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  • What? Potatoes or a vegetable? I like crunchy things.

  • Carrots are crunchy. Dried seaweed is crunchy.

  • I'm a human, not a rabbit.

  • You want to make security guards, you got to lose weight, you got to test in one week.

  • Now you're asking me to help you, but if you're not willing to apply yourself.

  • Yeah.

  • Hey, progress not perfection.

  • We all know people who go the extra mile to take care of people around them.

  • But just how well do you think you know the person?

  • The Equalizer is a 2014 American vigilante action film directed by Antoine Fuqua.

  • It is the first installment of the Equalizer trilogy, starring Denzel Washington in the lead role.

  • Robert McCall, a quiet and unassuming man, works at Home Mart, a hardware store in Boston.

  • He leads a disciplined and routine life and times his daily activities meticulously.

  • Robert is well-liked by those around him and offers his help where he can.

  • He helps train a colleague, Ralphie, to become a security guard.

  • Ralphie doubts himself, but Robert encourages him.

  • How you gonna pull me out of a burning building if you can't pull a tire 20 yards?

  • I'm not strong enough.

  • Hey, don't doubt yourself. Undoubt kills. Get up.

  • Come on, get up.

  • Giddy up, giddy up, giddy up.

  • On your mark, get set, pull.

  • Come on. Who's gonna make security guard?

  • Who's gonna make security guard?

  • Who's gonna make security guard?

  • There you go.

  • I like it. Let's do it again.

  • Unable to sleep, Robert often spends late night reading at an all-night diner.

  • Over time, he has befriended Terry, a teenage prostitute who is under the control of the Russian mafia.

  • The pair often talk about the books he has been reading.

  • One evening, Terry shares that her real name is Alina and that she dreams of becoming a singer.

  • Okay, it's not professional. Just tell me what you think, okay?

  • Oh, wow. Alina, the singer.

  • You and I know what I really am.

  • I think you can be anything you want to be.

  • I mean your world, Robert. It doesn't really happen that way in mine.

  • Change your world.

  • While walking home, Alina is confronted by her pimp Slobby, who hits her and forces her into the car.

  • He hands a stunned Robert his business card, assuming he was a client, and drives away.

  • Within the next few days, Robert awaits to see Alina, but she never shows up.

  • He is told that Alina is badly beaten and admitted to the ICU at a nearby hospital.

  • Upon hearing the news, Robert travels there and learns from her friend Mandy, another prostitute, that Slobby is responsible.

  • So, he finds Slobby and his men at their restaurant and offers to buy Alina's freedom.

  • Look, I understand these girls that you represent, I understand it's like an investment.

  • So, I can give you 9,800 dollars.

  • It's cash.

  • You're wanting to give me 9,000 dollars?

  • 9,800.

  • Cash.

  • For what?

  • Freedom.

  • Robert is bluntly refused. Slobby insults him and threatens to abuse Alina even more and tells him to get lost.

  • Robert walks over to the door and instead of leaving, he locks the door, analyzes the room, starts his timer, and a brutal and intense fight breaks out, with Robert using ordinary items as weapon to kill Slobby and his henchmen.

  • Slobby's violent death alerts the Russian mafia oligarch, led by Vladimir Pushkin, who dispatches a cold-blooded enforcer named Teddy to investigate and eliminate the threat.

  • Teddy arrives in Boston to investigate the attack, aided by Boston PD detectives on Pushkin's payroll.

  • I'm the one Mr. Pushkin calls in when people like you f**k up.

  • I'm accountable now.

  • Listen pal, I don't like your tone with me.

  • You've taken Mr. Pushkin's money for years.

  • Money that comes with conditions, non-negotiable conditions.

  • Problem you're having with me is you still think you matter.

  • You don't.

  • I'm all that matters and so we're clear.

  • I'm not here to say please.

  • I'm here to tell you what to do.

  • The following day, Teddy visits rival gangs in the area, nearly beating Irish mob Lilijan to death to send a message.

  • In the meanwhile, Robert continues exacting vigilante justice on criminals he encounters, blackmailing two corrupt police officers into returning rocketeering money to Ralphie's mother and beating a gunsman with a hammer after he robs the hardware store, taking a co-worker's heirloom ring from her mother.

  • Teddy visits and kills Mandy after learning that she concealed information about Robert and lied about her friendship with Alina.

  • He visits Robert at his apartment, posing as a police detective, and flashes a picture of the strangled Mandy, offering it as a warning before he walks off.

