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  • From the outlandish costumes,

  • grand synchronized dance routines, dazzling pyrotechnics,

  • lightning speed outfit changes, surprise entrances to grand exits,

  • the Super Bowl halftime show has become a standout musical event the world

  • of entertainment looks forward to every year.

  • Obtaining the 12 to 15 minutes halftime slot is a career milestone

  • for many artists, which over the years has been occupied by a roster of a-list stars,

  • including Beyonce, Madonna, Diana Ross, Arrow Smith, U2, the Rolling Stones,

  • Lady Gaga, Prince and Bruce Springsteen, to name just a few.

  • With big budgets on the table and the pressure of the whole world

  • watching, the show creates an atmosphere where artists want to bring their A-game.

  • However, the halftime show hasn't always been this much of a massive spectacle.

  • Well, not until Michael Jackson catapulted himself onto its now legendary stage.

  • Since the very first Super Bowl Championship was televised

  • in 1967, the halftime show has always been featured.

  • However, during the 1960s and 1970s,

  • halftime was no different from what you might see at a normal College game.

  • In other words, University marching bands, drill teams and other performance groups

  • trotting out some intricate choreography while playing patriotic or popular songs.

  • For years, the League had packed its halftimes with a roster of fading stars

  • and the unhip- Mickey Rooney, Pete Fountain, Carol Channing,

  • the Rockettes, Disney characters and even an Elvis impersonator.

  • It wasn't until boy band New Kids on the Block took the stage in 1991

  • that fans started to see the mid-game break as a concert like performance.

  • However, the game plan was still working

  • fine for the NFL, as viewership and advertising rates kept increasing.

  • But in 1992, Fox boss Rupert Murdoch spotted a weakness.

  • The Super Bowl's halftime acts weren't cool enough.

  • Some decent names performed, but not the really big ones.

  • People stopped watching in halftime,

  • especially the young audiences advertisers craved.

  • The halftime show for 1992 Super Bowl was

  • legendarily awful. Titled 'Winter Magic', a celebration to the season

  • in the Winter Olympics, the show featured drill teams,

  • professional dancers including ballroom dancing couples, rollerbladers and kids

  • in MC Hammer style pants rapping about Frosty the Snowman.

  • Former Olympic Champions Brian Boitano

  • and Dorothy Hamill skated to an equally cheesy rendition of 'One Moment in Time'.

  • And even singer Gloria Estefan couldn't

  • save the show as she performed during its finale.

  • Fox, which had not yet become a partner

  • of the NFL, saw an opportunity to make a score for themselves.

  • During the 1992 game,

  • Fox had its popular show, 'In Living Color', do a live Super Bowl spoof,

  • complete with a game clock so viewers could see when the second half

  • of the Super Bowl was going to start and switch back to CBS.

  • You could practically hear viewers changing channels.

  • Fox beating CBS's official halftime show in the ratings for the first time ever,

  • drawing in over 22 million viewers away from the halftime performance.

  • No surprise that 20-somethings

  • with a couple of beers in them would rather watch a show produced by Jim Carey,

  • than figure skaters and kids rapping about a snowman.

  • The NFL grasped the need to enlist big

  • name contemporary broad appeal artists to keep viewers from straying.

  • Ten years removed from the heady heights of 'Thriller' mania,

  • by 1993, Michael Jackson wasn't all

  • that contemporary, with grunge, alternative rock and hip hop ascending in popularity.

  • However, his multi-generational appeal and ability to consistently draw in large

  • television figures made him an ideal choice.

  • Radio City Productions, who had produced the halftime show,

  • attempted to court Michael Jackson to serve as the headline act by meeting

  • with him and his manager, Sandy Gallin in Beverly Hills.

  • Quote, Michael wasn't too aware of the Super Bowl.

  • He wasn't too aware of how big this was,

  • recalls Arlen Kantarian, the show's executive producer.

  • He just said, Why don't we call it the 'Thriller Bowl'?

  • We knew we were explaining this to somebody who would then have to explain

  • it to Michael, senior vice President of special events at the NFL,

  • Jim Steeg said. In subsequent meetings,

  • Jackson displayed a naive curiosity about a world he knew little of.

  • Quote, he'd ask, who plays in it?

  • What is it?

  • Kantarian said. Jackson's interest became

  • riveted on the Super Bowl being broadcast in more than 100 countries,

  • including third world nations and on United States military bases.

  • Quote, he said, man,

  • I'll never tour there, Kantarian recalled him saying.

  • We talked to him about the blue collar football fan that might not otherwise be

  • a Michael Jackson fan and about how he could build a new fan base.

  • He got that as well,

  • he was very sharp and very shy,

  • but understood what a big moment this could be for him.

  • As part of the negotiations,

  • Jackson's team asked for $1 million. A bargain you would think,

  • but the NFL did not pay its halftime

  • performers, a policy that remains to this day.

  • You've got to be kidding, Sandy Gallin said.

  • This is Michael Jackson!

  • Although the league refused to pay

  • appearance fees for Super Bowl halftime performers, the NFL and Frito-Lay agreed

  • to donate $100,000 to the Heal the World Foundation,

  • a charity that was founded by Jackson. As well as allocate commercial time to air

  • an appeal for the Foundation's 'Heal LA' campaign, which aimed to provide health

  • care, drug education and mentorship for Los Angeles youth,

  • particularly children affected by the aftermath of the 1992 Los Angeles riots.

