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  • This is Brenton Rickard, world medallist in the one hundred and two hundred breaststroke demonstrating

  • technique. One of the key things I look for is face position where his hands and

  • feet are together in a straight line. It's important in breaststroke when

  • swimming it, that you get great distance per stroke. Brenton does a lot of

  • his work on stroke count, as you look here we don't want too much head

  • movement and the body really travels fastest just below the surface, as we

  • said we call this the base position.

  • In Breaststroke most of the power comes from a combination of the legs and the arms and

  • with the arms we're looking at more propellor type sweeping motions rather than

  • pull, push, as you have in butterfly, freestyle and backstroke.

  • The feet movement is predominantly backwards and together, I think 10 years

  • to 15 years ago it was more around and together, but now the modern

  • breaststroker is pushing back and together. It's very important to have

  • great ankle flexibility and hip and knee joint mobility.

  • When breathing in breaststroke we want the swimmer to move with the stroke not

  • to have a separate head movement. He comes up with the arm stroke catching

  • the water his body neck and back moves, rather than his head bobbing up

  • and down to take the breath. It is important to look forward when taking

  • this breath without too much head nodding and interference with stroke

  • length in front. The modern breaststroker recovers his hands close to the surface.

  • A number of the famous breaststrokers bring their hands out of just above

  • the surface at race speed, now what we're watching at the moment is fairly easy

  • technique but Brenton he is trying to get his hands up just in front of his

  • chin and keep them close to the surface as he recovers have them forward to the

  • full extension. At the start of the stroke the swimmer presses outwards and

  • some of the breaststrokers press a little bit upwards, but it is a wide

  • position and then it starts to catch in at that catch position is where the head

  • starts to come up for the breath, so the breath is a result of that beginning of

  • the in sweeping motion of the stroke.

  • This shot here shows that when the kick is completing there is an acceleration

  • the feet must come together, by doing this the swimmer is exacting most power

  • from the kicking motion. A number of swimmers we see in breaststroke cut their kick

  • short and do not bring the legs together. I think this causes great inefficiency.

  • 00:03:08,240 --> 00:03:14,230 This underwater shot shows the arm stroke again once again full extension then an

  • outward sweep to catch the water, and then an inward sweep then forward for recovery.

  • This underwater shot shows how the feet

  • accelerate and come together and the arc of the backward motion is quite narrow.

  • The best breaststrokers are doing this it appears and getting a more of a

  • backward and together motion rather than outward and around together motion as

  • they were say 15-20 years ago. This shot shows full extension at the front and

  • also the knees trying to keep them in line with the body rather than drop

  • them underneath the hips. In breaststroke predominate power I believe comes from

  • the hip movement and once we connect with the core through our arms it is

  • important that this is the generating power. Looking at all good breaststrokers

  • I feel that you need to have your hips up near the surfaces as in these shots

  • showing Brenton side on.

  • After the initial extension their hands press outwards and catching the water

  • the wide position which is outside the shoulder. At that position the in sweep

  • begins and this is the most propulsive part of the breaststroke. When the in

  • sweep is occurring the head is coming up to breathe, and after the breath is taken it

  • is important that the swimmer recovers the hands forward because if this is a

  • non propulsive phase of the stroke and it's important to get the hands back and

  • forward to the base or frontal position. Breaststroke is one of those strokes where

  • I feel it's easy to do the stroke poorly but to do it correctly is extremely

  • difficult. When teaching breaststroke or developing an athlete to compete at

  • higher levels I think it's very important that we focus on doing the

  • stroke well, maybe doing many many drills with it rather than doing lots of it

  • poorly. Breast stroke can be swam by many

  • people poorly, but by very very few well.

