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  • on

  • extraordinary things about

  • history's most extraordinary position

  • is the fact that this man's music

  • exerts to make that the defection for us today

  • against which we tend to make your much of your treatment in the obviously last

  • two centuries

  • this music and absolutely no effect

  • another musicians with the public

  • feasibly

  • the strange thing about

  • copies of doesn't of conception of the

  • misunderstood genius who was years ahead of his time he was certainly

  • misunderstood but

  • not because he was ahead of his time

  • larry because according to the musical disposition of that day he was

  • generations

  • thread if you put the one i just played was

  • already becoming is old-fashioned inbox time missus

  • it would be if one were to sit down start writing symphonies in the manner

  • of max treated today

  • and baucus he grew older not only made no attempt

  • reconcile his father temper

  • in fact withdrew into what must have seemed to his contemporaries shirley is

  • a

  • maddening nostalgic for the glory speeches

  • bc was

  • greatest nonk

  • and one of the supreme examples of back independence of the artistic conscience

  • stands quite outside collective historical process

  • the age of fox speaking in a very general sort of way was fucked we can

  • now call the age of reason or

  • perhaps an age of reason they're bt been quite a lot of them it was fundamentally

  • an agent which man struggled against

  • fear against

  • predetermine the sea

  • was engaged in which he asserted

  • confidently the wonders of science and a few minutes she says

  • both times an age of

  • who breached defiance for the call

  • but its most poetic

  • it was still a major which

  • wonderfully tivities science and the proverb

  • genius man could co-exist

  • i think magical mystical

  • fearful rights

  • and so the arc to the poetry of the music of the vote

  • at its best is such this feeling of compromise

  • this conciliation between the will live now

  • begin extra vote

  • even during the like sebastian bach this vibrant spiritual compromise which keeps

  • such anguish in purpose and passion to his music

  • became for other artists of his generation ever more difficult for cheap

  • and slowly but surely

  • and logically explainable unpredictable became the basis of

  • and by the time of his death

  • the world was a very good

  • place from that into the cuban born

  • because the world twitch

  • longed to be logical world for young men

  • for young life

  • what bob died

  • was not heat but by the his sons who are considered to be the masters of music

  • masters of the music so very different from average their father had known

  • tane composers like

  • the teenager joseph haydn who are soon to lay the groundwork for

  • a new musical style in which all of this scientific optimism all of this

  • naively logical philosophic

  • papa bear generation would find it covered parking and our conviction

  • the aim would be

  • not the communication of man

  • dot but

  • rather of man with men

  • exposed traits of sebastian bach which

  • parallel music p

  • realization of the incredible richness and

  • indefinable complexity of the

  • human state could find no place

  • to become an aging which the focus of musical activity had moved from the

  • church to the theater and which

  • the newark would

  • rationally reflect a rational world in which will be required to

  • deal with probabilities

  • not to participate in the streets

  • this is not to say that the aspirations transcends human condition would be

  • forever lost art

  • certainly it's the essence of

  • beethoven's work

  • for instance if we feel and struggling to strike beyond the

  • realization of human potential

  • but the grand juror beethoven resides in the struggle

  • rather than in the occasional transcends cheese

  • and it might perhaps

  • never again be possible for us to home

  • more than a glimpse of that inordinate state ecstasy

  • but sebastian bach

  • never put the question

  • for new age

  • new musical for

  • the symphony

  • and the sum up it would be

  • instrumental performance versus aggressive new humanity builds

  • express itself

  • these reforms which were

  • based from a really upon the simplification and the clarification of

  • the system of what we call

  • total harmony

  • and talese forms came to hold a conception of the role of the musical

  • theme

  • they used fifteen other something which

  • just was permeated every facet of the work is a bit inbox music

  • was something unique something singularly eventful

  • something belonging to the moment

  • this was also the age in which the concepts of fearsome active who musical

  • architecture became paramount for box arms with the most

  • essentially an isolated event related propelled into a relationship really

  • with other

  • seems other isolated events five

  • the divisive

  • what's called monica modulation right

  • the family ties of one key to another

  • and these family relationships with the background against which

  • this new

  • musical architecture built its

  • structures

  • i'd like to sons wasn't

  • really searching for a concise harmonic

  • definitions of it

  • relationship of themes

  • his harmony his sense of architecture was immensely complex

  • infinitely which is another sons really in front of the kind of

  • adventures that have existed in the musical language since

  • just wild over the sixteenth century

  • which connects us to get in touch on bergamot twenty

  • eg while his son's music with

  • it's smacked

  • of pleasure it's measured

  • form seems to related somehow to the probabilities operation electricity

  • with all its internally undulating

  • harmonic motion with all its vast

  • linear competition

  • seems to suggest somehow be suspended perpetually

  • transient unknown

  • what does it come to expect great surprises musical bachmann comes across

  • creek moments indescribable technical achievements but one has not played to

  • expect

  • in the course of our work anymore but any pronouncements which school work is

  • not in

  • inbox the sickest constancy of the country

  • the continuous line of development the certainty of motions to come to expect

  • essentially prabhakar

  • was a means of

  • expressing that state of the leaflet which

  • experience could be making guide which only the obstructionism

  • temptations room could

  • unusual to come existence

  • gingrich however the necessity defend against

  • these temptations provoked the drama of human life

  • if use these

  • temptations and the

  • constant effort which is required to expelled them with which the

  • text of the content of

  • the title of this cantata which russell bliss by the same with this in a moment

  • fetus should have booked as soon get roughly translates as

  • stand firm against signal

  • and it's very probably by parking self

  • certainly gets music realizing he's given an intensely urgent and

  • uh... very open in court is one of the most striking in all of bucks from

  • monica arsenal

  • effect coming as it doesn't the beginning of work it's just

  • unprecedented

  • and both of the other movements of the scanned copy or

  • for that wonderful

  • torturous art

  • intense

  • close relation and suspension

  • spock always reserve

  • subs