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  • You have some looks that are really focusing internally

  • within China, and then you have some looks

  • that are more influenced by Western countries.

  • And so I wanted to tell that narrative.

  • I thought that was probably the most interesting,

  • especially considering the position

  • of China currently today as a global superpower.

  • In the 1910s, you have young women

  • who have really high collars

  • and these split bangs that go across their head.

  • I would say that that look is representative

  • of women who are probably middle class.

  • If you're thinking poor women, they don't have time

  • and they don't have the financial resources

  • to be specific about their hair, their clothes

  • or their dress or even afford photographs at that time.

  • When we're looking at the 1920s, it's really interesting

  • to see the shift move towards Western influence,

  • which is really indicative of a global move.

  • During the 1930s, you had what was the emergence

  • of the Shanghai girl.

  • Shanghai is a port city, so you have a lot

  • of foreign influence coming into that city, historically.

  • The girl that you see is going

  • to have, kind of, baby bangs.

  • That was really particular for young women

  • who are maybe looking for more urban lifestyle.

  • World War II was ending.

  • At that point, you actually kind of see China allying

  • with the US to push the Japanese out.

  • That's where you see, like

  • a full-blown Western look coming in.

  • During the 1950s, Mao Zedong is in power.

  • He basically overturns all the previous beauty standards.

  • He makes the peasant, the proletariat, what's beautiful.

  • And what's beautiful is if you're healthy and tan

  • and if you're contributing to the collective society.

  • In the 1960s, this was when Mao Zedong

  • full-blown cultural revolution is enacted.

  • So women are allotted more rights.

  • She's in uniform because she's a comrade.

  • They're seen as equal to men, theoretically.

  • In 1970s, China starts to move away from communism.

  • You start to see, kind of, distancing from the ideology.

  • In the 1980s, Mao Zedong's political opponent

  • came into power and started

  • to introduce all these new market economy policies.

  • Now you have China completely turning towards free market,

  • which also means more foreign influence,

  • when you're trading and interacting with other countries

  • and opening your doors more.

  • The woman that you see has the big perm,

  • has the big glasses, looks like she came out of a magazine.

  • The 1990s, you see a lot of influence coming in from Hong Kong.

  • So that short bob with the bangs and the headband,

  • that's kind of cute and school girlish.

  • Hong Kong obviously had a great deal of foreign influence.

  • If you're a young person in Mainland China

  • and you're watching Hong Kong movies,

  • then you're probably going to start to mimic the fashion,

  • the dress, the makeup, the hair.

  • To counter what Hong Kong had developed

  • as a film and entertainment industry,

  • China had the Four Dan Actresses.

  • One of them, which is internationally famous, is Zhang Ziyi.

  • At that time, I think everything was focused

  • on Hong Kong and Taiwan.

  • And then all of a sudden, you know, Zhang Ziyi came out

  • of mainland and she just blew it out of the water.

  • She has that really, kind of, classic Chinese beauty.

  • Dark black hair, really, really minimal makeup, pale face.

  • By the 2010s, Korea and the K-pop industry

  • is enormously influential.

  • There's a look called the ulzzang look,

  • and it's huge doe eyes,

  • really, really pale pearlescent dewy face.

  • I think that a lot of the media kind of feeds

  • into this really xenophobic,

  • basically anti-Chinese sentiment.

  • And a lot of it has to do with the fact

  • that China is growing economically

  • and is challenging the US economically.

  • Coming from here in the US,

  • it's a very different way we look at China.

  • If you were to go to another country

  • in East Asia or anywhere else,

  • they would have a completely different outlook at China.

  • This country is so enormous

  • and that people should take this video as an introduction

  • and they should learn beyond what the looks present

  • that there's a huge, huge history behind it all,

  • and that this should be the door to learning all of that.

You have some looks that are really focusing internally

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