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  • Intro to Drawing Muscles

  • Hello, welcome to Proko! My name is Stan Prokopenko. Were finally at the part of the course

  • youve all been waiting for. Muscles! In this video, well go over what you need

  • to learn for each muscle, some general muscle anatomy, and the types of muscles.

  • Need-to-Know! or Should Know

  • There’s a basic checklist of things we will learn about each muscle. This includes the

  • muscle name, origin, insertion, function, antagonist, and form.

  • The name of the muscle is the least important thing to know about the muscle. Many artists

  • you ask will say you don’t need to know the names at all. That’s partially true.

  • It depends on how deep you want to learn anatomy. I got away without knowing the muscles until

  • I started teaching it.

  • But, knowing the name does have some benefits. Knowing the muscle name allows us to talk

  • about anatomy. I’ll give you tricks to help remember muscle names whenever I can. There’s

  • usually some logic to the name that hints at the muscle’s location, function, or form.

  • For example, theExtensor digitorum muscle.” This is the muscle in your hand that extends,

  • or straightens, your digits.

  • Where the muscle attaches is important to know as well. It helps us precisely and confidently

  • map out the muscle. It also hints at the muscle’s function, as well see in a minute. There’s

  • two areas of attachment. The Origin is the attachment on the skeleton that is more stationary

  • and closer to the center. The Insertion is the attachment on the farther and more moveable

  • part of the body.

  • You should also know the function, or what action each muscle is responsible for. Fortunately,

  • functions are pretty easy, because muscles can only do one thing... Contract. When you

  • flex a muscle, it contracts, and pulls the insertion closer to the origin.

  • muscles work in pairs. When one muscle contracts, its antagonist is stretched out. The bicep

  • flexes the arm and the tricep extends the arm. In your drawings, try to exaggerate the

  • hardness of the active muscle, and let the relaxed muscle conform to gravity. Being aware

  • of the muscle’s function is essential for invented poses, so you know which muscles

  • to flex and which to relax. It gets you away from drawing a “nounand back to drawing

  • a “verb,” and your poses will have greater animation and impact because of it. If you

  • want to draw constipated superheros, then you can ignore what I just said.

  • A muscle’s name, attachments, and function can be summed up with just a few words. Were

  • artists. What we really need to study is the Shape and Form of the muscles. We have to

  • understand the muscle in three dimensions, so we can draw its shape from all angles.

  • This includes variations like stretched, relaxed, or flexed, and different body types. Well

  • study the plane changes, the simplified forms, and other detailed awesomeness about the forms.

  • It will help you invent figures from your imagination and make them anatomically accurate

  • and dynamic.

  • Types of muscleavailable in the premium section. If you’d like to learn about the

  • 8 types of muscles found throughout the body, head on over to proko.com/anatomy. Get the

  • premium anatomy course for access to the extended videos, 3d models, and more drawing demonstrations.

  • C’mon check it out!

  • If youre enjoying this course, share it with your friends. And if you want to be updated

  • about new videos, go to proko.com/subscribe!

  • If youre on Periscope, follow me to catch my broadcasts. watch me sketch live and ask

  • questions while I draw

Intro to Drawing Muscles

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