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  • When Hayao Miyazaki announced his retirement in 2013, the question came, as it had done before,

  • of who would take the mantle as his successor.

  • Many landed on Makoto Shinkai, and for good reason.

  • Shinkai directed the most successful Japanese animated film of all time, Your Name, which

  • surpassed Miyazaki's Spirited Away in worldwide box office revenue.

  • It's a comparison which Shinkai has been keen to shake off, however, as for him, there

  • is only one Miyazaki.

  • His success with Your Name, Shinkai believes, comes from the thematic comparisons with Japan's

  • 2011 earthquake, which was still fresh in the minds of Japanese audiences in 2016.

  • There was always a question, Shinkai says, of 'what could have been done differently',

  • and this resonated for Shinkai enough to incorporate it into his narrative.

  • But it's not simply luck or timing that propelled Your Name to dizzying heights.

  • Shinkai's eye for the small, missable aspects of modern life, wherein he finds his most

  • beautiful shots, are a huge draw to his films.

  • In traffic lights, in skyscrapers, in TV aerials or in the glow of a phone screen; Shinkai

  • focuses on these snapshots of minutiae sometimes for mere seconds, but makes each one enchanting.

  • A common thread in Your Name and indeed in all of Shinkai's work is connections, specifically

  • missed or lost connections.

  • Between men and women but also between

  • the individual and society.

  • Loneliness features in Your Name and throughout Shinkai's other films, which he draws from

  • the present-day issue of isolation in Japanese culture.

  • This distance, between people and between worlds, is illustrated best by Shinkai's

  • impossible skies.

  • They so often dominate his scenery, dwarfing the characters on screen.

  • So much of Shinkai's scenery is based on the real, with real brands and real-life locations

  • in Tokyo and beyond.

  • Yet his skies are ethereal, otherworldly; a reminder that the world we're experiencing

  • is tinged with fantasy, the unreal.

  • They are almost never dull or realistic, moreover they are shown at their most entrancing, with

  • enormous constellations, galaxies and shooting stars.

  • Shinkai clearly enjoys, too, the duality of traditional hand-drawn animation and digital

  • animation; combining paint brushed white clouds and dazzling lens flares.

  • Skies of the type Shinkai creates are a shortcut to visual fidelity; their spectacular nature

  • changes little across his body of work, which not only demonstrates his enduring fascination

  • but that their usefulness in illustrating themes Shinkai is interested in is undiminished

  • too.

  • With Shinkai's careful study of the connections between people, skies are a metaphor that

  • unite without prejudice, and this is sometimes used narratively, such as in 5 centimeters

  • per second.

  • Shinkai's characters are often introspective about their own existence, their place in

  • the world, ambitions or their romantic interests, and the sky allegorises that yearning for

  • meaning, and for one another.

  • Though his characters may be separated by location, time or some other divide, the sky

  • joins them under one constant.

  • It's a refreshing reminder of solidarity in a world where solitude is so common.

  • Ironically, this introspection often grounds the characters in Shinkai's films.

  • They are reminded of their place, in the world, in society, and after these brief moments

  • grow and develop as people.

  • The sky is simultaneously inspiring and humbling.

  • They're also a vehicle for a moment of peace: providing a clarity and serenity juxtaposed

  • with the busyness and stresses of the urban, modern cities in Shinkai's worlds.

  • Shinkai is clearly now the forerunner to be the most interesting and exciting director

  • in Japanese animation after Miyazaki.

  • His willingness to adopt new cutting-edge technology into his work is a markedly opposite

  • approach to the old masters of Ghibli.

  • With Your Name, Weathering With You and The Garden of Words before them both, he's established

  • his style as a master of photorealistic animation.

  • Though, importantly, he merges this with the traditional, and nothing could illustrate

  • this better than his eternal, impossible skies.

  • Thank you for watching.

  • If you enjoyed this video, here are two more for you!

  • The first showcases a selection of video games that, if you're a fan of Studio Ghibli,

  • you might enjoy.

  • The second showcases how Hayao Miyazaki's childhood, in wartime Japan, influenced his

  • entire body of work.

When Hayao Miyazaki announced his retirement in 2013, the question came, as it had done before,

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