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  • In the beginning was the Logos,

  • the Big Bang, the primordial Om.

  • Big Bang theory says that the physical universe

  • spiraled out of an unimaginably hot and dense

  • single point called a singularity - billions

  • of times smaller than the head of a pin.

  • It does not say why or how. The more mysterious

  • something is, the more we take for granted that

  • we understand it.

  • It was thought that eventually gravity would either

  • slow the expansion or contract the universe in a big

  • crunch. However, images from the Hubble space telescope

  • show that the universe's expansion seems to be actually

  • accelerating. Expanding faster and faster as it grows

  • out of the Big Bang. Somehow, there is more mass in the

  • universe than physics predicted. To account for the missing mass,

  • physicists now say that the universe consists of only 4% atomic matter

  • or what we consider normal matter. 23% of the universe is dark matter

  • and 73% is dark energy -what we previously thought of as empty space.

  • It is like an invisible nervous system that runs throughout the universe

  • connecting all things.

  • The ancient Vedic teachers taught Nada Brahma -

  • the universe is vibration.

  • The vibratory field is at the root of all true spiritual experience

  • and scientific investigation.

  • It is the same field of energy that saints,

  • Buddhas, yogis, mystics, priests, shamans and seers have observed

  • by looking within themselves. It has been called Akasha, the Primordial Om,

  • Indra's net of jewels, the music of the spheres,

  • and a thousand other names throughout history.

  • It is the common root of all religions,

  • and the link between our inner worlds and our outer worlds.

  • In Mahayana Buddhism in the third century

  • they described a cosmology not unlike the most advanced

  • physics of modern day.

  • Indra's net of jewels is a metaphor used to describe

  • a much older Vedic teaching which illustrates the way the fabric of the

  • universe is woven together.

  • Indra, the king of the gods, gave birth to

  • the sun and moves the winds and the waters.

  • Imagine a spider web that extends into all dimensions.

  • The web is made up of dew drops

  • and every drop contains the reflection of all the other

  • water drops, and in each reflected dew drop you will find

  • the reflections of all the other droplets.

  • The entire web, in that reflection and so on,

  • to infinity.

  • Indra's web could be described as a holographic universe,

  • where even the smallest stream of light

  • contains the complete pattern of the whole.

  • The Serbian-American scientist, Nikola Tesla,

  • is sometimes referred to as the man who invented the

  • 20th century.

  • Tesla was responsible for discovering alternating current

  • electricity and many other creations

  • that are now part of every-day life.

  • Because of his interest in the ancient Vedic traditions,

  • Tesla was in a unique position to understand science

  • through both an eastern and western model.

  • Like all great scientists, Tesla looked deeply

  • into the mysteries of the outer world,

  • but he also looked deeply within himself.

  • Like the ancient yogis, Tesla used the term Akasha

  • to describe the etheric feel that extends throughout all things.

  • Tesla studied with Swami Vivekananda, a yogi who brought the ancient

  • teachings of India to the West.

  • In the Vedic teachings, Akasha is space itself;

  • the space that the other elements fill,

  • which exists simultaneously with vibration.

  • The two are inseparable. Akasha is yin to prana's yang.

  • A modern concept that can help us to conceptualize Akasha,

  • or the primary substance, is the idea of fractals.

  • It wasn't until the 1980s that advances in computers

  • allowed us to actually visualize and reproduce mathematically

  • the patterns in nature.

  • The term fractal was coined in 1980

  • by mathematician Benoit Mandelbrot

  • who studied certain simple mathematic equations that,

  • when they are repeated, produce an unending

  • array of changing mathematical or geometrical forms

  • within a limited framework.

  • They are limited, but at the same time, infinite.

  • A fractal is a rough geometric shape

  • that can be split into parts, each of which is approximately

  • a reduced sized copy of the whole pattern -

  • a property called self similarity.

  • Mandelbrot's fractals have been called

  • the thumbprint of God.

  • You are seeing artwork generated by nature itself.

  • If you turn the Mandelbrot figure a certain way,

  • it looks sort of like a Hindu deity or a Buddha.

  • This figure has been termed the "Buddhabrot" figure.

