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  • Hello everybody and welcome back to Tokyo creative play and it is good to see you again.

  • My friends welcome back to the channel today.

  • We're going to be doing some nice painting in the style of bob ross and we're gonna be painting the red mount fuji by by cutting here today.

  • Originally it's supposed to be Mount fuji at dawn.

  • That's why the undertones and the highlights are already in color.

  • So we are going to try to recreate those paintings today.

  • This alcohol is really powerful, powerful for our materials.

  • Today we will be using some white card, not really a canvas but anything works and some paintbrushes and watercolor paints from die.

  • So so for every new set of water colors that you use, you should do a patch test.

  • So I have gone with the liberty of trying out the paints to see how they flow.

  • Also for watercolor, if you want to maintain like a white canvas by right, you should be using masking liquid for the clouds.

  • But I don't think this paper can hold up with the masking liquid.

  • So I'm just gonna like pass on that and try to make do with white paint instead.

  • So I'm just gonna get started I think with some blues as the background.

  • So we're just gonna use a little bit dark blue, a little bit of light though as well.

  • Let's do a dark to light blue gradient for your brush with lots of water.

  • Get started, we want to see lots of blue on there.

  • It's important to kind of just feel as you go put like a little bit of it.

  • But I love too much.

  • Like as long as you feel a sky coming along, let's have a little bit of white.

  • Come here.

  • I'm not really sure how water colors work, but I'm assuming that water helps.

  • So I'm just making it into a very light pale blue paint it on.

  • There we go.

  • What's going on?

  • Quite thick?

  • Oh, that's interesting.

  • The brush, the other hairs on the brush are coming off onto the paint.

  • I don't know what to do.

  • I think it will be okay in the end and I'm sure that it is not meant to be this thick.

  • I'm probably supposed to have added water, add some water to some blue.

  • Oh yes.

  • This looks a lot more how it's supposed to be.

  • I think it's in the name, isn't it watercolor.

  • The first color I'm going to here is making green.

  • It looks green.

  • So I'm going to ask you army suppose likely and thick green coral name is.

  • So I'm going to mix these two curves.

  • The first thing he's having a lot of water.

  • I think it's in the name, isn't it?

  • Watercolor?

  • Yeah.

  • Mm hmm.

  • How many hairs.

  • I think along the corner on the campus exactly keep in mind where the mountain is gonna be, but don't mind it too much.

  • We can always go over it later.

  • Confidence is the key to your strokes, you're just gonna let the paper know that you know you're the boss and it looks like a sky to me and so I think that gives us the confidence to move on to the actual mount fuji.

  • Yes.

  • Okay.

  • I see how water colors work.

  • Now you add water and they become easier to work.

  • But look at that.

  • That's that's way better.

  • I have to show you close up what this looks like.

  • Can you see the individual hairs?

  • Can you see the hairy painting?

  • That's truly disgusting.

  • That's actually a bit repulsive.

  • We're gonna get a tissue and see if I can wipe the hair off.

  • Mm hmm.

  • No.

  • Mm hmm.

  • Him.

  • You.

  • It's fine.

  • Oh yeah, look at that.

  • That might be nicer if I had a bigger paintbrush but that's okay.

  • I wonder if I can improvise something to turn this into a bigger paintbrush.

  • I have a hairbrush, I have a pastry brush that's made of silicon.

  • Yeah.

  • No, I'm not sure if this is going to work but I think that this is going to help with our creativity at the very least.

  • Oh wow.

  • That's not exactly what I'm looking for I think.

  • Mhm mm hmm.

  • Oh yeah, there we go.

  • There we go.

  • It just needs more water.

  • Look at that.

  • Alright, looking pretty good.

  • I don't want to Toot my own horn or anything but not bad.

  • I've just made it worse.

  • But that's okay.

  • That is a beautiful, beautiful red.

  • Next up gonna attempt fuji.

  • So Fuji in this picture obviously is quite red rent and maybe a bit of orange as well.

  • Whole color from here.

  • Yeah.

  • Mhm.

  • Try to make the ship.

