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  • I find contemporary feels much more of a challenge because i don't like to show, you know, the latest cellphone because in three years your film will look pathetic.

  • And so then everyone complains. "Oh, they don't use cellphones in his movies and they're not..." So 18th century is no problem. No cellphones.

  • That period of English literature is quite punishing on a sexualized woman or a naughty woman or a diabolical woman, which is what Lady Susan is like.

  • And it's incredibly funny, really witty and she doesn't meet a terribly sticky end, which is normally what happens when you mess people about in that period.

  • Such a perfect match for Whit, also who's one of the quietly funniest people in the world.

  • It was the first time I'd ever done a sweeping period drama and, I think, I mean, I was thrilled and so excited to be there and everything looked so rich and so beautiful.

  • And like Whit was saying in Dublin, they have great access to these beautiful historical homes, and estates and grounds.

  • We had the advantage where we were shooting that there had done a lot of period films, so we really could rely enormously on the crew to get everything right.

  • And we had sort of the A Team doing all that. They just do tons of period films, they knew everything.

  • We stay quite close to the text a lot and we had people in London who are writing books about period dictionaries and things like that.

  • And they reviewed the script and often they'd say that you can't use this, it's contemporary and i'd say it's actually in Jane Austen's text.

  • A lot of things that we think are more recent were actually in use then. We had to be sort of careful about if the meaning had changed.

  • And you two were together on "Last Days of Disco". What was it like being back again together on the screen?

  • It was weird because one, it didn't feel like nearly as long as it had been and two, the first time we'd worked together, I think I'd only been to America maybe twice for, you know, a day or so.

  • And it was such a specific...obviously, Whit's world of Last Days of Disco a very specific set of people that I had never come across ever in my life.

  • And I just stalked Chloë constantly to, you know, copy her accent and figure out what was going on.

  • So, it was quite nice coming back and then we were sort of in Britain and I didn't have to stalk her as much this time.

I find contemporary feels much more of a challenge because i don't like to show, you know, the latest cellphone because in three years your film will look pathetic.

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