he's also a 14 year old boy.

  • So he's gotta go to school,

  • he's gotta finish his homework.

  • He's gotta deal with his annoying sister.

  • - Since when does your narrow behind play football at all?

  • - Who asked you, Miss Nosy?

  • - And fight for what's right.

  • That was actually my very first show

  • where I was the main character.

  • And it was the first time that a teenage

  • African-American superhero was the star

  • of his own cartoon.

  • As a comic book person growing up,

  • reading mostly stories that didn't reflect my life,

  • it was so amazing to actually be part of something

  • that did, and Denys Cowan and Alan Burnett

  • and Dwayne McDuffie, all of the creators

  • were so great about making it good stories first.

  • And also dealing with things that actually mattered.

  • The show won a Humanitas Award

  • for an episode we did about guns in school.

  • They did these great stories that were fun

  • and exciting, but somehow grounded in something

  • that felt real.

  • So it wasn't like, "This is a very special episode."

  • No, it was just Virgil dealing with the stuff in his life.

  • You know, 'cause, you know, I'm a city kid,

  • and this is sort of things that happen.

  • But he had electrical powers.

  • - Please welcome Bolbi Stroganovsky.

  • - Hello fellow learners.

  • Call me Bolbi.

  • - I also did the voice of Bolbi Stroganovsky

  • on the Jimmy Neutron cartoon,

  • which is weird beyond weird.

  • It's a great show,

  • and they had been going for a while

  • before they brought me in to play that character.

  • And I think I played maybe a couple other characters.

  • But that's the one that people still remember to this day.

  • Bolbi is just strange and weird.

  • And that's all, that's really it.

  • Slap slap slap

  • Clap clap clap

  • Slap slap slap

  • Clap clap clap

  • Basically my whole point was to try to make

  • Jet and the producers on the other side of the glass

  • crack up 'cause all they knew was just like

  • well, he's just, he's the weird kid at the school.

  • And he's from like a weird foreign country.

  • Oh, you mean that Bolbi is from a country

  • where they worship giant space rats?

  • I just went as goofy and as crazy as I could.

  • And it worked.

  • [laughs]

  • - And many Atlanteans were injured.

  • But I could have been far worse.

  • - In playing the part of Aquaman on Young Justice,

  • that was a really sort of interesting path.

  • Because originally I auditioned for Aqualad.

  • 'Cause that was one of the main heroes in Young Justice.

  • And didn't get it.

  • Then of course, I heard what my buddy Khary Payton did,

  • and I was like oh dang.

  • No that's it.

  • If I had heard mine and his,

  • I would have fired me and hired him.

  • Greg Weisman, the creator threw me a bone.

  • Said, "Okay, we're gonna make you Aquaman."

  • I'm lik, "Oh, I get to be Black Aquaman!"

  • Nope, nope.

  • Regular Aquaman.

  • Oh, oh, okay.

  • [speaks foreign language]

  • - On Young Justice, they managed to do something

  • that nobody had been able to do for 40 years.

  • [speaks foreign language]

  • Which was make Aquaman cool.

  • He was always the afterthought.

  • Until this.

  • They sort of recast him as regal.

  • He was the king of Atlantis.

  • And it's like oh, right.

  • If you the king of the ocean,

  • you kind of the kind of 75 percent of the world.

  • That's power.

  • And you saw from that point on

  • that versions of Aquaman

  • suddenly were grounded and cool,

  • and then you get to Jason Momoa

  • and like oh, now he's sexy, you know.

  • - [Duchess] Get out!

  • - That is Duchess.

  • She thinks she's the best idea ever thought of.

  • - I also played the part of Wilt

  • from Foster's Home for Imaginary Friends.

  • And Wilt was the sweetest character.

  • That whole show was about little kids'

  • imaginary friends and where they go

  • when the kids grow too old for them.

  • So it was this whole house,

  • and we all were created by little kids.

  • And Wilt's creator was basically

  • Michael Jordan as a little boy.

  • And he created a basketball playing imaginary friend.

  • But then, once, you know, he started getting scouted,

  • he didn't have room for that.

  • So, you know, Wilt was just,

  • sorry, is that okay?

  • So much fun playing a sweet, sweet character

  • and such a great, just heartfelt show.

  • It was created by Craig McCracken who did Powerpuff Girls

  • and Lauren Phelps before she went on to do My Little Pony.

  • So they're no slackers.

  • [mysterious music]

  • - You must bring this ship in.

  • The only way we can stop--

  • - I got to be part of the Star Wars universe

  • for the first time playing the role

  • of the Jedi Kit Fisto,

  • which was, not a new character.

  • He'd been introduced in the Attack of the Clones.

  • But never spoke in the live action movie.

  • And so when they brought the character

  • into the animated world, he had a voice.

  • And I guess George Lucas had the idea that

  • the aquatic aliens should all have some sort of

  • island, Caribbean flavor.

  • So that's where the idea of Kit Fisto

  • having a sort island accent came from.

  • And to me, he's great because he's the Jedi who smiles.

  • You know, he is not afraid to take off his shirt.

  • You'll never see Obi-Wan Kenobi do that.

  • But I'm in the water, so it makes sense.

  • As anybody who grew up in the 70s,

  • to be a Jedi, is so cool.

  • Even tho I'm just a voice of one.

  • One of the interesting things about voice acting

  • is it's different from on camera acting

  • as movie acting is from stage acting.

  • What you're doing at the core is all the same.

  • You're taking some imaginary circumstance

  • and trying to make it real for an audience.

  • You have to look at those words on the page

  • and instantly make it come to life.

  • You know.

  • I'm Phil Lamarr, and this has been my cartoon breakdown.

- We'd walk in, Seth would go,

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