  • If you look at some forms of ancient art and architecture,

  • you will see that humans have long associated beauty

  • and the sacred with fractal patterns.

  • Infinitely complex, yet every part contains the seed

  • to recreate the whole.

  • Fractals have changed mathematicians' views of the universe

  • and how it operates.

  • With each new level of magnification,

  • there are differences from the original.

  • Constant change and transformation occurs as we traverse

  • from one level of fractal detail to another.

  • This transformation is the cosmic spiral.

  • The embedded intelligence of the matrix of time space.

  • Fractals are inherently chaotic-full of noise and order.

  • When our minds recognize or define a pattern,

  • we focus on it as if it is a thing.

  • We try to find the patterns we see as beautiful,

  • but in order to hold the patterns in our minds,

  • we must push away the rest of the fractal.

  • To comprehend a fractal with the senses

  • is to limit its movement.

  • All energy in the universe is neutral,

  • timeless, dimensionless.

  • Our own creativity and capacity for pattern recognition

  • is the link between the microcosm and macrocosm.

  • The timeless world of waves and the solid world of things.

  • Observation is an act of creation through limitations

  • inherent in thinking.

  • We are creating the illusion of solidity,

  • of things by labeling, by naming.

  • The philosopher Kierkegaard said,

  • "If you name me, you negate me."

  • By giving me a name, a label, you negate all

  • the other things I could possibly be.

  • You lock the particle into being a thing

  • by pinning it down, naming it,

  • but at the same time you are creating it,

  • defining it to exist.

  • Creativity is our highest nature.

  • With the creation of things comes time,

  • which is what creates the illusion of solidity.

  • Einstein was the first scientist to realize

  • that what we think of as empty space is not nothing,

  • it has properties,

  • and intrinsic to the nature of space

  • is nearly unfathomable amounts of energy.

  • The renowned physicist Richard Feynman once said,

  • "there is enough energy in a single cubic meter

  • of space to boil all the oceans in the world."

  • Advanced meditators know that in the stillness lies

  • the greatest power.

  • The Buddha had yet another term for the primary substance;

  • what he termed kalapas, which are like tiny particles

  • or wavelets that are arising and passing away trillions

  • of times per second. Reality is, in this sense,

  • like a series of frames in a holographic film camera

  • moving quickly as to create the illusion of continuity.

  • When consciousness becomes perfectly still,

  • the illusion is understood

  • because it is consciousness itself that drives the illusion.

  • In the ancient traditions of the East,

  • it has been understood for thousands of years

  • that all is vibration.

  • "Nada Brahma" - the universe is sound.

  • The word "nada" means sound or vibration

  • and "Brahma" is the name for God.

  • Brahma, simultaneously IS the universe and IS the creator.

  • The artist and the art are inseparable.

  • In the Upanishads,

  • one of the oldest humans records in ancient India,

  • it is said "Brahma the creator, sitting on a lotus,

  • opens his eyes and a world comes into being.

  • Brahma closes his eyes,

  • and a world goes out of being."

  • Ancient mystics, yogis and seers

  • have maintained that there is a field

  • at the root level of consciousness.

  • The Akashic field or the Akashic records

  • where all information, all experience past,

  • present and future, exists now and always.

  • It is this field or matrix

  • from which all things arise.

  • From sub-atomic particles, to galaxies,

  • stars, planets and all life.

  • You never see anything in its totality

  • because it is made up of layer upon layer

  • of vibration and it is constantly

  • changing, exchanging information with Akasha.

  • A tree is drinking in the sun, the air,

  • the rain, the Earth.

  • A world of energy moves in and out

  • of this thing we call a tree.

  • When the thinking mind is still,

  • then you see reality as it is.

  • All aspects together.

  • The tree and the sky and the Earth,

  • the rain and the stars are not separate.

  • Life and death, self and other are not separate.

  • Just as the mountain and the valley are inseparable.

  • In the native American

  • and other indigenous traditions

  • it is said that every thing has spirit

  • which is simply another way of saying

  • everything is connected to the one vibratory source.

  • There is one consciousness, one field,

  • one force that moves through all.

  • This field is not happening around you,

  • it is happening THROUGH you

  • and happening AS you.

