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These days, I'm thinking and animating about messages we cannot read. Uncracked codes, if you will.
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Apparently this topic's in the air, what with the release of the Imitation Game this month.
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That film's about Alan Turing and cryptanalysis of those German Enigma machines during WWII.
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I said cryptanalysis and not cryptography, a word you may know better,
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because cryptography is about sending a message securely by changing it, often changing it so it looks meaningless.
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This is obviously useful when there's a way for the receiver to change it back and see the original message.
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Cryptanalysis, on the other hand, works out ways to understand and break those systems,
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to understand how the message is being changed by this system
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so that you, unintended recipient with your prying eyes, can read the original message.
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But this is all my brother's field. I should grab him and you two can talk about it sometime.
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It's all separate from decipherment, which is an attempt to recover messages in an unknown writing system.
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Cryptanalysis works with texts that were meant to elude you.
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Decipherment works with messages that were once plainly readable,
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but aren't any more thanks to accidents of history.
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So, as you'll see in next Friday's video, which contains both, hidden codes often use characters we recognize to hide a secret message,
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undeciphered scripts have characters we can't even read or identify
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that stand between us and a not-so-secret, or not intentionally secret, message.
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Of course, there is that pesky Voynich manuscript, which may be both!
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With all this in mind, you've got a bit of background to appreciate next week's video.
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I'd like to take the time to welcome all new subscribers, you're making it so much fun to talk about language here.
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Big smiles for all of you! And let me know in the comments if you're interested in continuing this topic
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with a short series that looks deeper at the decipherment of writing systems like Egyptian and Mayan.