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  • Recently I've come across a type of TikTok again and again.

  • It's people making something called seed bombs.

  • There are lots of recipes out there for them,

  • but I'm using part clay, part soil, and a pinch of seeds.

  • You roll them up, let them dry.

  • And then, you throw them,

  • usually at neglected patches of land,

  • in hopes that after it rains, your seed bombs turn into flowers.

  • But seed bombs like these aren't actually new.

  • In fact, they're part of a long history of people transforming their communities, through radical acts of gardening.

  • For centuries,

  • green spaces in cities have offered a way for people living in close quarters

  • to cultivate land and spend time in nature.

  • For New York City in the 1960s and 70s,

  • it was no different.

  • The city back then looked a lot different than it does today.

  • New York City had so many vacant lots.

  • I mean, block after block after block.

  • That's Karen Washington,

  • who's been an urban gardener and farmer in New York since the 1980s.

  • Abandoned buildings, burnt out buildings

  • tossed to the side because the city at that time was going through a huge fiscal crisis.

  • A sharp economic decline,

  • coupled with white flight when people left the city for the suburbs,

  • meant there was mass disinvestment.

  • Buildings were abandoned or left in disrepair,

  • especially in the city's lower income neighborhoods.

  • What was left was urban decay, and thousands of vacant lots.

  • One of the areas facing mass disinvestment in the 1960s and 70s was here,

  • in the Bedford-Stuyvesant, or Bed-Stuy, neighborhood of Brooklyn.

  • It's where, in the 1960s,

  • a resident named Hattie Carthan noticed something:

  • Bed Stuy didn't have enough trees.

  • Usually, trees dot the streets of New York City because the city has invested in planting them.

  • But Bed-Stuy was one of the city's most heavily redlined neighborhoods --

  • a racially discriminatory practice where mortgage lenders and insurance companies

  • denied services to people in certain neighborhoods,

  • which pushed Black people into specific areas.

  • Redlining, by its occurrence,

  • created the conditions for intolerable life.

  • Many redlined areas lack access to green space

  • and have far fewer trees.

  • It isn t just an aesthetic problem:

  • Research has shown trees offer improved air quality and cooler temperatures.

  • And it's part of the reason why, as one study showed,

  • temperatures in redlined areas are approximately 2.6 degrees Celsius warmer

  • than in non-redlined areas.

  • In Brooklyn, after years of neglect,

  • Hattie's neighborhood was losing its trees.

  • She wanted tree-lined blocks again,

  • so she set out to make it happen.

  • At first, raising money within the neighborhood for her efforts was a huge obstacle.

  • She said, "There was no money there, no inclination, and I guess everybody felt I was too old."

  • But at 64 years old, she was relentless.

  • Through her continued pressure,

  • she got the city to offer a tree matching program.

  • They'd give her six trees for every four planted.

  • She took the offer and as some of the only archival footage of Hattie shows --

  • she got right to work.

  • Hattie started a group called the Tree Corps,

  • enlisting local kids to join her.

  • Her helpers have grown from three kids to 30,

  • now fanning out into Bed-Stuy to help to bring living, growing things back to their streets.

  • In less than a decade,

  • she led grassroots efforts to plant 1,500 trees in Bed-Stuy.

  • Hattie did that work of cooling the city,

  • of mitigating some of the effects of redlining.

  • Hattie became known as "the tree lady of Brooklyn"

  • but her work transforming the community didn't end there.

  • In 1968, as part of a wave of redevelopment and urban renewal,

  • the city of New York was slated to demolish four abandoned brownstones

  • in Bed-Stuy, along with the nearly-century-old Magnolia grandiflora tree towering outside them.

  • For two years, Hattie organized against the redevelopment project

  • until she was able to procure historical landmark status for the tree.

  • In fact it's the only living thing in the city still landmarked today.

  • Saving the magnolia spiraled into a way to reclaim three of the brownstones too:

  • she convinced the city to sell them to her for $1,200.

  • She turned the brownstones into the Magnolia Tree Earth Center --

  • a space for children to get environmental education

  • including horticultural workshops,

  • and lessons on how to care for and plant street trees.

  • It's a place where Hattie's story continues to inspire generations of urban gardeners.

  • It was Hattie's grassroots movement that changed what the community looked like.

  • Around the same time, another New York City woman

  • took the idea of radical urban gardening to a new direction.

  • This time, it started with a seed bomb, in the Lower East Side.

  • At the time, it was another neighborhood struggling with abandonment and disinvestment.

  • And in 1973, a local named Liz Christy was hoping to change it.