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This is Brenton Rickard, world medallist in the one hundred and two hundred breaststroke demonstrating

Subtitles and vocabulary

B1 US stroke brenton position swimmer sweep extension

The Secret to Perfect Breaststroke Technique

  • 214 9
    Howard Lin posted on 2018/02/27
Video vocabulary

Keywords

subscribe

US /səbˈskraɪb/

UK /səb'skraɪb/

  • verb
  • To regularly pay to receive a service
extremely

US /ɪk'strimlɪ/

UK /ɪkˈstri:mli/

  • adverb
  • In a way that is much more than usual or expected
  • To a very great degree; very.
  • To a very great degree; very.
  • To a very great degree; very.
  • In an extreme manner or to an extreme degree.
  • Remarkably; unusually.
  • From an extreme point of view.
technique

US /tɛkˈnik/

UK /tekˈni:k/

  • noun
  • Way of doing by using special knowledge or skill
  • A way of doing something, especially a skilled one.
  • The skill or ability to do something well.
  • The manner and ability with which an artist employs the technical skills of a particular art or field of endeavor.
  • A skillful or efficient way of doing or achieving something.
demonstrate

US /ˈdɛmənˌstret/

UK /'demənstreɪt/

  • verb
  • To display a feeling or ability openly
  • To protest about something often as a group
  • To prove or make clear by reasoning or evidence
  • To show how something works (e.g. product)
  • other
  • To show something clearly by giving proof or evidence.
  • To explain or describe something clearly.
  • other
  • To take part in a public demonstration or protest.
straight

US /stret/

UK /streɪt/

  • adjective
  • Not having curves, bends, or angles
  • Not gay; heterosexual
  • honest and direct
  • Without bends or curves; proceeding in the same direction without deviation.
  • Honest; frank; straightforward.
  • In proper order; correctly arranged.
  • Continuous; uninterrupted.
  • Heterosexual.
  • adverb
  • in a line; immediately; honestly and directly
  • In a straight line; directly.
  • Immediately; at once.
  • noun
  • A heterosexual person.
  • other
  • To make or become straight.
develop

US /dɪˈvɛləp/

UK /dɪ'veləp/

  • verb
  • To explain something in steps and in detail
  • To create or think of something
  • To grow bigger, more complex, or more advanced
  • To make a photograph from film
  • other
  • To (cause something to) grow or change into a more advanced, larger, or stronger form
  • other
  • To invent something or cause something to exist
  • To start to suffer from an illness or other medical condition
  • To improve the quality, strength, or usefulness of something
position

US /pəˈzɪʃən/

UK /pəˈzɪʃn/

  • noun
  • Person's opinion or attitude about something
  • Specific location where someone or something is
  • Where you play or your role on a sports team
  • Person's job or status level
  • Set of conditions affecting what you can (not) do
  • A job; a post.
  • A particular stance or attitude towards something.
  • A condition with regard to circumstances.
  • A player's place in a team.
  • The way in which someone or something is placed or arranged.
  • verb
  • To put in a particular location or direction
  • other
  • To put or arrange (someone or something) in a particular place or way.
  • To put (someone or something) in a particular position in relation to other people or things.
  • To put (someone or something) in a particular place or arrangement.
combination

US /ˌkɑmbəˈneʃən/

UK /ˌkɒmbɪ'neɪʃn/

  • noun
  • Series of letters or numbers needed to open a lock
  • Act or result of mixing things together
  • A mixture or blend of different things.
  • A sequence of numbers or letters used to open a lock.
  • A mixture of different things.
  • A sequence of numbers or letters used to open a lock.
  • A selection of items from a collection, where the order of selection does not matter.
  • The process of two or more substances chemically uniting.
  • A set of clothes worn together.
  • A number of different things considered together.
  • An item of furniture designed for more than one purpose.
  • A group of people or organizations joined together for a particular purpose.
  • A sequence of numbers or letters used to open a lock.
separate

US /'sepəreɪt/

UK /'sepəreɪt/

  • adjective
  • Being different from or unrelated to another
  • Not connected; different.
  • verb
  • To divide two things by being in between them
  • To live away from your husband or wife
  • To move things away from each other
  • To stop living together as a couple.
initial

US /ɪˈnɪʃəl/

UK /ɪ'nɪʃl/

  • noun
  • First letter of your given name
  • The first letter of a name or word.
  • The first letter of a name or word.
  • The beginning or commencement of something.
  • The first letter of a name or word.
  • verb
  • To authorize something by writing your initials
  • adjective
  • Existing or occurring at the beginning
  • Occurring at the beginning; first.
  • Occurring at the beginning; first.
  • Occurring at the beginning; first.
  • Serving as a starting point or introduction; preliminary.
  • other
  • To mark or sign with one's initials.
  • To mark or sign with one's initials.
  • To start or set in motion.

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