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  • (piano music)

  • - I have a place in Michigan

  • that has a big, long dining room table,

  • and I was thinking of getting all of the chairs on one side

  • to have only a right arm,

  • and all the chairs on the other side

  • to have only a left arm,

  • see, so that all of the guests, as they recline,

  • would have to look at me.

  • (laughter)

  • I decided not to go ahead with this,

  • although I felt that it would add a great deal to my

  • legend for eccentricity.

  • (piano music)

  • Jesus, when I was 16, I felt it was my business to find out

  • what was going on before I was born.

  • I mean, who wants to live in the present,

  • it's such a limiting period, compared to the past.

  • When i was a teenager, we went to the movies to see

  • what adults did.

  • Now, adults go to the movies to see what teenagers do.

  • You know, people over the age of 21 hardly ever make love

  • in the movies anymore, it seems like.

  • They just look around, they sit around and

  • tell the kids they shouldn't be doing it, it's amazing.

  • (piano plays)

  • What am I looking for, I'm looking for

  • films that come out of a director's quixotic,

  • personal, passionate imagination,

  • and not films that are manufactured to

  • entertain large numbers of people efficiently,

  • even though I'm often among those entertained.

  • I love to be entertained, I love those films,

  • but the ones that really move me are the ones

  • where a director felt that something had to be said,

  • and he said it.

  • Film school used to have the values

  • of the liberal arts schools, now film schools are

  • more allied to the business schools,

  • in terms of their values.

  • Success, money, achievement, and power,

  • rather than, vision, imagination, truth,

  • and social change.

  • (piano music)

  • I love the acknowledgement

  • in Say Anything, a very underrated movie.

  • The fact that John Cusack loves

  • the girl in that movie

  • because she's smart and not because she's pretty.

  • Almost always, my favorite love scenes in movies

  • don't involve passion, they involve

  • nobility or sacrifice,

  • when somebody brings out the better side

  • or the better nature of somebody else.

  • - [Voiceover] Can criticism be constructive or destructive,

  • or it can only be good and bad criticism?

  • - Bad criticism, you see, could be just as constructive

  • or destructive as good.

  • I, generally, believe that

  • a certain amount of tact is necessary.

  • I don't think I would mention Streisand's nose in print,

  • any more than I would mention it to her in person.

  • I, generally, feel that (drums play)

  • what makes people interesting

  • is the spirit that shines through.

  • Although, of course, in the movies you tend to have

  • attractive-looking people,

  • one attractive person is compellingly likeable,

  • and another one leaves you completely cold,

  • and that's more a question of spirit than of flush.

  • (instrumental music)

  • - [Voiceover] Who has the biggest ego

  • that you've ever dealt with in the movies,

  • being you the director or actor?

  • - Well, you see, is it a healthy ego or a sick ego

  • that we're talking about?

  • When you say, "Who has the biggest ego?,"

  • there's an implicit criticism, in other words,

  • you're actually asking, "Who's the biggest (bleep)?"

  • - [Voiceover] Not necessarily. - [Roger Ebert] I would say

  • that the biggest ego

  • of anyone I spoke to in the movies

  • belonged to Ingmar Bergman,

  • but I wouldn't want that to hurt his praise.

  • He has a very highly developed sense of self,

  • and of who he is and what he thinks,

  • and what he cares about.

  • Woody Allen has an extremely well-developed

  • and healthy ego.

  • This does not mean he's conceited,

  • it doesn't mean he's insufferable.

  • It just means that he takes himself seriously,

  • and he should.

  • (instrumental music)

  • I have innate confidence in the fact that I'm right,

  • I just assume I'm right,

  • partially out of conviction, and partially as a pose.

  • (instrumental music)

  • Episodic television is based upon giving you,

  • more or less, the same thing every week,

  • so that's why you would tune in again.

  • Life is too short to watch the same thing more than once,

  • unless it's really worth seeing more than once.

  • - [Voiceover] Well, not everybody

  • knows what to do with their lives.

  • That's their entertainment.

  • - Well, you know, it's too bad.

  • There are a lot of other things to do.

  • You can play poker,

  • you can cook, you can paint, you can draw,

  • you can read, you can have animals,

  • you can have a girlfriend, you can

  • go to the theatre, you can travel,

  • gather together friends, cook food and eat it together,

  • then talk afterwards,

  • sure beats television.

  • (instrumental music)

  • Subtitles by the Amara.org community

(piano music)

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