  • Don't you want to leave me your card, officer?

  • In case I remember anything.

  • That's what you policemen usually do, right?

  • Must have given them all out.

  • How'd you find me?

  • I paid cash.

  • We didn't have a reservation.

  • How'd you find me?

  • Well, that's what we do, Mr. McCall.

  • We who?

  • Find people we need to find.

  • We who?

  • Teddy, unable to verify Robert's identity, attempts to abduct him but fails on two occasions.

  • Robert travels to visit a former colleague and her husband from his enigmatic past,

  • Susan, who works for a top-secret government agency.

  • Until now, it was long assumed to them that Robert died in a bombing incident long ago.

  • He asks for Susan's help in identifying Teddy.

  • She informs him of Pushkin's operation and that Teddy's real name is Nikolay Incheskov, a Spetsnaz operative turned Russian secret police agent.

  • She also revealed that Nikolay murdered two of the Boston PD detectives and that one of them, Frank Masters, has not been heard from in days.

  • She then questions why Robert got involved with Alina.

  • It didn't matter to you.

  • Why would they do to her that mattered to me so much?

  • One day somebody does something unspeakable to someone else, someone you hardly knew, man, you do something about it because you can.

  • Because it's who you are and you've always been.

  • Robert tracks Masters down and threatens him into helping take down one of Pushkin's money laundering warehouses.

  • Masters and Pushkin's men are taken into custody when the police arrive and they find a note left by Robert to follow the money.

  • That night, Nikolay has dinner with a hired mercenary.

  • When he leaves to use the bathroom, Nikolay is confronted by Robert.

  • He's not coming back.

  • Had enough?

  • You certainly have my attention.

  • Because I can keep going, brick by brick, dollar by dollar, body by body or you can call your boss and tell him to shut down his operation tonight.

  • That's not much of an offer.

  • It's time to leave.

  • I'm not going to go.

  • I'm taking this job.

  • I'm not letting you do it.

  • I'm not letting you do it.

  • I'm not letting you do it.

  • I'm not letting you do it.

  • I'm not letting you do it.

  • That's not much of an offer.

  • That's the only one you're gonna get.

  • When you pray for rain, you gotta deal with the mud too.

  • They both sussed each other out and after doing some research,

  • Robert later destroys two of Pushkin's oil tankers.

  • Pushkin's patient is running low with Nikolai and demands him to put an end to it.

  • In response, Nikolai abducted Robert's co-workers at the hardware store to force him to meet.

  • To Nikolai's surprise, Robert skips the meeting with Nikolai and instead kills the men guarding the hostages.

  • Nikolai arrives with his men whom Robert kills one by one with improvised weapons collected throughout the hardware store.

  • As Nikolai is about to kill Ralphie who stayed behind to help,

  • Robert kills him with a nail gun.

  • Three days later, Robert finds Pushkin at his Moscow mansion, killing all his guards and tricking him into electrocuting himself to death.

  • Sometime later, following her recovery, Alina runs into Robert.

  • She thanks him for the money he's left her, describing how she has started a new life.

  • I love seeing justice being served.

  • The Equalizer is a grouping action thriller film that masterfully blends suspense, intense action sequence and a compelling narrative exploring themes of vigilante justice, redemption and the consequence of one's past actions.

  • Giddy up is an informal and colloquial phrase that is often used as an exclamation or command to encourage someone or something to move faster or to get going.

  • It is most commonly associated with horseback riding and is used by riders to prompt the horse to start moving or increase their speed.

  • When you pray for rain, you gotta deal with the mud too is a proverbial expression that conveys a message about the consequences and responsibility that comes with seeking a particular outcome or goal.

  • In essence, it means that when you wish for or work towards something positive, you should be prepared to face and handle the challenges or less desirable aspects that may accompany it.

  • And that's it for this episode of Cinephile.

  • You can find more on the Funday website.

  • Let's make every day a fun day.

  • Is that your birthday?

  • No, some guy at work. I didn't want to wait.

  • Happy birthday, some guy at work.

  • How old are you?

  • How old are you?

  • Doesn't really matter.

  • Due today, Lan. Today is Tuesday.

  • Commercial.

  • I have to wait for Clee.

  • So Hiroshi is at the Columbia Towers Hotel gift store.

  • So let's take this chance and listen to the poem.

What? Potatoes or a vegetable? I like crunchy things.