  • Oh no, it's pretty big.

  • Oh, okay.

  • Mhm.

  • That's good load your brush with lots of paint and water and kind of just use the darker colors and then bring it down lighter.

  • Okay, It should get lighter on the bottom.

  • Ah My blue paint just went into my reds or my plate is ruined.

  • Now this hook side painting, the fuji is actually a little bit skinnier than I believe it feels in real life.

  • But who knows?

  • Maybe over the years Fuji put on a little bit of weight.

  • Now I can see with the, with the water colors, you can see the other colors a bit through.

  • Mm hmm.

  • I might do the paper towel trick again.

  • Wet paper towel.

  • A good technique if you want to get a nice blend.

  • Just gotta dab it a little bit.

  • Oh, he's a bit, he's a bit lopsided, isn't he?

  • I can see it from this angle.

  • Nice, fresh punchy orange, adding some orange is giving another layer of the Mount fuji's is the symbol of japan.

  • Feel the nature coming in with a fresh palate.

  • Let's load up a little bit more of that orange because we are seeing some bald spots over here and that's not what we want.

  • Um Going back to the orange.

  • We want to get a really washed out color.

  • I would climb Mount fuji if you looked like this.

  • Very nice.

  • Yeah on the top here I need more one brown brown on the campus.

  • I'll mix it all cards and then giving them more texture and more rock feeding and not rock rock ah rock rock cleaning from below.

  • We have a little bit of green creeping up the mountains so so we are going to go into our deep, deep green and a little bit of blue to the green.

  • Actually makes it a little bit with that blue.

  • I might get another paper towel.

  • I'm really confident with the paper towel technique just bring it down, fading it away into the white you know I'm gonna blend it up, a little bit beautiful.

  • Mix that up as we go up, we need a little bit more of that blue, it's still kind of fade it up as we go.

  • I just want a bit of that green hue on the bottom.

  • Oh my god no it's starting to come alive.

  • Okay I think it looks like a pretty fat mountain which is what we like in mountains down the bottom it seems that black seems to creep in like it's so beautiful isn't it?

  • You might need to use a little bit of force kind of lets out all those frustrations, a little bit of anger.

  • Um I don't know what's happening at the top over here.

  • It's alright, it's alright instead of using black.

  • I have gone with the approach of mixing it with a little bit of blue, a little bit of blue goes a long way it is the finishing touches that really make or break your painting.

  • So remember how we mentioned that this was not as light as we wanted it to be.

  • So let's go back in with our blue and really just darken this whole thing, careful of your mountain.

  • Don't forget the corners, the corners of the canvas is equally as important here and cover the tip there a little bit, don't be afraid to use your hands to cover up any mistakes.

  • No one will knows unless you're being recorded professionally.

  • So in here now it's a bit dry so you can add many, many trees as much as you want.

  • It's just continue drawing our little lines.

  • I'm assuming the little trees in the distance.

  • So if you want to you can change the brush side, I'm going to change them.

  • So just imagine that a lot of the animals living here, if you look really closely you can actually see a deer, maybe even a bear.

  • If you're feeling adventurous.

  • Just keeping a wall of trees.

  • A lot a lot a lot of trees.

  • Are you busy?

  • I think I should add a bit of the blue color but yeah, I think for the first time Mount fuji is actually closed for visitors to climb every summer.

  • It opens up and there's a certain period of time where you can climb up Mount Fuji climb up Mount fuji right now.

  • I think 19.

  • The beautiful top was beautiful Costa on the top of a mountain.

  • It's so cold even though it's summer and then eating couple ludo on the top of the mountain.

  • So veracious.

  • You feel so tired, but that was the tastiest.

  • How can the look I've ever heard?

  • It looks like a hairy mountain.

  • Okay, that's what we're going for.

  • We do not take negativity.

  • We are here painting with the joy of our hearts and just trying our best before drawing some snow here.

  • You need to have an army of more graduates graduations.

  • Yeah.

  • Oh my God, sorry.

  • I changed my plans.

  • I'm going to add a nice, nice, nice Bruce guy here.