  • At the very beginning, we were very radical.

  • That's Don Loggins, one of Liz's friends and fellow gardeners.

  • So we made these seed bombs,

  • would go out in the evening and toss them over the fences.

  • And next year it was full of flowers like a little meadow.

  • They had no legal access to spaces,

  • but made it a mission to re-green unloved parts of the city.

  • They started to call themselves the Green Guerillas.

  • Soon, the group turned their attention to one vacant lot

  • here on Houston Street.

  • She was walking by one day, this lot, and it was full of trash, three or four feet of trash.

  • She went back home, called a bunch of us up and said, "We have a project you might like to work on."

  • The group spent a year removing trash, and adding soil, fencing and plants.

  • To take a space that was full of garbage and trash and green it, was a radical concept back then.

  • What originally happened was the city came in and said,

  • "This is our property. You can't use it as a garden."

  • In response, Liz called up the press and tried to get the word out about the Green Guerillas.

  • And eventually, the city backed off.

  • In April 1974, the City Office of Housing Preservation and Development

  • offered them a lease for $1 a month to make it legal.

  • The Green Guerillas named it the "Bowery Houston Community Farm and Garden.

  • It became the first New York City-approved community garden.

  • Soon, residents began planting vegetables,

  • hosting workshops, and sharing knowledge with other gardeners.

  • The community gardening movement exploded.

  • People all across the city started getting $1 leases

  • to turn abandoned lots into green spaces in their own communities.

  • By 1985, there were around 1,000 gardens across the city.

  • Puerto Rican communities were also transforming abandoned lots too,

  • like ones here, in the Bronx.

  • They built gardens, and casitas where they gathered for gardening, music, and community.

  • The gardens are so different.

  • We had people coming in from Chinatown.

  • We had people coming in from Tibet.

  • They got seeds from their family and they had plots that they were growing,

  • vegetables that were native to wherever they from.

  • But these spaces, often tucked away right off busy streets, also offer an oasis in the city,

  • and a place to reconnect with land.

  • People in marginalized communities took something that was devastating, ugly,

  • and turned into something that was beautiful.

  • Community gardens grow communities --

  • for the people, to be run by the people,

  • for the benefit of the people.

  • After the explosion of community gardening in New York City,

  • there have been continuous threats to the spaces.

  • In 1999, Mayor Rudy Giuliani put more than a hundred gardens up for auction

  • in hopes of bulldozing them and replacing them with housing.

  • But gardeners fought back and were able to preserve many of them.

  • Today we're left with over 500 community gardens across New York City,

  • and together they make up over 100 acres of public, open space.

  • Thanks to the work of pioneers like Hattie and Liz,

  • these gardens still provide food, community, and connection for thousands.

  • You've got some red okra.

  • Some cucumbers.

  • I see Hattie as a light.

  • Everything that I created is in the name of Hattie Carthan.

  • Yonette Fleming runs the Hattie Carthan Community Garden,

  • Hattie Carthan Herban Farm, and farmers market.

  • She uses the three acres of land to focus on food access,

  • and a place for youth to become invested in this work.

  • As soon as I wake up, it feels like Hattie's waiting for her work to continue

  • so that her work will be told as a story of women who nurture communities.

  • Of women who go beyond themselves

  • to set the template for life to happen.

  • Hattie and Liz both passed away in 1984 and 1985, respectively.

  • But their work, what started with small but radical acts,

  • can still be seen everywhere.

  • It's in the little patches of green that dot the entire city.

  • The trees that still stand.

  • The gardens that now bear their names.

  • And the people who continue their work.

  • There is that ongoing fear of erasure.

  • We might leave without our stories being captured and told.

  • But we know that just like trees,

  • these works are deep and are lasting.

  • I don't know what the city is going to look like in five years,

  • but I hope that there are still strong allies

  • and still strong radical people to be around to preserve these spaces,

  • which are magical.

  • Thanks for watching this video

  • it’s the last in season two of Missing Chapter.

  • Through our series on hidden histories,

  • we want to help people understand how our past connects to our present.

  • In this season we produced five episodes all across the US.

  • It took two dozen team members

  • and five months to produce.

  • For our next season,

  • we want to cover international stories too.

  • We've been hearing from our viewers all over the world.

  • And we want to expand our examination of the past.

  • Our work takes a lot of resources,

  • but there's a way that you can help us dig into more forgotten histories.

  • If youre able toconsider making a financial contribution to Vox.

  • You can support our work at vox.com/next-chapter

Recently I've come across a type of TikTok again and again.

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