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  • Do you wait until the last minute to buy  gifts? Joey and Chandler do. Today we're  

  • taking a scene from Friends and  we're doing a full pronunciation  

  • analysis. What are the characteristics of  American English? You're going to improve  

  • your listening comprehension and your English  pronunciation too. Here's the scene we'll study.

  • Hi.

  • Hey, anyone hear from Phoebe yet?

  • No, nothing.

  • I hope she's okay.

  • Yeah. I know exactly what she's going through.

  • How do you know exactly what she's going through?

  • She told us.

  • So what you got there Monica?

  • Just some stuff for the party.

  • Hey, what are you guys doing here? Aren't  you supposed to be Christmas shopping?

  • You guys haven't gotten your presents yet?  

  • Tomorrow is Christmas Evewhat are you going to do?

  • Don't you have to be Claymation  to say stuff like that?

  • And now let's do the full analysis.

  • Be sure to download my Sounds  of American English Cheat Sheet,  

  • it's free. It's an illustrated reference  guide for you for all the American English  

  • sounds including the phonetic symbols you need  to know. Link here and in the video description.

  • Hi.

  • Hey, anyone hear from Phoebe yet?

  • So, two common American greetingsHey is more common and I talked  

  • about that in the video that we did two weeks ago,  

  • another scene from this Friends episodeHi, hi, up down shape of stress. Hi.

  • Hi.

  • Hey.

  • Hey, hey. And then hey, a more common  greeting, hey, also up down shape of stress.

  • Hey

  • Hey, anyone hear from Phoebe yet?

  • So, this is a yes no question. So out pitch  is going up towards the end. That's common  

  • for yes no questions. So, we have a couple  stressed syllables, let's listen for them.

  • Anyone hear from Phoebe yet?

  • Anyone hear from. So, we start higher and we come  low. Anyone. A little bit of up down on here from.  

  • So, anyone and here. Anyone, three  syllable word with first syllable stress.

  • Anyone hear from Phoebe yet?

  • Phoebe yet? So, then we backed up. So, Phoebealso stressed but rather than going up down,  

  • the stress here goes down up. Phoebe  yet? Because we're heading up,  

  • because of it being a yes no question. Phoebe yet?

  • Phoebe yet?

  • Phoebe yet? And we have a stop T there, he doesn't  release that air stop T yet just an abrupt stop.  

  • That is the most the most common pronunciation  of an ending T at the end of a thought group.  

  • Let's look at our linking and things that are  happening with the pronunciation in this phrase.

  • Anyone hear from Phoebe yet?

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  • Anyone hear from Phoebe yet?

  • Anyone hear from. Anyone hear from. So, do you  hear how I'm saying this. I'm not saying from.  

  • I'm saying from, from. That's exactly how Ross  said it so this word reduces. We change from  

  • the uh as in butter vowel. From, to the  schwa. From, from, from. The schwa gets  

  • absorbed by that M so you can think of there  being no vowel there. From, from, hear from.

  • Anyone hear from--

  • The word 'hear', if you look this up indictionary, you'll see it's got the ih as  

  • in sit vowel, but when that vowel is  followed by schwa R like it is here,  

  • it changes, it becomes a vowel more like the  E vowel. So it's not e but he-ee, hear, hear.

  • Anyone hear from--

  • Anyone hear from, anyone  hear from, anyone hear from.  

  • See if you can copy that  smoothness. Anyone hear from.

  • Anyone hear from--

  • Phoebe yet?

  • Phoebe yet? So, the ph makes thesound, Phoebe. And both the stressed  

  • and the unstressed syllables in this name  have the same vowel, that is the E vowel.

  • Phoebe, Phoebe, Phoebe yet?

  • Phoebe yet?

  • No, nothing.

  • No, nothing. Uhuuhuh. If we slow that downyou would really hear that shape of stress,  

  • no, nothing. So two up down shapes  of stress, we have the oh diphthong,  

  • she makes a little bit relaxed, it's not  no but more like no, no, no, no, nothing.

  • No, nothing.

  • Now here, the O, the letter O makes the uh as in  butter vowel. So, even though it looks like n-o,  

  • n-o, the pronunciation would be the samethat is not true. No, nothing. Now, t-h-i-n-g,  

  • she does not make that an NG ending, she  doesn't say nothing, she says nothing,  

  • nothing. So, making the NG ending just  an N ending, ih as in sit n and nothing.

  • Nothing.

  • I hope she's okay.

