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  • Hey guys welcome back to my channel. Today we're going to talk about three

  • common mistakes that beginner brush letterers make. If you've just started

  • your calligraphy journey, I hope that you find these tips helpful and hopefully it

  • saves you some frustration. Let me know in the comments below if you have any

  • questions or if you need help troubleshooting any other issues. Before

  • we head to the paper please be sure to like and subscribe for more calligraphy

  • tips as well as creative entrepreneur tips. Now let's head to our paper. Okay

  • guys so the first mistake I commonly see is having paper at the wrong angle. So

  • this paper is right in front of me. Typically with calligraphy to get that

  • 55 degree slant that you want, you would actually have lines across your paper at

  • that 55 degree slant and in order to more easily hit those slant lines, you

  • should also turn your paper counter clockwise. So just a heads up I am

  • right-handed. My experience with teaching lefties has been that they could hit

  • that 55 degree slant turning the paper like a right-handed person would. They

  • might also have it more drastically turned. If you're a lefty you have to

  • just experiment with the paper. I personally don't care how the paper is

  • positioned for a lefty as long as they are hitting those strokes and everything

  • looks consistent. So for a right-handed person, a good reference point to have

  • the tip of the paper pointing towards your body.

  • Having the paper at this angle helps you with your hand positioning actually.

  • So you never want to be like crunched up like this as you're doing your strokes.

  • You want to make sure that your hand is relaxed and you're not hooked over in

  • order to just get the proper angle. I mean why you do that to yourself when

  • you could just move the paper. The second common mistake that I see is how people

  • hold their pens. So you know when we're writing normally we typically write up

  • and down like this. I'm writing with the pen tip just straight up and down. With

  • calligraphy, you can see that my forearm is planted and my brush pen is cradled

  • in between my forefinger and thumb but the pen itself is actually angled past

  • my right shoulder. So I can do my proper down strokes this way. I can do my

  • compound curves this way. I can do my ovals this

  • way. That's a bad oval but you get my point. There's no need for you to keep

  • changing the angles of your pen once you're locked in like this. It's more the

  • forearm that's moving and not your fingers. You don't want calligraphy to be

  • all from your fingers. It should be more of a fluid motion from your shoulder and

  • your forearm. Make sure you're not like this

  • and you're holding it like this. You're pretty locked in like this. Just try not

  • to have a death grip although I had one let's be real, so I had to adjust and

  • learn my own hand pressure as I continued my practice. And the third

  • thing that I see happen is people continue to use frayed pens even when

  • they shouldn't be used anymore. So I'm gonna try and show you guys an example

  • here.

  • I feel like a beauty blogger. Okay so the pink tip is frayed very slightly while

  • the blue tip is not. If you continue to use those frayed pens you're not gonna

  • get smooth lines. Let's see if I can show you the difference here. So there's

  • my frayed overturn and here's my smooth one. So you can see in my pink overturn

  • that there's this little fraying happening with the lines right here. And

  • right here there's kind of like an extra hair line that's happening because the

  • pen is frayed. Even though my stroke here isn't as smooth as I would like, you can

  • see there are no hairlines anywhere versus here and here. So that's how you

  • can tell that your pen is fraying. I frequently have people in my workshops

  • mentioning that they don't know when it's fraying so really you have to

  • look at the pen. Look at the tip itself and you'll be able to tell in person

  • what a smooth tip looks like versus one that is fraying and you'll also be

  • able to tell when you are writing. I actually wouldn't throw this guy out. You

  • can still use him. If this is a Tombow, this is a Tombow, you

  • can still use the other side for writing. You can also still just apply ink

  • somewhere and then pick it up with one of the Tombow blending brushes or a

  • water brush pen so you can still use it. I just might not use it for a regular

  • practice anymore. There you go guys. Hopefully reviewing these common

  • mistakes helps you in your calligraphy journey and remember to keep practicing.

  • That's how you're going to continue to see improvement in your calligraphy.

  • Please don't forget to like and subscribe and I'll see you in the next

  • video.

Hey guys welcome back to my channel. Today we're going to talk about three

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