  • However, Jackson's team had conditions, of course.

  • Michael wanted 3500 'volunteer fans'

  • to surround the stage, providing an MJ in concert experience rather

  • than a bathroom break for rich, beer drinking football fans in the stadium,

  • and for him to perform the newish ballad, 'Heal the World',

  • for the entirety of the 12 minute performance.

  • Kantarian said that he recalled Jackson

  • pushing to sing newer songs from Dangerous and not previous hits like 'Billie Jean'.

  • According to Kantarian, Jackson said,

  • quote, Billie Jean's just a tune, it doesn't mean anything.

  • It's a new world,

  • this has to be about 'Heal the World'.

  • However, Jackson did not win every argument,

  • the Super Bowl was still the Super Bowl, and producers talked him into performing

  • a medley of his hits 'Billie Jean', 'We Are the World', the newish 'Jam' and 'Black or

  • White', in addition to an elaborate show closing version of 'Heal the World'.

  • After it was announced that Michael Jackson would be headlining

  • the next Super Bowl halftime show, top brands were keen to snap up

  • advertising slots in hopes of the event, achieving similar viewing figures

  • to that of Jackson's HBO special, 'Live in Bucharest', just a few months earlier,

  • which broke records, becoming the channel's highest rated special ever.

  • One advertiser, Pepsi, planned to launch its new Michael Jackson 'I'll Be There'

  • commercial during 14 of the international broadcasts of the event.

  • In it a modern day Michael Jackson teams up with an eleven year old Michael

  • of the Jackson Five era, to do a reprisal of the latter's 1970 hit 'I'll Be There'.

  • In preparation, Jackson brought his own

  • band and dancers to perform on a set that weighed 12 tonnes and had to be

  • built quickly from 26 separate pieces without damaging the turf

  • for the second half.

  • A few days before the game,

  • Michael Jackson and his crew rehearsed in a tent outside the Stadium.

  • Quote, we all knew just by reading about

  • how Michael is a perfectionist, Kantarian said.

  • But to see how he repeated the same

  • choreography 12, 14, 16 times, was just incredible.

  • Jackson's choreographer, Vince Patterson, tried to convince him to try new moves

  • for the show, but MJ didn't want to complicate things.

  • That was one of the little points

  • of contention between us for that project, Patterson recalls.

  • I kept saying, But Michael,

  • we've already done this, and he kept saying, but everybody will love it.

  • Just days before the game and his much anticipated performance,

  • Michael Jackson said during a Super Bowl press conference,

  • quote, I can't think of a better way

  • to spread the message of world peace than by working with Radio City and the NFL

  • and by being part of Super Bowl 27. Show producer, Don Mischer, adding, quote,

  • It's professionally rewarding to be involved again with Michael Jackson.

  • I worked with Michael on the Motown 25

  • television special where he immortalized the moonwalk, and I know he'll give as

  • powerful and surprising a performance at the Super Bowl.

  • When January 31st,

  • 1993 came around, and Michael Jackson finally arrived backstage at the Rose Bowl

  • in Pasadena, California, he was reportedly jittery.

  • Quote, It's the only time I ever felt

  • that Michael was nervous, said Jennifer Batten, his lead guitarist at the time.

  • Quote, Because that's a hell of a lot of pressure.

  • If something goes wrong, that's forever.

  • Michael Jackson started his halftime performance by first appearing at the top

  • of the stadium's two Jumbotrons, with the use of body doubles.

  • Michael was then catapulted from the stage

  • 8ft into the air from a machine known as 'the toaster'. Then holding a pose in his

  • black and gold military jacket and sunglasses, as the crowd roared, quote,

  • he said, don't cue the music to start or anything else until I break my wrist.

  • I'm going to feel it, I'm going to feel it.

  • Mischer recalls, quote,

  • his fans are screaming, but he just doesn't give me the cue.

  • It got down to me saying, Come on, Michael,

  • Jesus Christ, it finally came down to a minute and 35 seconds.

  • That's like $15 million worth of advertising

  • time. Michael stood completely frozen and silent, bathing in anticipation

  • for almost two minutes before his long time guitarist got the signal to begin.

  • Jackson's performance included a medley

  • The performance also helped Jackson's album sales with 'Dangerous' rising 90

  • places in the album chart, seeing an 83% increase in sales and moving

  • 21,000 copies in the United States during the week following the iconic performance.

  • This milestone performance not only set the record for television viewership,

  • Jackson's appearance also started the NFL's trend of signing top acts

  • to appear during the Super Bowl to attract more viewers and media interest.

  • In the last 30 years,

  • the Super Bowl halftime show has featured some of the hottest superstars and jaw

  • dropping performances which often garner more attention than the game itself.

  • Michael Jackson turned the Halftime Show into a prestige

  • musical event and reminded the world that he was still the superstar to beat.

  • It was one of the final times

  • Jackson was fully in command of his own image and career.

  • As Don Mischer recounted, quote,

  • he was a gentle, quiet man, but when he stepped on stage, he became a general.

From the outlandish costumes,

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