  • Okay, so Monica's response. Four wordstwo of them as stressed. Which do you  

  • think are longer and up down shape of  stress or a down up shape of stress?

  • I hope she's okay.

  • I hope she's. Uhuhuh. Definitely hear that pitch  change. I hope she's. And then we have okay. Also  

  • an up down shape of stress there. So, we have hope  and K. Now, the word I, that's the I diphthong.  

  • It's unstressed here, I don't really hear  her pronouncing both of those sounds, I.

  • I hope she's.

  • It's more like a, a, I hope,  I hope, I hope she's okay.  

  • So, ,aybe more like the ah as in father said  very, very quickly. I hope, I hope she's okay.

  • I hope she's okay.

  • Hope she's. So, let's talk about  our p. This is a stop consonant,  

  • hope. A stop consonant is a stop of air and  a release. But it's really common in stop  

  • consonants not to make the release when  the next sound is a consonant. Here the  

  • next sound is the sh consonant. So it's not  hope she's. But it's just hope she's, hope,  

  • my lips come together for the P but I skip  the release rather than that escape of air,  

  • we go right into the sh consonant, hope she's.  But there is that little tiny lift break, that's  

  • the stop of the stop consonant as my lips come  together. Hope she's. I hope she's, I hope she's.

  • I hope she's --

  • I hope she's okay.

  • Okay, okay. This is a word that  can have first syllable stress,  

  • okay. Or second syllable stressokay. She's doing second.

  • she's okay.

  • Yeah, I know exactly what she's going through.

  • Yeah, yeah. Up down shape of stress

  • Yeah, --

  • I know exactly what she's going through.

  • Yeah, I know exactly. So, more stress on  our verb. I know exactly on our adverb.

  • I know exactly --

  • I know exactly what she's going through.

  • Going through, what she's going through, then  one more stressed syllable on the verb going.  

  • So everything links together  smoothly even the word yeah,  

  • links right into the I, he doesn't  do a break there, yeah, yeah I know.

  • Yeah, I know exactly what she's going through.

  • Maybe you noticed this, maybe you  already know it but this word is  

  • pronounced the exact same way as this word.  N consonant, O diphthong. Know. Yeah I know.

  • Yeah, I know --

  • exactly what she's going through.

  • Exactly. Now this is an interesting wordWe have the letter X. That always makes two  

  • sounds. In this case egz, G and Z, exactly. Then  we have a K, the letter C makes K, t-l-y. So,  

  • when t comes between two consonants, it's really  common in American Englsih to drop it and that's  

  • what he does, he does not say exactly. You  will find very few people pronouncing it that  

  • way. Exactly, exactly with no T is a much more  common pronunciation. Exactly, I know exactly.

  • I know exactly.

  • I know exactly what she's going through.

  • Exactly what she's, what she's, what she's, what she's.

  • Do you notice I'm not saying what she's?  It's a very quick stop. It's an unstressed word  

  • said very quickly. What she's, what she's,  what she's, what, what. I'm debating, do I  

  • want to write that with a schwa, what, what or  uh as in butter, what, what. Let's listen again.

  • I know exactly what she's --

  • I think I'm going to write it with the  schwa, I think it's just, there's not much  

  • of a vowel there but what, what, what, what  she's, what she's. What she's, what she's.

  • what she's --

  • going through.

  • Going through, going through. So one  peak of stress and the rest of the  

  • sentence just comes as the intonation drops  off. Now, Rachel up here took an IG ending,  

  • ing ending and made it an IN ending. He's  doing that too, rather than saying going,  

  • he's saying goin', goin'. Unstressed syllable  as it as in sit and going through, going, going,  

  • going through. Through, this word can be trickywe have an unvoiced th with an R. now the tongue  

  • does have to come through, the teeth here. But  it's just the very tip. Make sure there's not  

  • tension so the air can just flow really freelyGoing through, going through, th, th, th, through.

  • going through.

  • And all of these letters o-u-g-h just  make the ooh vowel. Going through.

  • going through.

  • How do you know --

  • How do you know. She's stressing  you, we see that with a hand gesture,  

  • how do, how do you know. A little bit  of stress on our question word. That's  

  • really typical to have the question  word be stressed. How do you know?

  • How do you know --

  • How do you know, how do you know. So  do and more said a little bit more  

  • quickly but all of this really links together  smoothly. How do you know, how do you know.

  • How do you know --

  • Exactly what she's going through?

  • Know exactly. So, we have the oh diphthong,  

  • the ih as in sit vowel. Know exactly. It can help  you think a w glide consonant between the two to  

  • help you link those smoothly. Know exactlyNow, wait. Is she saying the T in exactly?

