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  • - Okay. Let's put you in the situation.

  • So, you're there

  • and you're diving in a pool. - [Eli] I'm in a thong.

  • I go in the pool,

  • and the guy comes in with a chainsaw.

  • (chainsaw revving)

  • - Hey, I'm James A. Janisse.

  • Some of you may know me as Dead Meat.

  • If you do, you probably already know

  • that I love to watch people die,

  • you know, like on screen.

  • I've always wanted to talk to before legends

  • who put those kills on screen

  • and find out what scares them,

  • and also if they could survive

  • their favorite kill scenes. (scream)

  • This is, Meat Up.

  • Today's guest, Eli Roth.

  • Eli Roth is making a kid's movie?

  • When are we going to get another Hostel...

  • Hey, man. Hey, how's it going? - How are ya dude?

  • Good to see ya. - Good.

  • I was just admiring your display here.

  • - Yeah, welcome to my new house.

  • - It's very lovely.

  • I like it, good location.

  • Yeah, you want to talk about it more over coffee?

  • - Yeah, I'd love too.

  • - Cool, lets go.

  • - Lets do it.

  • (jazzy piano music)

  • - Hey, we're here with Eli

  • at Commissary Coffee in West Hollywood,

  • a place that you actually picked out.

  • Is this your favorite coffee spot

  • - This used to be my Sunday spot,

  • kinda before I got into editing,

  • I would just walk down here with my dog,

  • have breakfast.

  • - Were any of your movies written here?

  • - I generally write at my house.

  • I usually go to coffee places to read.

  • I find if I get a script and I read it,

  • and I'm reading at my house,

  • I always fall asleep,

  • and that's just a bad, bad way to read a script.

  • Cuz, you're just cozy, and you have a snack,

  • and you just fall asleep.

  • But, you know, in a coffee place you're like,

  • Oh, by the time this coffees done

  • I'll be finished with the script.

  • - Cool. I just ordered whatever you ordered.

  • What'd we get?

  • - I went for the iced almond milk cappuccino,

  • because they have a nice almond milk here.

  • I make my own almond milk.

  • I'm really like an almond milk snob.

  • (James giggling) But, I cut out sugar.

  • So, I'm super hard-core, no sugar.

  • I had a real sugar addiction problem

  • that I certainly indulged on Death Wish.

  • (James chuckling)

  • So, for House of the Clock, I was like,

  • I gotta do something, man.

  • And I 100% cut out sugar,

  • just so I'd get off being addicted to the taste of it.

  • So I stay off it now.

  • - Haven't you actually been labeled

  • as one of the fittest directors before?

  • - That was actually a great scam

  • that I pulled - Oh Yeah?

  • - Yeah. One of the early scenes,

  • Back when your IMBD trivia was kind of everything

  • and a journalist would just look for that.

  • A friend of mine from college

  • was doing an article for Men's Fitness Magazine

  • or Men's Health Magazine

  • and he was like,

  • hey, can I put you as most fit director?

  • And, I was like,

  • absolutely you can. - Nice.

  • - So, he put me as most fit director

  • and man did that piss off the other directors.

  • I really did it to (bleep) with the

  • other directors.

  • - Did anyone in particular

  • say like - All of them. Quentin's like,

  • I'm taking your (bleep) title (James laughs)

  • And Edgars, Edgar Rowe's like,

  • (in nasally voice) oh, it's the most fit director

  • (James laughs)

  • I'm gonna take your (bleep) title next year,

  • and then you'd see like

  • director, I saw Rich Kelly's all jacked up.

  • He's like, guess who's going to be most fit director?

  • So, it's funny that,

  • you know once I got labeled that,

  • so of course I put it on my IBMD trivia,

  • and then it just got into the vernacular of Eli Roth,

  • the most fit director.

  • And that's just like,

  • it's just,

  • I didn't think I was going to win an Oscar

  • with Cabin Fever, so it's just a good way

  • to needle everybody. - Yeah, sure.

  • - It's like I might not have that, but I do have this title.

  • (island drum music)

  • - With you're new movie

  • it's rated PG.

  • Did you feel like you had to approach the set differently

  • then you would for Green Inferno? (laughs)

  • - Yeah, sure.

  • I mean, Green Inferno we were in the Amazon,

  • and it was all adults.

  • But look, there were kids around in the village

  • in Green Inferno, but they didn't speak English.

  • That was the difference.

  • I wanted to make a PG movie.

  • I miss PG movies.

  • I miss scary PG movies.

  • You know, I miss movies like Gremlins, Goonies,

  • Poltergeist, ET, Raiders.

  • The movies people are still watching

  • are Gremlins and

  • Beetle Juice and films like that.

  • There isn't that movie that's your stepping stone

  • to really scary, intense horror.

  • I mean I didn't start out, I mean I was the exception.

  • Yeah, I started out with Alien

  • - Yeah. - The Exorcist, but most kids,

  • (James chuckles) they didn't start out with

  • Texas Chainsaw Massacre.

  • A lot of those violent movies,

  • I remember seeing Texas Chainsaw Massacre

  • when I was 12 or 13 because these are VHS movies.

  • But the movies that I saw in the theaters,

  • with your parents that were scary and fun,

  • or at a birthday party, a whole group of kids would go see.

  • Those are the ampler movies.

  • Those were big, fun, scary theatrical experiences.

  • And the movies were fun,

  • and they had a sense of humor too.

  • But they got you excited about scary,

  • they showed you the fun of being scared.

  • And the thing about those ampler movies was

  • they always did something you were like,

  • Whoa! Can they do that in a kid's movie?

  • - Yeah. - Like even in ET

  • when he was like, it was nothing like that penis breath,

  • and we were like, (James laughs)

  • did they really just say that in this movie?

  • It was like, even when ET is dead in the movie

  • you're like,

  • Oh my God, they really killed him.

  • And they were like leaving.

  • - Yeah. - I was crying. I was a mess

  • when Et died.

  • Then the plant, the flower goes up

  • and you're like,

  • the flower, look at the flower.

  • So, all those moments,

  • they really push you to that emotional extreme,

  • and Spielberg's hits me.

  • I had a really great meeting with him before

  • and he was like, make it scary.

  • Really, really, make it scary.

  • Cuz kids love to be scared. They love it.

  • I think people are getting that

  • fix with Stranger Things. - Yeah.

  • - I think they're getting it in other places.

  • But, there isn't the movies that's like,

  • wow, that's darker than I thought it was going to be.

  • - Yeah. - A movie that was scary,

  • properly scary. - Yeah.

  • (light instrumental music)

  • - So you mentioned History of Horror,

  • that's your latest project?