  • You are the "U" (you) in universe.

  • You are the eyes through which creation sees itself.

  • When you wake from a dream you realize that

  • everything in the dream was you.

  • You were creating it.

  • So called real life is no different.

  • Every one and every thing is you.

  • The one consciousness looking out of every eye,

  • under every rock, within every particle.

  • International researchers at CERN,

  • the European laboratory for particle physics,

  • are searching for this field

  • that extends throughout all things.

  • But instead of looking within,

  • they look to the outer physical world.

  • Researchers at the CERN laboratory in Geneva,

  • Switzerland announced that they had found

  • the Higgs Boson, or the God Particle.

  • The Higgs Boson experiments prove scientifically

  • that an invisible energy field fills the vacuum of space.

  • CERN's large hadron collider consists of a ring

  • 17 miles in circumference, in which two beams

  • of particles race in opposite directions,

  • converging and smashing together at nearly the

  • speed of light.

  • Scientists observe what comes out of the

  • violent collisions.

  • The standard model can not account for

  • how particles get their mass.

  • Everything appears to be made of vibration

  • but there is no 'thing' being vibrated.

  • It is as if there has been an invisible dancer,

  • a shadow dancing hidden in the ballet of the universe.

  • All the other dancers have always danced

  • around this hidden dancer.

  • We have observed the choreography of

  • the dance, but until now we could not see that dancer.

  • The so-called "God Particle",

  • the properties of the base material of the universe,

  • the heart of all matter which would account for the

  • unexplained mass and energy that drives the universe's expansion.

  • But far from explaining the nature of the universe,

  • the discovery of the Higgs Boson simply presents an

  • even greater mystery, revealing a universe that is

  • even more mysterious than we ever imagined.

  • Science is approaching the threshold between consciousness

  • and matter.

  • The eye with which we look at the primordial field

  • and the eye with which the field looks at us

  • are one and the same.

  • The German writer and luminary Wolfgang Von Goethe said,

  • "the wave is the primordial phenomenon

  • which gave rise to the world."

  • Cymatics is the study of visible sound.

  • The word cymatic comes from the Greek root "cyma"

  • which means wave or vibration.

  • One of the first Western scientists to seriously study

  • wave phenomenon was Ernst Chladni,

  • a German musician and physicist,

  • who lived in the eighteenth century.

  • Chladni discovered that when he spread sand

  • on metal plates and then vibrated the plates

  • with a violin bow, the sand arranged itself into patterns.

  • Different geometrical forms appeared

  • depending on the vibration produced.

  • Chladni recorded an entire catalogue

  • of these shapes and they are referred to as

  • Chladni Figures.

  • Many of these patterns can be found throughout

  • the natural world. Such as the markings of the tortoise

  • or the spot patterns of the leopard.

  • Studying Chladni Patterns or cymatic patterns

  • is one secret way in which high-end guitar, violin

  • and other instrument makers determine the sound qualities of the instruments they make.

  • Hans Jenny expanded on Chladni's work in the 1960's

  • using various fluids and electronic amplification

  • to generate sound frequencies and coined the term "cymatics".

  • If you run simple sine waves through a dish of water,

  • you can see patterns in the water.

  • Depending on the frequency of the wave,

  • different ripple patterns will appear.

  • The higher the frequency, the more complex the pattern.

  • These forms are repeatable, not random.

  • The more you observe,

  • the more you start to see how vibration arranges matter into complex forms

  • from simple repeating waves.

  • This water vibration has a pattern similar to a sunflower.

  • Simply by changing the sound frequency,

  • we get a different pattern.

  • Water is a very mysterious substance.

  • It is highly impressionable.

  • That is, it can receive and hold onto vibration.

  • Because of its high resonance capacity

  • and sensitivity and an inner readiness to resonate,

  • the water responds instantaneously to all

  • types of sonic waves.

  • Vibrating water and earth

  • make up the majority of mass in plants and animals.

  • It is easy to observe how simple vibrations in water

  • can create recognizable natural patterns

  • but as we add solids and increase the amplitude,

  • things get even more interesting.

  • Adding cornstarch to water,

  • we get more complex phenomena.