  • Mm hmm.

  • Okay, these clouds are a bit fat so there's a lot of white detail in the original.

  • There's a lot of clouds.

  • Just gonna go in with a few little clouds.

  • Long boys.

  • I'm not really using a major technique for this.

  • I'm just doing a few little squiggles putting my brush, wonder where it.

  • Once you can see.

  • I've got a little bit of black on the canvas over here.

  • Just a happy little accident.

  • And the black could be anything.

  • It could be a little bit of smoke rising in the distance.

  • It could be a uh, evil cloud I guess now that our paint has dried a little bit more.

  • I am going to potentially sabotage my painting by going in darker.

  • Oh no with my blue here and making the tip, I'm not sure it's called.

  • Thank you guys relaxing what we are drawing or you feel like what the fudge.

  • Okay.

  • You guys think I should have the old blue color and then I draw the crowd later.

  • Maybe that's better now.

  • It's arguably the most important part and that is the white details.

  • Mount Fuji has to have a little bit of a snowy tip.

  • Mm hmm.

  • Okay, big bold stroke here.

  • I feel like that's as Mount fuji as it's gonna get.

  • Mm hmm.

  • Pretty nice.

  • Okay, so now I can start on the white coming down from fuji.

  • Have you come to Japan in summer?

  • It'll be a bit more difficult to see fuji but it is the time to climb fuji.

  • You come to visit in the winter.

  • The sky is so blue and clear a lot of the time and it's very crisp but that's the perfect weather to see fuji.

  • You can usually see this nice snowy top.

  • My done, we have to go big and bold with our clouds to that medium sized round brush.

  • Make sure that the brush isn't tinted by any other color.

  • So it's going to be in like kind of like a speckled speckled pattern.

  • Don't forget the sides of the picture, our Mount fuji is looking pretty Mount fuji esque.

  • So the sky is blue.

  • Now this cloud thinking like a little macaroni kind of so he, this part is going to be all white.

  • So I'm going to use the bigger brush and then nice Casey.

  • Am I done?

  • No, I finished.

  • Is this the end?

  • I did forget to put black up the top of the fuji but it's ok, okay.

  • I'm going to dilute a lot of that white.

  • Actually just try to make that fog.

  • There's my own rendition on Mount Fuji.

  • I don't think it's so bad.

  • They're worse out there.

  • Now there is in the original picture, a little bit of white in between the red and the green.

  • But we're just going to ignore that.

  • I am going to go ahead and give it my own.

  • Mm hmm.

  • So from now I can add a nice black line here and then write the title of the growing at um you've got to sign your name.

  • I'm gonna sign it here.

  • But now that I've signed my painting, this is pretty much it.

  • And the actual one that is a little white plaque here with, I'm guessing the artist's name, but I will be very selfish.

  • And I'll just write Emma Emma.

  • So here's my college today.

  • Wasn't that fun everybody look at that.

  • I feel like mine, even though fuji technically is a volcano, I feel like mine really looks like a volcano like maybe not the same vibe as the original but beautiful nonetheless displayed in my home.

  • For sure.

  • Amazing.

  • All right, well, here's my masterpiece actually looking in the reflection for the camera actually looks really good when it's small.

  • But I think the closer you get to Maura or you can see what I've really done, I will be accepting $100 for this painting if anybody wants to buy it in the description box down below.

  • It looks so good.

  • Oh, about how you enjoy your painting?

  • I guess.

  • I think bob ross would be proud because it's not about how actually good it is.

  • It's just about having a good time.

  • Let us know in the comments down below if you have like a hobby or maybe an art thing that you've picked up while you've been.

  • I say we'd love to know.

  • Thanks for watching.

  • And I'll see you in the next video.

  • Stay safe out there and we'll see you in the next video.

  • We'll be painting life by bye.

  • Oh, that is not good.

  • I feel like it's gonna happen throughout the video.

  • Ah Mhm.

  • Oh God.

  • I'll make sure everyone is happy.

Hello everybody and welcome back to Tokyo creative play and it is good to see you again.

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