Name: Special Effects Makeup: How Movie Monsters Are Made
Uploaded: 2019-09-17T08:14:32.000Z
Duration: 4 min 6 s
Description: Thousands of YouTube videos with English-Chinese subtitles! Now you can learn to understand native speakers, expand your vocabulary, and improve your pronunciation...

Berger: WHEN YOU PUT A MASK ON, YOU CAN BE ANYBODY,

Adverbs of degree

EVEN IF IT'S JUST LIKE A SMALL LITTLE MASK,

WHEN WE DO SOME SORT OF VERY LARGE MAKEUP,

AND THEN YOU'RE ABLE TO CREATE WHATEVER YOU WANT,

WHATEVER YOUR IMAGINATION BRINGS TO THE TABLE.

I'M A SPECIAL MAKEUP EFFECTS ARTIST AND MAKEUP ARTIST.

ANYTHING SPECIAL THAT GOES OUTSIDE OF WHAT CAN BE DONE

IN A MAKEUP TRAILER BASED ON WHATEVER THE FILM'S NEEDS ARE.

YOU WILL START WITH CLAY AND START ADDING CLAY

TO THE ACTOR'S LIFE CAST UNTIL YOU BUILD UP

THE FORMS THAT YOU WANT FOR THOSE PROSTHETIC MAKEUPS.

YOU CAN DO AMAZING DETAIL BUT HAVE REALLY KIND OF

A VERY LOOSE, YOU KNOW, NONDESCRIPT FORM,

YOU HAVE TO ACTUALLY STAND BACK FROM THE SCULPTURE

AND IF IT WORKS WITHOUT THE TEXTURE AND THE DETAIL,

YOU KNOW YOU'VE GOT SOMETHING COOL THERE.

ONCE THE SCULPTURE IS DONE, THEY GO TO THE MOLD DEPARTMENT,

AND THERE IS WHERE WE TAKE THE NEGATIVE IMPRESSION

BETWEEN THE ACTOR'S POSITIVE AND THE NEGATIVE IMPRESSION.

IT GETS BAKED IN THERE FOR LIKE SIX HOURS AT 165 DEGREES.

ONCE THAT'S DONE, WE PULL IT OUT OF THE OVEN,

OPEN IT UP, AND YOU HAVE YOUR FOAM-RUBBER PIECE.

YOU START, YOU KNOW, GET YOUR ACTOR PREPPED,

YOU SIT THEM IN THE CHAIR, AND BALD-CAP THEM,

WITH EACH PIECE, YOU SEE A LITTLE BIT MORE.

YOU KNOW, UP UNTIL THAT POINT, IT'S JUST A SCULPTURE,

IT'S A MOLD, IT'S FOAM PIECES OUT OF THE OVEN.

WHEN YOU START SEEING IT BECOME APPLIED, THEN YOU GET IT.

THE ACTOR STARTS HIS DAY WITH US AND FINISHES HIS DAY WITH US.

HE COMES IN, WE ALWAYS HAVE A NICE ENVIRONMENT.

SOMETIMES WE'RE KIND OF LIKE THE BARTENDERS OF A FILM.

EVERY TIME I DO A MAKEUP, I DO WHATEVER WORKS.

YOU KNOW, MAKE IT INTERESTING FOR MYSELF.

IS I'M JUST DOING LIKE A LITTLE SPLATTER THING.

IT'S JUST AN OLD TRICK OF USING AN OLD CHIP BRUSH.

IT'S KIND OF LIKE THIS IS THE WAY I USED TO PAINT

WAY BACK WHEN, AND IT'S ONE OF THOSE THINGS

YOU'RE LIKE, "OH, YEAH. I FORGOT ABOUT THAT."

WHAT WE'RE GONNA DO NOW IS PUT THE CONTACT LENSES IN.

SO IT'S ALWAYS NICE TO TEMPER THE EYES DOWN

AND JUST KIND OF TAKE THE LIFE AWAY FROM IT

I COME FROM A GENERATION KNOWN AS THE MONSTER KIDS,

AND IT'S JUST COOL THAT THERE HAPPENS TO BE

A FACET IN THE FILM INDUSTRY THAT ALLOWS FOR THAT,

THAT WE CAN, YOU KNOW, BREATHE LIFE INTO OUR CREATIONS

AND AUDIENCES GET TO SEE THEM ALL OVER THE WORLD.

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Special Effects Makeup: How Movie Monsters Are Made

sort

technique

basically

trick