  • Exactly --

  • Exactly, exactly, no, she doesn't. Like  I said, that's really uncommon. I only  

  • know one person our of everybody  I know who says that T. Exactly.

  • Exactly --

  • What she's going through.

  • Exactly what she's going through? Exactly.  

  • Stress on the middle syllable there. How do  you know exactly what she's going through?

  • How do you know exactly what she's going through?

  • Exactly what she's going through. So, what  she's again unstressed said quickly stop T,  

  • what she's, what she's, what  she's, what she's going through.

  • exactly what she's going through?

  • Now, Monica does not make this goin',  

  • she makes it going with an ng consonantSo, when we have an ng consonant, ih as  

  • in sit ng. This NG sound actually changes the  vowel sound. So, it actually sounds more like  

  • e, going, going, rather than e, e.  So if we change the NG to an N,  

  • then the vowel stays ih as in sit, it doesn't  change goin. But if we don't, then the vowel  

  • does change even though the dictionary won't say  this. The American habit is to make ih as in sit  

  • vowel NG actually becomes E vowel NG going  going, going, going through, going through.

  • Going through --

  • Again, through, tricky word, unvoiced  th, bring the tongue tip lightly through,  

  • r consonant, ooh vowel, going through.

  • Going through --

  • She told us.

  • Okay, his response, three words, one  of them is stressed, which is it?

  • She told us.

  • She told us. Pretty clear there, dadadaIt's like what you want to make a gesture  

  • on. Dadada. She told us. She told us. Higher  pitch, change in pitch a little longer. She  

  • told us. Now this word does start with a true  T. The rule is a t is a true T if it starts a  

  • stressed syllable. So here it does. Told us. Let's  look at the word told in IPA. We have T consonant,  

  • O diphthong L-D. Now, this is a dark L because  it comes after a dipthong And this L does change  

  • the diphthong, it's to, told but it's told. It's  almost like one sound. You can maybe think of it  

  • as an awe as in law, that's just a little bit  darker so the tongue shifts back a little bit,  

  • it lifts a little bit, lips roundlittle bit, uhl, uhl, uhl, told. She  

  • told us.And the D links into the u as in  butter vowel, told us [flap], told us.

  • Told us.

  • Told us, told us. And a little bit a stronger  T and a stronger D because he's stressing this  

  • word. She told us. So, usually when we sayknow exactly what she's going through. That's  

  • because we have also gone through that. We  have experienced that or experienced something  

  • similar. So, gone through means to experience  something. And Joey has not experienced what Phoebe  

  • is experiencing. In this Episode, Phoebe is maybe  going to meet her father for the first time. This  

  • has not happened to Joey. So, when Joey saysknow exactly what she's going through, it makes it  

  • sound like the same thing happened to him. Monica  calls him out on that. Of course, he doesn't know  

  • that but then he says, well I know that because  she told us that. It's not how we would normally  

  • use exactly what she's going through.which  is why it's a joke and everyone laughs.

  • She told us.

  • So what have you got there, Monica?

  • Okay, Chandler comes in, he's  speaking fast, it's a little unclear.  

  • So what have you got there. So  we have some stress on what.  

  • In a question, the question word is usually going  to be stressed just like here with how. So what do  

  • you got there, Monica? So, Monica tagged on at  the end, it is stressed but because he's making  

  • his intonation go up, the stress goes down  up instead of up down like it normally does.

  • So what have you got there, Monica?

  • Okay, this is so unclear. So the word so is  not pronounced so with the O diphthong so  

  • but it's su. It's just the S sound, so whatso what. Maybe you would write that S schwa.  

  • The w consonant for what but then  really not the rest of that word,  

  • so-ya, so-whya. Is more like what I'm hearing

  • So what have you got --

  • So what have you becomes to my ears  so-wuh and maybe uh? Let's listen again.

  • So what have you got --

  • Yeah, So-ya, so, so-ya-su, so-ya. So I'm going  to write that with the Y consonant and the schwa.  

  • So-ya, so-ya, so-ya. So what have you got thereSo what have you got there. So what have you  

  • becomes so-ya, so-ya. The word have dropped  totally and the vowel in all of these three  

  • words reduced to the schwa, so-ya, so-ya, so what  have you got there, so what have you got there.

  • So what have you got there --

  • All leading up to the longer word, the  more clear word, got. But that's a stop T,  

  • it's not fully pronounced. Got there, got  there. That stop of air. That is the T there.  

