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  • Step number three is thehesitation change,”

  • very easy step to understand and to learn as well.

  • So here we go the hesitation change. I will first show you a normal

  • natural turn and; one-two-three,

  • four-five-six. And I want you to compare that

  • to a hesitation change and; one-two-three,

  • four-five-six. You should notice two distinct differences.

  • On the hesitation change when we close the feet we don’t change way,

  • in other words, we don’t do this. We stay on this foot and simply brush

  • the foot close to the other foot, both knees stay bent and which is the

  • other different in that we don’t go upwe don’t go up and back down.

  • We just stay level, flex knees. Well show that to you separately.

  • Well start with the right turn normal, one-two-three,

  • and one-two-three. We take a step,

  • four, heel for the lady. We turn sharply

  • dragging the feet along the floor and stay down.

  • We keep the other foot dragging along the floor,

  • dragging the knees close together and stop, that’s all.

  • We still make the three eight turn to end up diagonal.

  • Now the use of this step is quite easy to see.

  • From here because I have my left foot ready to go

  • and the lady has her right foot ready to go we can skip the half box

  • and go straight into the left turn. And one-two-three,

  • four-five-six. Normally we are not allowed to

  • use the same foot two times in a row that would normally be a mistake,

  • but here we are doing it on purpose to have a little shortcut.

  • Well do that without stopping so you can see.

  • I’m going to start with my feet apart and the lady’s feet apart

  • and the man starting the first step outside the lady.

  • This is a normal situation where we enter this right turn from

  • the whisk chasse. So we have right turn, two-three,

  • hesitation, four-five-six, left turn, one-two-three,

  • four-five-six. As you can see there is no half box

  • between the right turn and the left turn. Just right turn, hesitation, left turn.

  • Leading the step I’m simply gonna dance the step as described which

  • is stay down turn faster, I repeat, stay down turn faster.

  • The lady will definitely feel that and she will dance her own step

  • and she will not close or rise because you didn’t change feet or rise.

  • She will simply match you. So were going to dance this group

  • of whisk and chasse, natural turn,

  • hesitation change, left turn

  • and then we are going to repeat it turning the corner.

  • So what we are going to do is dance four sides of a small room

  • to show you how we can use this group to go around the room.

  • So not only do you learn to dance the step but you also learn

  • to put it together with other steps and also how to use that combination

  • step to go around corners and around the room.

  • So here we go the entire group with music.

Step number three is thehesitation change,”

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