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  • Right now, American protest music sounds like this.

  • ...we don’t believe you, cuz we the people... ...a million dollar loan...

  • ...If I don’t say something should I just lie still...

  • But it wasn’t always this way.

  • While today’s protest music serves the same purpose as music like this, the way it reaches

  • the audience has reshaped the genre time and time again.

  • Early American protest songs like Yankee Doodle and John Brown’s Body were pretty simple.

  • The melodies came from songs people already knew.

  • The lyrics were repetitive and easy to remember and that made it easier for the songs to spread

  • through the oral tradition.

  • But the rise of electrical sound recording in the 1920s changed the way music was created.

  • It allowed artists to use complex tunes and lyrics.

  • A famous example of that is Billie Holiday’s Strange Fruit from 1939.

  • It was a powerful take on lynchings in the South.

  • People had a really strong response to the songthey either loved it or they hated

  • it.

  • It was almost completely banned on the radio, which meant that most Americans heard about

  • it, if they heard about it at all, through word of mouth.

  • But its omission from the radio didn’t take the song out of history.

  • After World War two, protest music changed again when folk music became popular through

  • the radio.

  • Woodie Guthrie is probably one of the most famous folk music protest writers.

  • one of his most famous songs is This Land is Your Land, which he wrote as a protest

  • song in response to this super popular song the time called god bless America

  • Guthrie’s music became popular with the working class and went on to inspire musicians

  • like Bob Dylan.

  • The times, they are a changin

  • But Dylan himself edged away from the suggestion that he was a protest movement leader.

  • I got nothing to say about these things I write.

  • I just write em.

  • I don’t have to say anything about them.

  • I don’t write them for any reason.

  • There’s no great message.

  • If you want to tell other people about that, go ahead and tell em.

  • People turned to Dylan’s music for its unifying message despite his reluctance to be a part

  • of any sort of movement.

  • But there were other artists, who were less coy than him.

  • And everybody knows about Mississippi / god damn

  • Nina Simone wroteMississippi Goddamin response to the 1963 murder of civil rights

  • activist Medgar Evers in Mississippi.

  • Mississippi goddam

  • In it, she also sings about the bombing of the 16th street baptist church in Alabama

  • that same year.

  • Alabama’s got me so upset The civil rights movement produced several

  • notable pieces of protest music.

  • But the late 60s and early 70s also saw a lot of political unrest in the states.

  • So this is Marvin Gaye’s 1971 hit What’s Going On.

  • brother brother brother / there’s far too many of you dying

  • It was a part of the famous wave of protest music that followed the Kent State massacre

  • when the National Guard opened fire and killed four unarmed students protesting the Vietnam

  • War.

  • Later as the Vietnam war came to an end, protest songs in America re-focused on issues of class.

  • The shift coincided with the rise of VH1 and MTV in the 1980s which gave artists a visual

  • medium to express themselves.

  • Hip-hop quickly gained notoriety, in part thanks to groups like Public Enemy and N.W.A.

  • Fuck the police / and that’s straight from the underground

  • While hip-hop became a burgeoning space for political thought, a feminist punk rock movement

  • also began to take shape.

  • the riot grrrl movement was led by all women bands like Bikini Kill and Sleater Kinney.

  • and it was in the early to mid nineties when all these women came together with a focus

  • on making their music try to forward progressive agendas, specifically feminist ones

  • All girls should have A real man Should I buy it?

  • I don't wanna

  • Our way of life, our very freedom came under attack in a series of deadly terrorist attacks.

  • After 9/11 there was this huge pool of emotion and frustration that helped singers make some

  • really good music.

  • But the lack of a unifying political movement left a millennial protest song resurgence

  • sort of dead in the water.

  • But bands like Green Day gave a really good effort and the title track of their 2004 album

  • American Idiot took aim at the war in Iraq

  • Don't wanna be an American idiot

  • The election of Barack Obama in 2008 brought a different energy to protest music.

  • With the first black president in the White House, musicians took up the empowerment song.

  • Kendrick Lamar’s Alright became a rallying cry for Black Lives Matter toward the end

  • of Obama’s presidency.

  • Do you hear me / Do you feel me / we gon be alright

  • And in this era social media became the biggest tool for sharing music.

  • That change is even more evident in the face of Donald Trump’s presidency.

  • A good example of that is Milck’s song called Quiet

  • The songwriter, Connie Lim, used the internet to recruit a choir for the song which became

  • an anthem for the Women’s March.

  • the purpose of protest music is to bring a movement together.

  • So as long as people continue to leverage these new tools that we have with social media

  • and with the internet to make these songs, protest music will continue.

Right now, American protest music sounds like this.

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