  • The letter O, ah as in fathergot, got, got there, got there.

  • So what have you got there --

  • So what have you got there, Monica?

  • So what have you got there, Monica? There begins  with a voiced th, it's not stressed. You can get  

  • by with not bringing your tongue tip through. You  can just touch the backs of the teeth [flap] with  

  • your tongue rather than taking the time to  bring that through. [flap] there, there,  

  • there, there. You'll see it in IPA. Unvoiced  th, eh as in bed schwa R but the schwa R  

  • does affect this vowel just like the darkaffects to oh diphthong, the R or the schwa  

  • R affects to eh vowel, not as much jaw drop  not the but the eh, there, eh, eh, eh, there.

  • So what have you got there, Monica?

  • This is one where you'll really  have to ignore what you see,  

  • what the black and white text is and just  go with what you hear and just try to  

  • imitate that and have to simplify your mouth  movements so much to match his reductions,  

  • to get through this sentence with the  same pacing, the same rhythm as Chandler

  • So what have you got there, Monica?

  • Just some stuff for the party.

  • Just some stuff for the party. Just someStress on our first word. Just some stuff  

  • for the party. She's making her stress  go up, we have three stressed syllables.  

  • Now, even though the word just is  stressed, the T is dropped. That's  

  • really common between two consonants even  in the stressed word like, exactly where  

  • we drop that T because it comes between two  consonants. Just some, just some, just some.

  • Just some

  • Just some stuff for the party.

  • Also notice, it's not some, it's not stressedSome but it's some, some, I would write that  

  • with a schwa, I'm going to say that quickly, also  by the way, there's not two S sounds here. Just  

  • think of one S sound to link, just some, just  some, just some. Just some becomes just some.

  • Just some --

  • Just some stuff for the party.

  • Just some stuff for the. Now here againjust like just some, when we drop the T,  

  • we had two S's. We have stuff for, two F's,  we're going to link that with a single F.  

  • Stuff for, stuff for, stuff for. So we have the  uh as in butter in stuff and in the word for,  

  • that reduces to schwa R so it's not for but it's  for, for. For the. These two words become for the,  

  • for the, for the. And remember, this is a voiced  th so you don't need to bring your tongue tip  

  • through because it's unstressed. For the, for  the, for the. Stuff for the, stuff for the.

  • Stuff for the --

  • Stuff for the party.

  • Party, party. Do you hear a true  T in that word? Party. I don't.  

  • That's because the T after an R before a vowel  or diphthong is a flap T and that sounds like  

  • the American D between two vowels in EnglishParty [flap], flap of the tongue. Party. Party.

  • Party.

  • So, everything links together really smoothlywe have some reductions, we have a flap T.

  • Just some stuff for the party.

  • Hey, what are you guys doing here?

  • Hey, what are you guys doing here? Two stress  words are question words. What and do. The  

  • other word said really, really quicklyInstead of hey, it's more like hey, hey.

  • Hey, what do you guys --

  • You almost don't even hear it. Hey, heyhey. I do hear it. I wrote it when I was  

  • sriting out the transcript but it's so subtleso fast. Hey, hey, hey, hey. What are you guys

  • Hey, what are you guys --

  • Hey, what are you guys. So we have the  word R, this is going to reduce to schwa r  

  • and the T comes between two vowels so that  becomes a flap T. What are, what are. The  

  • word you said really quickly attached to the word  are, attached to the word guys. What are you guys.

  • What are you guys --

  • What are you guys. what are you guyswhat are you guys. Can you do that that  

  • quickly? It's like you throw your arm  up and on what and then you just let  

  • the rest of the words fly out quicklyWhat are you guys, what are you guys.

  • What are you guys --

  • None of those are stressed. We do not want  to say what are you guys, uh, uh. We don't  

  • want that up down shape of the voice, we don't  want to length. It's fast. What are you guys.

  • What are you guys --

  • Doing here?

  • Doing here. Doing here. Now again, we an ING  ending he does not change it. So think of it  

  • as ending in eng, doing, doing, doing hereDoing here. Alright this is interesting. Now  

  • we have the word here also with the ih  as in sit this time followed by schwa R  

  • so this was ih as in sit followed by ng changes  to the E. That happens in this combination too.  

  • Ih as in sit followed by schwa R becomes  more like an e vowel. Doing here, doing here.

  • Doing here?

  • Aren't you supposed to be Christmas shopping?

  • Aren't you supposed to be Christmas shoppingSo, the word aren't, I basically don't hear that,  

  • it's so mumbled. You can just think that tiny  little throat sound. Aren't you supposed to be.