Subtitles and vocabulary

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B1 US robert alina teddy equalizer security guard giddy

FUNDAY Cinephile 電影迷 | 私刑教育 The Equalizer

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    周靜婷 posted on 2024/10/07
Video vocabulary

Keywords

intense

US /ɪnˈtɛns/

UK /ɪn'tens/

  • adjective
  • Very strong, great or extreme in degree
  • Involving or showing a great deal of effort, energy, or concentration.
  • Extreme in degree, strength, or force
  • Experiencing or showing great force or strength; extreme.
  • Having or showing strong feelings; earnest.
phrase

US /frez/

UK /freɪz/

  • other
  • To express something in a particular way.
  • To express something in a particular way.
  • noun
  • A short expression that is commonly used.
  • A group of words that form a conceptual unit, though not a complete sentence.
  • A musical unit, often part of a larger melody.
  • Common expression or saying
  • A short expression that is commonly used.
  • A group of words that form a conceptual unit, though not necessarily a complete sentence.
  • Section of musical notes in a piece of music
  • A set of words used together
  • verb
  • To choose words to say what you mean clearly
eliminate

US /ɪˈlɪməˌnet/

UK /ɪ'lɪmɪneɪt/

  • verb
  • To defeat someone so that they cannot continue in a competition.
  • To completely remove; to get rid of
  • To completely remove or get rid of something.
  • To remove from a contest by beating them
matter

US /ˈmætɚ/

UK /'mætə(r)/

  • verb
  • To be of great importance; to count
  • noun
  • Material all things are made of that fills space
  • Problem or reason for concern
commercial

US /kəˈmɚʃəl/

UK /kəˈmə:ʃəl/

  • noun
  • Radio or television advertisement
  • A television or radio advertisement.
  • A television or radio advertisement.
  • adjective
  • Relating to or characteristic of commerce.
  • Concerned with or engaged in commerce.
  • Relating to an industry that produces goods or services for sale.
  • Of or relating to the media, especially television and radio.
  • Designed for or primarily concerned with financial success.
  • Designed for or primarily concerned with financial success.
  • Used for or intended for commerce.
  • Having value in terms of potential profit.
narrative

US /ˈnærətɪv/

UK /ˈnærətɪv/

  • adjective
  • Presented in the form of a story
  • In the form of a story.
  • noun
  • The telling of a story
  • A representation of events or situations such as a story or account.
  • A commentary or analysis of events.
  • A spoken or written account of connected events; a story.
  • other
  • The way in which a story is told.
abuse

US /əˈbjuz/

UK /ə'bju:s/

  • verb
  • To mistreat or be cruel towards someone
  • To use in an inappropriate or excessive way
  • To use something wrongly or dishonestly
  • To insult someone or swear at them
  • noun
  • Improper/dishonest/excessive use of something
  • Insulting someone, e.g. by swearing at them
  • other
  • Rude and offensive words or behavior.
  • Cruel or violent treatment of a person or animal.
  • The improper or excessive use of something.
  • other
  • To insult or speak offensively to someone.
  • To treat someone cruelly or violently, especially regularly or repeatedly.
  • To use something improperly or excessively.
deal

US /dil/

UK /di:l/

  • noun
  • An agreement entered into, especially in business, to do something for someone else.
  • A large amount or quantity.
  • A business transaction.
  • The act of distributing playing cards.
  • other
  • To distribute playing cards to players.
  • To behave in a certain way towards someone.
  • verb
  • To cope with something - usually troubles
  • To give (something bad e.g. news) to
  • To buy and sell illegal drugs
  • To give out (cards, etc.) to; distribute
  • To do business with someone or to sell products
  • other
  • To take action to solve a problem.
confront

US /kənˈfrʌnt/

UK /kən'frʌnt/

  • verb
  • To make someone, e.g. who has lied, face the truth
  • (Of problem) to face someone who must deal with it
  • other
  • To challenge someone, especially about something they have done wrong.
  • To stand or be directly in front of someone or something.
sequence

US /ˈsikwəns, -ˌkwɛns/

UK /'si:kwəns/

  • verb
  • To arrange in a particular order.
  • To arrange things in an order they should happen
  • noun
  • A part of a film showing a particular event or connected events.
  • The order of nucleotides in a DNA or RNA molecule or the order of amino acids in a protein.
  • Part of a movie showing one part of the story
  • A melodic or harmonic pattern repeated at different pitch levels.
  • A particular order in which related events, movements, or things follow each other.