  • Perhaps the principles of life itself

  • can be observed as vibrations move the cornstarch

  • blob into what appears to be a moving organism.

  • The animating principle of the universe

  • is described in every major religion

  • using words that reflect the understanding

  • of that time in history.

  • In the language of the Incas, the largest empire in pre-Columbian America,

  • the word for "human body" is "alpa camasca"

  • which means literally, "animated earth".

  • In Kaballah, or Jewish Mysticism,

  • they talk about the divine name of God.

  • The name that can not be spoken.

  • It can not be spoken because it is a vibration

  • that is everywhere. It is all words, all matter.

  • Everything is the sacred word.

  • The tetrahedron is the simplest shape

  • that can exist in three dimensions.

  • Something must have at least four points

  • to have physical reality.

  • The triangle structure is nature's only

  • self-stabilizing pattern.

  • In the Old Testament the word "tetragrammaton"

  • was often used to represent a certain manifestation of God.

  • It was used when talking about the word of God

  • or the special name of God, Logos or primordial word.

  • The ancient civilizations knew that at the root structure

  • of the universe was the tetrahedral shape.

  • Out of this shape, nature exhibits a fundamental drive

  • toward equilibrium; Shiva.

  • While it also has a fundamental drive towards

  • change; Shakti.

  • In the Bible, the gospel of John usually reads,

  • "in the beginning was the word"

  • but in the original text the term used was

  • "Logos".

  • The Greek philosopher Heraclitus,

  • who lived around 500 years before Christ,

  • referred to the Logos as something

  • fundamentally unknowable.

  • The origin of all repetition, pattern and form.

  • The Stoic philosophers who followed the teachings

  • of Heraclitus identified the term with

  • the divine animating principle pervading the universe.

  • In Sufism the Logos is everywhere and in all things.

  • It is THAT out of which the unmanifest becomes manifest.

  • In the Hindu tradition Shiva Nataraja literally means

  • "lord of the dance".

  • The whole cosmos dances to Shiva's drum.

  • All is imbued or ensouled with the pulsation.

  • Only as long as Shiva is dancing

  • can the world continue to evolve and change,

  • otherwise it collapses back into nothingness.

  • While Shiva is representative of our

  • witnessing consciousness, Shakti is the substance or stuff of the world.

  • While Shiva lies in meditation,

  • Shakti tries to move him,

  • to bring him into the dance.

  • Like yin and yang,

  • the dancer and the dance exist as one.

  • Logos also means unconcealed truth.

  • He who knows the Logos, knows the truth.

  • Many layers of concealment exist

  • in the human world as Akasha as been swirled

  • into complex structures

  • concealing the source from itself.

  • Like a divine game of hide and seek,

  • we have been hiding for thousands of years,

  • eventually forgetting about the game completely.

  • We somehow forgot that there is anything to find.

  • In Buddhism, one is taught to directly perceive the Logos,

  • the field of change or impermanence within oneself

  • through meditation.

  • When you observe your inner world,

  • you observe subtler and subtler sensations and energies

  • as the mind becomes more concentrated and focused.

  • Through the direct realization of "annica"

  • or impermanence at the root level of sensation,

  • one becomes free of attachment to transient external forms.

  • Once we realize there is one vibratory field

  • that is the common root of all religions,

  • how can we say "my religion" or "this is my primordial Om",

  • "my quantum field"?

  • The true crisis in our world is not social,

  • political or economic.

  • Our crisis is a crisis of consciousness, an inability to directly experience our true

  • nature.

  • An inability to recognize this nature in everyone

  • and in all things.

  • In the Buddhist tradition, the "Bodhisattva"

  • is the person with an awakened Buddha nature.

  • A Bodhisattva vows to help to awaken every being

  • in the universe, realizing that there is only one consciousness.

  • To awaken one's true self one must awaken all beings.

  • "There are innumerable sentient beings in the universe

  • I vow to help them all to awaken.

  • My imperfections are inexhaustible.

  • I vow to overcome them all.

  • The Dharma is unknowable.

  • I vow to know it.

  • The way of awakening is unattainable.

  • I vow to attain it."

In the beginning was the Logos,

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