  • Aren't you supposed to be --

  • Supposed to be. So we have the word supposed  feels like two syllables with second  

  • syllable stress. Supposed. But actually, we  drop the first vowel so it becomes just one  

  • syllable beginning with an SP cluster. Spospo and it is stressed. Now, supposed to.  

  • There is a shortcut we do with this, let's write  out what the all the sounds would be. Supposed to.  

  • Because the word to is pretty much always going to  reduce. Supposed to. But that's not what he says.

  • You supposed to --

  • Supposed to. He says supposed to  not spouzd to. So, what happens?  

  • Basically, supposed to, we drop  the ZD, we make it instead an S.  

  • Supposed to, supposed to. And that's how we  pronounce supposed to, supposed to, supposed to

  • You supposed to --

  • Er,er ,er. Are you, are you spo. Are  you supposed to, are you supposed to.  

  • Aren't you supposed to be. So we have  two really quick unstressed syllables  

  • then one stressed syllable, supposed  then two more unstressed. To be, to be.  

  • Aren't you supposed to be. Aren't you  supposed to be. Aren't you supposed to be.

  • Aren't you supposed to be.

  • Christmas shopping?

  • It's a yes no question so he's making his  intonation go up so now it's changing so  

  • that our stressed syllables are going  down and up. Christmas shopping?  

  • And those are our stressed syllables. ChristmasChrist-mas. Do you notice we dropped that T?  

  • That's because it comes between  two consonants. Christmas shopping?

  • Christmas shopping?

  • So, we're linking an S to an SH. I think  you could get away with dropping this  

  • but I think he does do it very lightly  and very quickly. Christmas shopping?

  • Christmas shopping?

  • Shopping? Shopping? I'm hearing  in instead of ing. That means  

  • he dropped the NG sound and turned it  into an n sound. Shoppin, shoppin'?

  • Shopping?

  • You guys haven't gotten your presents yet?

  • You guys haven't gotten your presents yet? I  can't hardly make my voice that high right now?  

  • A higher pitch shows more energy,  

  • a little bit of tension, she cannot believe  that they haven't done Christmas shopping yet.

  • You guys haven't gotten your presents yet?

  • So again, this is a yes no question and  her intonation is going up at the end.  

  • You guys, you guys haven't gotten, a little  bit on gotten, your presents yet and then  

  • it's going up so most of our stress is  on the word presents. Pre, presents yet?

  • You guys haven't gotten your presents yet?

  • And she does do a really light release of that t.

  • Your presents yet?

  • So we have a s, ending s followed by y just like  in the word this, I'm sorry, in the phrase this  

  • year which was in the scene we studied two weeks  ago here. This year, linked with sort of an sh  

  • sound this year. I'm hearing presents yet linking  with a little bit of an sh or maybe even a CH  

  • sound which is written with the T and then the sh  sound which makes sense because we got a t here.  

  • So, a little bit of a sound  change happening on that link

  • Your presents yet?

  • You guys haven't gotten. Okay, so  we have a couple stops here, haven't  

  • gotten, got'n. So when we have t schwa  n like we do at the end of this word.  

  • Even though the sound before is a vowel and  a t between two vowels is usually a flap T,  

  • there is an exception. When we have T schwa  N, that T is a stop T. So, it's not gotten,  

  • it's not gotten but it's gotten, gotten, gottenThat's going to be the most common pronunciation.  

  • Haven't gotten, haven't gotten.

  • Haven't gotten --

  • Your presents yet?

  • Haven't gotten your, haven't gotten your, youryour, your. The word your becomes your reduces  

  • said quickly, you don't need to try to makevowel there at all, just Y sound R sound, your .

  • Haven't gotten your --

  • presents yet?

  • Also notice in the word presents, this  letter s makes a z sound. Pres, pres,  

  • presents. And it might help you to think of  this as being an I, I'm not sure, it's a schwa.  

  • So, don't do ents but entsents, presents. Presents yet?

  • Presents yet?

  • Tomorrow is Christmas Eve.

  • Tomorrow is Christmas Eve. Three stressed  syllables there. Tomorrow is Christmas  

  • Eve. All with that up down shape of stressmore length. Notice this word is not tomorrow  

  • but it's to. Always make that a schwa. To, totomorrow. Tomorrow is Christmas. Dropped T,  

  • Christmas Eve, Christmas EveEverything linked together.

  • Tomorrow is Christmas Eve.

