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  • A royal reveal, and the red ribbon, a hint to what's hidden behind.

  • It's remarkable, actually, how it has turned out.

  • Has it changed that much since you last saw it?

  • A little bit, yeah.

  • The King's role certainly changed.

  • He was Prince of Wales when the artist started.

  • Someone asked me if I get nervous before unveilings, and I said, well, no, not normally, but then the subject doesn't normally become king halfway through the process.

  • The monarch butterfly here, a symbol of metamorphosis from prince to king, and a nod to his love of nature.

  • It is extraordinary how butterflies do come and land on your shoulder, if you're in the garden sometimes.

  • It's rather marvellous.

  • The artist had four sittings with the King, and as for all that red...

  • The idea for the colour came from that very red Welsh Guards tunic.

  • You know, if that was on its own, it would dominate the picture.

  • And therefore, I took the liberty of spraying that everywhere, which also, I think, makes the whole aesthetic more interesting.

  • And it feels a bit more in tune with the kind of, like, 21st century as well.

  • Jonathan Yeo has also painted Camilla.

  • And Prince Philip, back in 2008.

  • The King earlier had honoured the Archbishop of Canterbury for his role in the coronation.

  • This his first portrait since the ceremony, capturing his emergence into the role.

  • Laura Bundock, Sky News.

A royal reveal, and the red ribbon, a hint to what's hidden behind.

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