Name: Bringing Vietnamese culture to the global stage | Vietnam Today
Uploaded: 2026-01-03T06:26:54.000Z
Duration: 5 min 8 s
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2025 marked a major leap for Vietnamese music on the global stage with Budom Tin Boom.

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Blending folk music and modern rap, Duk book won Intervision 2025 in Russia.

The performance stood out for its sport inspired melodies and costumes reflecting the distinctive beauty of Vietnamese.

Meanwhile, Fumichi, impressed with a fusion of folk and contemporary music.

Music is a bridge for me to connect with international friends and audiences.

From international tours, Museum of Regrets by Vou attracted more than 3,500 audiences in Australia.

Skecher roles brought Vietnamese lyrical melodies to the Dolby Theatre and the Sydney Opera House.

Meanwhile, Bukbling emerged as a global phenomenon.

At home, the concert season has surged with a wave of large scale shows from Anchay Sehai to Komi by Fire showcasing a vibrant musical atmosphere to the national concerts.

Together they spread pride and reaffirm the vitality of Vietnamese music today.

I'm so impressed and I'm also thinking well done fans and well done artists for introducing the traditional music into the 21st century.

People once joked that concerts mean flying abroad.

But now overseas audiences are traveling thousands of miles to Vietnam, showing how much concert organization has advanced.

G Dragon's 2025 world tour drew over 100,000 fans in Vietnam, placing the country on the global tour map as a standout regional destination.

The concert signaled a lead in scale and quality, boosting Vietnam's cultural industries.

It opens up a model not just for cultural industry, but for cultural and artistic business.

It drives audience consumption and helps elevate public aesthetics.

Who's gonna be the best in ao Dai performances?

The image of Vietnamese traditional costume, ao Dai at Miss Cosmo 2025 stands out and pervades well crafted Vietnamese identity.

Now I think it's a time for Vietnam to showcase to the world just like our the slow and Vietnamese resin era.

And you can see that this year the theme of Ms. Cosmos is raising Dragon.

In the long run, I think we want to position the Ms.

Cosmo as a bright brand of Vietnam on the cinema scene.

The global audience of Le Grand Reichs, Europe's largest cinema, witnessed the first ever successful Vietnam Film Festival week held in Paris.

This success aligns with Vietnam's 2030 cultural industry strategy with a vision to 2045.

All 17 screenings of 17 films sold out, attracting more than 6,000 viewers, both Vietnamese and international.

Vietnamese Cinema Week in France is taking place at a moment when Vietnamese cinema is experiencing a rare surge of momentum.

If initiatives like this continue, the global reach of Vietnamese cinema will expand faster and more effectively, truly turning cinema into an art form without borders.

I trust the young generation, the young people in Vietnam have a lot of things to do, a lot of things to show.

They are very strong, they have very good ideas.

Because of the quality of the project, people can feel like going to the movie.

To see a Vietnamese film, it's because it's good.

Red Rain, a phenomenon of Vietnamese cinema and the country's highest grossing film of all time, offered international audiences a moving portrayal of Vietnam's history and people.

It had been a long time since I cried in a cinema.

The film showed the resilience of the Vietnamese people and helped me understand their longing for peace.

From music and live performance to film and other creative fields, Vietnam's cultural industries are not only being preserved, but

are evolving into soft power, shaping a shared rhythm of national development and projecting the country's identity, confidence, and