  • What are you going to do?

  • What are you going to do? Okay, so  again like I said, the question word  

  • is stressed. What are you going to do? And  then our verb is stressed. The other words  

  • said quickly, it is not what are  you going to do. Oh my goodness,  

  • no, that is all syllables, all words  stressed but it's what are you gonna.

  • What are you going to --

  • What are you going to. These  words are all lower in pitch,  

  • they're just coming down from  the what, leading up to the do,  

  • the word are reduces, what are, what are, what  are. And that's a flap T linking. Water, water

  • What are you going to --

  • What are you going to. So the word you said  really quickly, she doesn't reduce the vowel,  

  • it could be ya. What are ya but she says what are  you, what are you, what are you. Going to, gonna.  

  • What are you gonna. What are you gonna do?

  • What are you going to do?

  • Don't you have to be Claymation  to say stuff like that?

  • So, her pitch is high, she's panicked about  Christmas Eve. Chandler makes a joke about  

  • Claymation. What is Claymation? It's this way  of making video that uses stop motion. You have  

  • a figurine, you move it slightly, you take  a picture of it, you move it slightly again,  

  • you take another picture of it. And we have some  very famous popular Christmas specials, you're  

  • probably seen some of them that use Claymation  and in the Christmas special, there's always  

  • something intense happening, we have to save the  day and so that's why he is making fun of her,  

  • don't you have to be Claymation to say stuff  llike that, her panic about Christmas Eve.

  • Don't you have to be Claymation  to say stuff like that?

  • Don't you have to be. Don't you have  to be. So we have stress on don't  

  • and no more stress until Claymation. So you have  to be. We don't really have longer syllables,  

  • we don't really have it up down or  down up but all feeling unstressed

  • Don't you have to be --

  • Don't you. It's pretty common for an endingto mix with a beginning Y to make a CH sound  

  • and that's what's happening hereDon't you, don't you, don't you.

  • Don't you have to be --

  • Except he's not saying you, is heHe's saying yu. He does reduce the  

  • vowel to the schwa. Don't  you, don't you, don't you.

  • Don't you have to be --

  • Don't you have. Don't you have. We're dropping  the H. Don't you have to be, don't you have to.  

  • Pretty confusing but we go right from  the schwa into the ah smooth transition  

  • and then we have the V consonantDon't you have. Don't you have to.

  • Don't you --

  • Then the word to reduces. It's T schwa, Don't  you have to be. Now, V followed by T have to,  

  • often becomes haf-to. So you can make that an  f. Don't you have to be. Don't you have to be.

  • Don't you have to be --

  • Claymation.

  • Claymation. Clay. Up down, clay-mation. So he  

  • sort of stressing clay. Clay. Even  though the most stressed syllable is  

  • may, mation. Claymation. And he's making  this one go up because it's a rhetorical  

  • yes no question. He doesn't actually expect  her to answer it but it is a yes no question.

  • Claymation --

  • to say stuff like that.

  • Claymation, claymation to say  stuff like that. Say. Again,  

  • stress but it's more of a down up  because of it being a yes no question

  • Claymation to say stuff like that.

  • Claymation to say, claymation to say.  

  • To, hmm, no it's not to. It's more of a d schwa  claymation to, mation to, claymation to say.

  • Claymation to say --

  • The t-I-o-n ending here ma-tion  is sh schwa n. Claymation.

  • Claymation --

  • Claymation to say stuff like that.

  • To say stuff like that. To say  stuff like that. And again,  

  • a little bit of stress on that  but it's more of a down up.

  • to say stuff like that.

  • And maybe a super light release  of a true T there. That, that.

  • That --

  • Let's listen to the whole  conversation one more time

  • Hi.

  • Hey, anyone hear from Phoebe yet?

  • No, nothing.

  • I hope she's okay.

  • Yeah. I know exactly what she's going through.

  • How do you know exactly what she's going through?

  • She told us.

  • So what you got there Monica?

  • Just some stuff for the party.

  • Hey, what are you guys doing here? Aren't  you supposed to be Christmas shopping?

  • You guys haven't gotten your presents  yet? Tomorrow is Christmas Eve,  

  • what are you going to do?

  • Don't you have to be Claymation  to say stuff like that?

  • Thank you so much for studying with me. Be  sure to subscribe with notifications on so  

  • you know about each new lesson and keep  your learning now with this video. I love  

  • being your English teacher, that's it and  thanks so much for using Rachel's English.

Do you wait until the last minute to buy  gifts? Joey and Chandler do. Today we're  

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